Patrick Stewart – Rest in Peace

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I can’t not mention the passing of Patrick Stewart. I know he’s known more for Star Trek than horror, though he did step into that genre a few times, such as in Lifeforce (1985) or Green Room (2015), but it because of his portrayal of Jean-Luc Picard from the Start Trek series, or even Professor X in the X-Men films. But nonetheless, this incredibly talented actor was much more than just that. I think the best quote I saw after his passing sums up Stewart the best, was from fellow TV starship captain, William Shatner. He posted, “Captain Picard stood for the best of us, and so did the man who played him.”

We can only hope that he helped people, both fans of his work and those that came in contact with him, to be a better person tomorrow than they were today. He saw the best of humanity, both on TV and real life. Our thoughts go out to him and his family during this difficult time. But we know that his work will continue to guide younger fans to think positive and do good in the world. Rest in peace, Mr. Stewart. Gone, but definitely never forgotten.

DtH Episode 134 – Frank LaLoggia with Ben Scrivens

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Fear No Evil (1981) & Lady in White (1988)

Being days before Halloween, now is the time to bust out those classic horror titles. A favorite sub-genre is a classic ghost story to give chills and thrills, as well as telling a really great story, with some endearing characters. A perfect example of that is Frank LaLoggia’s 1989 film, Lady in White, which had recently been released on 4K by Vinegar Syndrome. LaLoggia’s first film, Fear No Evil (1981), has also just come out in a new 4K release from them as well. So, it’s a perfect time to cover both of these LaLoggia films for the holiday.

A friend of the show, Ben Scrivens from Fright Rags, is also a huge fan of Lady in White, as well as having a small part in getting this 4K edition to come out, so we thought he’d be a great guest to join us in discussing these two films.

If you care to read the interview I did with LaLoggia back in the 90s, just click HERE.

Films Mentioned in this episode:

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Interview: Frank LaLoggia

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Way back in the mid-90s, I was involved in a sort of fanzine with several of my friends, called Visions of Darkness. Though we tried to get it distributed to a wider audience, this was pre-internet, so it wasn’t as easy as it is nowadays. But during the short of run of this, I somehow got in contact with director Frank LaLoggia, who had directed one of my favorite ghost story films of all time, Lady in White (1988). In fact, at my very first horror convention, in California in 1988, he was there promoting Lady. I still don’t know how I got in touch with him, but he was gracious enough to chat with me on the phone about his films, Fear No Evil (1981), his follow up, the previously mention, Lady, as well as some other topics. For some reason, I never transferred over to my website once I started that in 1998. Maybe because I want to go through and re-type everything in! But now, many decades after it was recorded and released to a very few people, here it is for everyone to read and enjoy, as well as take heed of some horror stories of working in the film industry. Sure, this was from 30+ years ago, but I’m sure those types are still around. Of course, one of the reasons I wanted to get this out to the public is because our latest episode of Discover the Horror is about two of Frank’s films and thought that a lot of what he talked about, will give viewers a little more understanding of why the final product looks like it does, both with Fear and Lady.

So, sit back and enjoy. Might take a bit since it’s a pretty long interview, but there is a lot of great information and insight in here.

Visions Of Darkness: First of all, your newest film that you mentioned in an earlier email to me was it called Mom?

Frank LaLoggia: Mother.

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Peter Medak – Rest in Peace

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Director Peter Medak passed away on Tuesday, at the age of 88 years old. He had worked in a variety of sub-genres, and worked with many great actors, such as Peter O’Toole and Gary Oldman. But for horror fans, he is known for directing simply one of the best ghost story movies ever made, the 1980 film The Changeling, starring George C. Scott. It creeped me out immensely when I first saw it, and even today still gives me the chills. You’ll never look at an old wheelchair the same way again! Thankfully, because of Severin’s incredibly looking 4K release they did, this film will live on to haunt new viewers for generations to come, and rightly so.

But Medak was able to show the overpowering grief the main character is going through, with the help of a stellar performance by Scott, all inside a classic story of a haunting from a presence that wants to be heard. Without really showing much, other than long panning shots of inside the house, Medak created such an effective and compelling story, that is one that I often revisit. So, for that film alone, I have a lot of respect for him.

Our thoughts go out to his friends and family during this difficult time. Rest in Peace.

New TCM Book

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Being released in January of next year, Titan Books is unleashing The Texas Chain Saw Massacre: The Official Story of the Film by John Walsh. Much like the recent release title on George Romero’s Night of the Living Dead, this brand-new coffee table style book is 176 pages and is going to set you back $50. I have to say, I am very intrigued, but it’s going to need to be an amazing book for me to drop that much for a single book. So, I’m excited, but cautious. But seriously, who would have thought that 50 years ago, this amazing film would be taken seriously enough to have a book like this created? It really does show the power of cinema, and how some films, once thought as trash, would remain as powerful now as it was over a half a decade ago. Funny how thoughts change over a half a century, and that those who once scoffed at movies like this, have been replaced by those that see the brilliance in them.

