Tag Archives: Severin Films

Carpenter Fest 2 at the Midway Drive-In

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While last night / this morning is still a bit of a blur, we were at the Midway Drive-In yesterday for their From Dusk to Dawn Carpenter Fest 2, where they screened They Live (1988), The Fog (1980), Escape from New York (1981), and In the Mouth of Madness (1994). And what a night it was.

Setting up there as a vendor is not an easy task, especially for some that don’t particularly like being outside in the sun. The things we do for our passions, huh? The temps were in the mid ‘80s with a lot of sun, and you could feel it. Being there around noon to start getting set up, right in the middle of the heat index, it takes its toll on your body. But for events like this, I will be more than welcome to go out of my comfort zone, and I’ll gladly continue to do it.

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DtH: Episode 120 – Michele Soavi

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StageFright (1987), The Church (1989), and Dellamorte Dellamore (1994)

Most horror fans know of the Italian horror genre, if not being huge fans of it in general. From Bava, Fulci, Argento, D’Amato, and the rest, they have helped the Italian horror genre be one of the biggest output of classic films for over three decades. And then in the mid ’90s, it bottomed out. But thankfully for us fans, at the end at that “era of terror”, we got four horror films from a young director named Michele Soavi. From starting his career as an actor, helping him getting on set and moving his way up to assistant director to finally calling “action” himself. He’s worked under the tutelage of directors like Joe D’Amato, Lucio Fulci, Lamberto Bava, and Dario Argento, all working to form his own identity as a director.

In this episode, we’re covering 3 out of the 4 of his titles, which should give you reason to seek them out if you’ve never seen them before or maybe bust them out once again for a revisit. Because sometimes we can forget just how damn good they are.

Films mentioned in this episode:

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Severin Celebrates Sangster!

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Jimmy Sangster is one name that is partially responsible for what Hammer Films is known for. While he may not think that what he did was all that special, he was an essential part of the mechanism that help give birth to a new generation of gothic horror films, resurrecting famous monsters that were not only long-thought passé, but giving them to fans like we’d never seen before.

Sangster had started in the industry, like most, at the bottom, as a third assistant director on the film Third Time Lucky (1949) for producer Mario Zampi. That same year, when Zampi was asked to produce the film Dick Barton Strikes Back for Hammer, he brought a lot of his crew to work on the film, including Sangster, who would now make his Hammer debut as Second Assistant director! At the age of 21, he became Britain’s youngest Assistant Director!

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Book Review: The Ghastly One

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The Ghastly One: The 42nd Street Netherworld of Director Andy Milligan
Revised Edition Published by FAB Press, 2022. 256 pages.
By Jimmy McDonough

This has been one long journey. I started reading this revised edition back in 2023, but for some reason, I kept putting it down for a variety of reasons. There were other projects that got in the way, books I needed to get to that were sent to me to review, and life in general. But first and foremost, it was probably just because it is such a depressing story!

I knew of Milligan from seeing a few of his movie titles on VHS back in the day, namely The Rats are Coming! The Werewolves are Here! (1972) but never watched too many of them. In 2021, when Severin Films released their box set, The Dungeon of Andy Milligan, that featured 14 of his films, I knew I would pick it up. By that time, I had really become interested in a lot of these different low budget filmmakers, such as Steckler, Adamson, Buchanan, and knew that Milligan was one that I really wanted to learn more about. And I wasn’t let down by what I saw.

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Andy Milligan Rises Again!

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If you would have told me a decade ago that I would be praising the work of Staten Island bottom of the basement auteur Andy Milligan, I would have said you’re crazy. I had known about him and a few of his titles but just wrote him off as another low-budget schlocky filmmaker. But a couple of years ago, Severin Films did an amazing thing by releasing a massive box set of Milligan’s work, with a ton of extras. These films looked better than they probably did if/when they played in theaters. As I started to go through the set, I realized that while they are still very low budgeted films, and weren’t the best on the technical side, there was a charm to them that I really started to enjoy. I’ve always said that the more you know about an artist, it will make you appreciate their work a little more. And between that box set and Jimmy McDonough’s book The Ghastly One, I really started to enjoy what I was seeing.

