I recently saw a video online of a young man on the spectrum, who had taught himself how to play the piano, before he played an original and beautiful composition called ‘Reflections’. In his opening speech, he said, “Different does not mean wrong. Different minds see different worlds.” I know he was speaking about himself and other neurodivergent individuals, how they react to the world, as well as how the world reacts to them. But what I found interesting in that statement is that it made me thing about us as movie fans, and our opinions on, well… movies.
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DtH Episode 128 – Cryptids (From the Last Decade)
The Hallow (2015), The Ritual (2017), and Antlers (2021)
Cryptids occupy a couple of different categories in modern life. One of them is fun, if a bit kitschy and silly: think concrete bigfoot statues sitting in whimsical gardens or funny little Mothman plaques hanging on the wall. But another is truly terrifying, buried down deep below the surface of our culture and our geography, a place where most people refuse to even touch the soil, much less dig. On this episode, we are going to dig deeply into those terrifying cryptid myths and uncover some wonderful horror films. Because in the last decade or so, a handful of filmmakers have chosen to put spade to soil and go deeply into that taboo territory and yielded some wonderfully horrific results.
Films mentioned in this episode:
Continue readingCriterion Releasing del Toro’s Frankenstein
I can’t say I’m surprised to hear the news yesterday that Criterion will be releasing Guillermo del Toro’s Frankenstein on 4K and Blu-ray this October. They’ve released a lot of his previous films, and have always done such stellar work, so while I’m not surprised, I am damn excited about it. With a planned release on Oct. 27th, the 4K+Blu-ray set will be 4 discs, that will feature 2 versions of the film, both in 4K. It will have the theatrical version on one disc and a new 158-minute extended director’s cut of the film, called Frankenstein: The Reborn Cut, both with Dolby Atmos soundtrack. The Reborn Cut will have a new commentary by del Toro.
Other features on the set include:
Continue readingLady in White 4K
My very first horror convention I went to was in California in April of 1988. One of the guests at that show, promoting his new movie, was writer/director Frank LaLoggia, a ghost story called Lady in White. He had previously written and directed Fear No Evil (1981), which I had not seen at that time. But when Lady hit the theaters, I went to go see it and I was blown away. I’ve always liked traditional ghost stories, one where there is a sort of a mystery to be solved, but yet still be creepy. And this one fit the bill to a tee.
There is something special about a film that is able to capture a moment of history of small-town American, with the good and the bad, that makes you feel like you are there in that same timeless element. Lady in White does just that. A young Lucas Haas plays Frankie, a future wannabe writer who loves to spooky stories, gets locked in the cloakroom at school one night. He witnesses a ghostly murder of a young girl, as if it was happening right in front of him then and there. After nearly dying, he sets off to uncover the truth of what he saw, even though nobody believes him.
Continue readingMystery Photo 6-1
Welcome to June! Almost halfway through the year. Congrats on all of us for surviving so far! Our last photo was from the 2002 war film, Deathwatch, starring Jamie Bell and Andy Serkis. Around that time, there were more than a few of these similar themed war films, about the soldiers being haunted by something, but I remember this one being especially good. Congrats to the following for sending in the correct answer: Aaron AuBuchon, Todd Barwick, Aaron Christensen, Kevin Hart, Erik Martin, and James Turner. Well done!
Now on to this week’s photo. See if you can figure out the title from this wonderful shot of a house that just seems so warm and cozy! Just remember to send your guess to me in an email, to jon@kitleyskrypt.com. And Good Luck!
Horror of Dracula in 4K and UNCUT!
We kind of figured that a 4K release of Hammer’s Horror of Dracula (1958) would be coming out at some point, after the huge release of The Curse of Frankenstein (1957), not to mention several other titles. But what most fans didn’t expect was that it would contain footage never seen before, thought to lost for over six decades! I know when the Blu-ray came out a few years ago, which had a few seconds of long thought lost footage, of the Count’s demise, everyone was pretty excited about that. Those were some extra seconds, but now they are talking about 3 minutes of footage that is being restored into the film.
Continue readingI Don’t Collect Toys… I Don’t Collect Toys…
That is a mantra that I can repeat over and over and over until I’ve lost my voice, but it still won’t change the fact that I see something like this announced and I feel like a little kid again. I know I’ve even said this many times before, but who would have ever thought that we would have a Octaman action figure!?!?! Seriously? But in the past year or two, I’ve gotten a Beast of Blood figure and one from Humanoids from the Deep! And now, thanks to Monstarz Toys, next month you’ll be able to have not only your own Octaman figure, but in 3 different variants: the regular version, a Radioactive Glow version, or a Metachrosis Camouflage version.
Continue readingLittle Shoppe of Horrors – End of an Era
The first issue of Little Shoppe of Horrors I purchased was # 8, which had originally come out in May of 1984. It was probably closer to the mid ’80’s to late ’90s when I picked it up. The main reason was because I was starting to go nuts over Hammer Films and The Vampire Lovers was one of my favorites, and issue # 8 was all about the Karnstein trilogy, so of course I had to get it. And from that issue on, I started to get the latest copy of Little Shoppe of Horrors every time one came out. It really was a Hammer Films fan’s dream come true, because it was so damn informative about not only the films, but those that were involved in making them.
And now, after over 5 decades and 53 issues, it is finally coming to an end. Issue # 53 will be released next month and has a cover story of the making of The Abominable Snowman (1957) by Bruce G. Hallenbeck, as well as an interview with Clive Dawson on the un-filmed Snowman, and an interview with star Forrest Tucker by David Aquino & George Stover. There is also a feature on the making of The Horror of Frankenstein (1970) by John Hamilton, an article by Stephen R. Bissette on John Gillin’s The Gamma People (1956), as well as other amazing pieces such as interviews with Peter Cushing, Christopher Lee, and Anthony Hinds.
Continue readingHammer Unleashes X
Two years before The Blob emerged from a meteor that landed in Pennsylvania and started devouring very old teenagers, over in Scottland, a very similar creature started attacking the locals. Except this one didn’t come from outer space, from within the bowels of the earth. In X – The Unknown (1956), during some mine detection training with the army, the radioactive material used drew the attention of some creature that breaks loose onto the surface, leaving a couple of soldiers with severe radiation burns. Except with no witnesses, and the creature going back down underground, nobody can figure out what could have caused the burns on the men. That’s when you call in the scientist, Dr. Royston, played by American star Dean Jagger, which was a common thing to do for British pictures to help with foreign distribution. You also have Michael Ripper as one of the sergeants in the military.
Continue readingSeverin Celebrates Sangster!
Jimmy Sangster is one name that is partially responsible for what Hammer Films is known for. While he may not think that what he did was all that special, he was an essential part of the mechanism that help give birth to a new generation of gothic horror films, resurrecting famous monsters that were not only long-thought passé, but giving them to fans like we’d never seen before.
Sangster had started in the industry, like most, at the bottom, as a third assistant director on the film Third Time Lucky (1949) for producer Mario Zampi. That same year, when Zampi was asked to produce the film Dick Barton Strikes Back for Hammer, he brought a lot of his crew to work on the film, including Sangster, who would now make his Hammer debut as Second Assistant director! At the age of 21, he became Britain’s youngest Assistant Director!
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