Our good friend Ian Simmons, who runs the Kicking the Seat podcast, as well as hosts the Academia Giallo show that I am a frequent guest on, along with Aaron Christensen from Horror 101 with Dr. AC, and Bryan Martinez from The Giallo Room, has recently posted the interview that he and Mr. Martinez were able to do with the Giallo Maestro himself, Sergio Martino. I’ve been meaning to post this, but time has not been so nice to me as of late. But, better late than never, right?
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This year’s January Giallo at the Music Box Theatre started off when a bang! I mean, having the chance to see any Paul Naschy film on the big screen is a rarity as it is, but then to have a screening of Blue Eyes of the Broken Doll (1974) made it even better. What a way to not only start the year off by seeing this Naschy flick on January 1st, but a great way to start off the January Giallo festival as well! I was a little worried being that it was screening on New Year’s Day that the crowd might not come out for it, but I was pleasantly surprised to see a very crowded theater that evening. A very cool evening, indeed.
I was out there for the second screening, the 1978 made-for-TV movie called Closed Circuit, that I’m still on the fence about! Really enjoyed the film but that ending . . . But once again, there was a really good turnout for it. I had planned to hit the next screening, the French film The Strangler (1970), but it was just way too cold to be heading anywhere outside, let alone an hour drive into Chicago.
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I know we had previously announced that Italian director Sergio Martino was going to be at the Music Box Theatre on the 22nd for a screening of his 1973 epic Torso as the last film in this year’s January Giallo series. But the Giallo Gods have smiled upon us once again and have the Music Box has added another Martino classic, The Strange Vice of Mrs. Wardh (1971), starring George Hilton, Edwige Fenech, Ivan Rassimov, and Alberto de Mendoza, which I would consider a very essential title in the giallo sub-genre. This screening will be taking place on Tuesday the 23rd, at 7pm.
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Chicago’s own Music Box Theatre has announced the titles for this year’s celebration of the giallo, and there is a lot to be excited about!!! Not only are they starting off this year’s series with a Paul Naschy film, but they are also ending it with one of the ultimate in the giallo sub-genre, with the director in attendance for a post film Q&A! Just look below to see what films are playing and when:
Continue readingBack in January of this year, Chicago’s Music Box Theatre offered up a series of Italian films from the giallo sub-genre, giving fans a chance to see some amazing titles on the big screen. Next month, they are continuing that tradition, giving us 5 more titles, but not just from Italy this time, showing the international influence of this intriguing sub-genre. You’ll still get 3 titles from Italy, once again showcasing some of the best gialli from that country, but also one from Spain and even one from here in the US, starring a very famous actor/director. Check out the titles and the dates below and start making your plans. These will all be screening in the main theater, with 3 from 35mm and 2 from DCP. For all the latest info about this series, just click HERE.
From the producers of the In Search of Darkness documentaries comes a new one that looks to be just amazing! Nightmare Industry is a new documentary coming out soon that is going to cover the Italian horror film industry. With Phillip Escott and Eugenio Ercolani as the co-directors and producers, I have a great feeling that this is going to be essential viewing. According to Escott, they want to “tell the ultimate story about Italian horror cinema.” He also states that their goal for this project is for fans to learn something, which has my support right there! Escott said “I want them to be entertained. I want them to have fun, because that’s what Italian horror cinema is all about. But I also want them to walk away enlightened. I want them to learn. A lot about what went into making these incredible movies.”
Continue readingFor the last several months, I’ve been honored to be part of the podcast Kicking the Seat, hosted by Ian Simmons, which he has been going through a bunch giallo films and discussing them with myself, as well as Dr. AC aka Aaron Christensen, and Bryan Martinez from The Giallo Room. The episodes are called Accademia Giallo and we’ve covered a wide range of titles from some familiar ones and some more obscure titles, so if you’re a fan, or want to learn more about this sub-genre, check these out.
How would you like to be able to see 8 classic Italian giallo films over two nights on the big screen? Then start making your plans to go to this fall’s Drive-In Super Monster-Rama on Sept. 17th & 18th for their Giallopalooza, taking place at the Riverside Drive-in in Vandergrift, PA. The titles have have announced are some of the best of the sub-genre and are going to give fans a wide range of entertainment, from the over-the-top exploitation style of Sergio Martino (Torso & Your Vice is a Locked Room and Only I Have the Key) or classic giallo like masters like Dario Argento (The Bird with the Crystal Plumage, The Cat O’Nine Tails & Deep Red), Mario Bava’s (Blood and Black Lace), and Lucio Fulci (Lizard in a Woman’s Skin).
Here’s another volume for the library of giallo fans. Alexandra Heller-Nicholas has just released the cover of her newest book, The Giallo Canvas: Art Excess and Horror Cinema, which sounds to be much different look at this popular sub-genre of films. While most books on this sub-genre covers everything from the production and making of, sexual subtexts, and a huge focus on style, this title “explores an overlooked yet prevalent element in some of the best known gialli – an obsession with art and artists in creative production, with a particular focus on painting.” Sounds like a very interesting read, that is for sure. Plus, I love that this is something new to consider about these films, focusing on the art used in these movies. The author will be exploring art that is used by some of the masters of Italian giallo cinema, such as Mario and Lamberto Bava, Dario Argento, Lucio Fulci, Sergio Martino, Umberto Lenzi, and Michele Soavi.
This will be publised by McFarland, but there is no release date as of yet. Stay tuned and we’ll keep you posted.
Darkening the Italian Screen
Published by McFarland, 2019. 334 pages
By Eugenio Ercolani
As fans of Italian genre films, we all know the names of Argento, Bava, Soavi, and (hopefully) Freda. But there were so many that worked in the industry in the ’60s through the ’80s, that so many get lost in the shuffle. Maybe we’ve heard of them, or maybe we know a movie or two they did, but that’s it. That is what I love about this book, that it brings light to more than a few people that had connections to some of the films we love, but maybe didn’t know as much about them.
Going through the list of names interviewed in this book, there were a few that I was familiar with, such as Umberto Lenzi, Ruggero Deodato, Enzo G. Castellari, and Sergio Martino. But even with these guys, there were plenty of interesting and sometimes downright amazing stories to be learned within these pages, especially when we learn about their beginnings in the industry. Other names like Alberto De Martino or Mario Caiano, I was somewhat familiar with, but not a lot. Then there were names that I wasn’t as familiar with at all, such as Giulio Petroni or Franco Rossetti. But the great thing about if you’ve been a fan of the Italian film genre for any length of time, you will have at least heard of the films they are talking about, if you haven’t seen them already. Continue reading
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