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Movie Review: In My Skin

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Directed by Marina de Van
Starring Marina de Van, Laurent Lucas, Léa Drucker, Thilbault de Montalembert

There aren’t too many movies these days that can really make me squirm, or pardon the pun, really get under my skin. Every now and then there might be a particular scene or sequence that might make me uneasy or even twitch a bit in my seat. But not too often. In the 2025 film Bring Her Back, there were a couple of scenes that did just that. But again, it’s not the whole movie. I also don’t seem to have as big of an issue when something torturous is being done to someone else onscreen. But when a person is doing it to themselves, it just feels… more horrifying and harder to watch.

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Being Thankful

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Every year, people are usually asked, or post something about what we’re thankful for. It usually ranges in being thankful for their family, a good job, being healthy, or a variety of subjects of that nature. A lot of those things are stuff we tend to take for granted every other day of the year. But when you really look, I’m sure you’ll find a little more light than dark in one’s life. Even for us evil horror fanatics!

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DtH Episode 105 – Andy Milligan

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The Ghastly Ones (1968), The Man with Two Heads (1972), and Carnage (1984)

There are not many filmmakers like Andy Milligan. Sure, there’s were a lot of independents during that same era, working with zero budgets that somehow got their finished pictures to play theaters and released on home video. But not too many where their real life was almost as terrifying as the films they made. Milligan could fit into that category. Making over 30 pictures in almost 25 years, with some of the most outrageous and memorable titles, he still remains very close to obscurity. But he does have some fans out there. In fact, a few years ago, Severin Films released a box set that included over a dozen of his films, packed with extras. So why not take a look into this strange filmmaker and three of his films.

But a warning… his films are not for everyone. Some refer to them as high school stage plays that were filmed. They can be mean. Talky. Bizarre camerawork. And pretty shoddy makeup. Nonetheless, they still have a charm to them. To some at least. So, take your next steps with caution, and as the saying goes, “Well… we warned you.”

Films mentioned in this episode:

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The Degenerate: The Life and Films of Andy Milligan

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Growing up in the age of video stores, I was aware of some of the films of Andy Milligan, such as The Rats Are Coming! The Werewolves Are Here! and Tortue Dungeon, just from seeing them on the shelves. But I never was that familiar with him, other than knowing he made some schlocky low budget films. But thanks to Severin Films, when they released their incredible Milligan box set, The Dungeon of Andy Milligan collection, which featured 14 different film titles and a plethora of extras. This amazing set allowed long-time fans, as well as beginners of Milligan’s work to really dig into his films and have the chance to see them looking better than they probably ever have. I know I have watched about a half dozen of the titles so far and have not been disappointed. Yeah, they are low budget, and often like watching a school play being filmed, but I was always entertained by the passion they had.

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DtH Episode 90 – Video Nasties

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Night of the Bloody Apes (1969), Don’t Go in the House (1979), Butcher, Baker, Nightmare Maker (1981)

In 1984, in the U.K., the Video Recording Act was passed, which required certification of all video releases by the British Board of Film Classification, aka BBFC. This all came about due to a list of video titles that a group of various religious and other social groups run by the likes of Mary Whitehouse, deemed unsuitable to be viewed and thought for sure it would help corrupt the youth of England. The initial list had 72 titles on it, both films that had already been released after obtaining a BBFC certificate but now was deemed too offensive, as well as a whole bunch of other titles that were believed to fall under the obscenity law. If you own a shop that rented or sold one of these titles, you could be shut down, fined, and possibly even go to jail for it. And this all took place, not in the dark ages, but in the mid 1980s. Hard to believe it, especially growing up here in the U.S.

Some of those titles have only recently gotten passed and released over in the U.K., even 40 years later. Blows the mind.

In this episode, we discuss not only the whole Video Nasty era, but cover 3 films from that list, with each of us watching all 3 and see if we made it through without turning us into mindless deviants. Oops. Too late.

Films mentioned in this episode:

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