According to the publisher, this book “offers an in-depth look at the making of the iconic horror movie. This hardback book delves into the challenges and triumphs faced during production, featuring behind-the-scenes photos – some rarely seen – and exclusive archive materials. It includes fresh insights through new interviews with surviving cast and crew, shedding light on the film’s enduring legacy and influence on the horror genre.”

You can pre-order it from Titan’s website HERE, or it will be available on Amazon as well.

House that Hammer Built Volume 4 Available!

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The latest volume of Wayne Kinsey’s incredible series, The House that Hammer Built – the Complete Hinds/Carreras Years (1934-79): Volume 4 (1959-62), is NOW AVAILABLE TO ORDER!!! Keep in mind, that while yes, it is a bit pricy, especially with the postage from the UK, there is only 750 copies being produced. That means if you’re interested, you may just want to get your copy now. These really are some of the best books out there on the history of Hammer Films, as well as the people that worked there. So much information to learn about the Studio that Dripped Blood all within the pages, each packed full of full color photos.

Each volume covers a different era of Hammer Films, from their very beginning in 1934 to the end in 1979, when it was run by the Hinds and Carreras families. This volume continues the story after their huge explosion into the market with their revivals of the classic monsters, with The Curse of Frankenstein (1957) and Horror of Dracula (1958).

The price is £40 ($53.42) + £24.00 ($32.05) Airmail Shipping, which will then run your about $85 in total. But for the size of the book, not to mention all the photos and information in it, I still feel it is well worth it. I have all previous volumes and will continue to buy each one that Kinsey and Peveril publishes. Just click HERE to get to the site to place your order.

To further entice you, here are some of the pages from the latest volume:

World Tour 2026 Comes to an End

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Last Saturday, we were at the Music Box Theatre for their annual 24-hour marathon of movies and madness, which was our last event for this year. As always, it was a lot of fun at the marathon. Granted, it takes me a good 24-hours afterwards to really get back to feeling normal again, but it is always worth it. The fans coming out to that event are so eager, excited, and even anxious to see films they might not have heard of, let along seen. Seen a lot of familiar faces and had more than a few conversations with some of the attendees throughout the event, talking about movies, books, and horror in general, which is one of the best parts of it.

Honestly, because we do this whole vending thing as more of a hobby than a business, the people that I’ve met over the last 30+ years I’ve been peddling books, VHS tapes, posters, or whatever, is really the best part. I’ve made so many friends by doing this crazy thing every year, that these shows really are like family reunions. It’s something I look forward to each and every show, and makes the event better, no matter how much we might sell. So, a huge thank you to everyone that came by our table this year, to buy something, or even just to stop and chat. We look forward to hopefully seeing you all again next year.

Sure, by the time October is over, I am ready to take a break and maybe spend some getting to work on some other projects, but I know by the time the first of the year rolls around, I’ll be counting the days until our first show. Speaking of which, we have updated our 2027 World Tour listing of what shows that we are planning to attend. Enjoy Halloween and see you on the other side!

Mystery Photo 10-26

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It’s almost that time, folks! Make sure you squeeze in as many horror flicks as you can this week, or Halloween parties, or whatever else you can do to celebrate the season! And to help with that, let’s get to this week’s Mystery Photo. But first, let’s review last week’s photo. It was from the 1982 version of The Cat People, directed by Paul Schrader. While not in the same vein as the original, it is still a good one. Congrats to the following for sending in the correct answer: Aaron Christensen, Kevin Hart, and William Wilson. Well done!

On to this week’s photo. Might be an easy one, but one that I felt was pretty fitting for this week. Take a look and see if you can recognize the film it is from. Good Luck!

Tom Skerritt – Rest in Peace

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2026 really has been a real shit of a year, hasn’t it? Honestly though, with then news today of the passing of actor Tom Skerritt, at the young age of 93, leaving 176 film and TV credits behind, it shows us that while we are losing some incredible talent that has given us a lot of entertainment over the years, but that most of that is still around for us to not only continue to enjoy for generations to come, but to be able to always remember them through it. While Alien (1979), wasn’t his first film, that series will never die out, which means the original will always be around, terrifying the next age of horror fans. Some of us older fans remember Skerritt back when he was battling Satan in The Devil’s Rain (1975), or the sheriff in The Dead Zone (1983). Such a great actor and a big loss.

Our thoughts go out to his friends and family during this difficult time. Gone, but never forgotten. Especially when you’re setting down on an alien planet and bring something back!

Movie Review: Sisters of Death

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(1976)
Directed by Joe Mazzuca
Starring Claudia Jennings, Arthur Franz, Cheri Howell, Sherry Boucher, Paul Carr, Joe E. Tata,
Sherry Alberoni, Roxanne Albee, Elizabeth Bergen

The film opens up with a sorority initiation, with two new girls being inducted into the group. Part of the ritual is somewhat of a game of Russian Roulette, except they are using a Derringer which doesn’t have a rotating chamber. Meaning that if there is a bullet in there, it will fire. Nonetheless, in between a loud bang and some screaming, one of the girls does not survive the ritual. Years later, the remaining “sisters” are called back for a reunion in an out-of-the-way secluded mansion. They are picked up and driven to this place by a couple of guys that were just hired to drive them out there and then leave. But like most guys in the ‘70s, they decide to try and stick around to score with one of these five women.

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