Starting tomorrow, I will be out of touch from most of the world for all of next week. I get to go on a fun adventure for work, one of those team building events. And boy am I excited. Trust me, images from Christopher Smith’s movie Severance have been going through my head for the last couple of weeks. If you email me, I will get back to you as soon as I return.
That’s right folks, the Midway Drive-In is doing it again, holding a Dusk-to-Dawn event screening 4 different films from John Carpenter!!! And unless you’re wearing your special sunglasses, you’re going to need to come to this event, buy some popcorn, corn dogs, and cheeseburgers, and spend money on the vendors. OBEY! CONSUME! All of this takes place on Saturday, May 16th. The doors open at 5pm with the pre-show starting at 8pm, so make sure you get there early to not only get a good spot, but also to enjoy a wonderful night at the drive-in!
For those that get there early, we’ll be handing out free sunglasses to the first 100 people in line to get in! Now, we’re not saying that you need to wear these glasses to see what is really going on, but one never knows…. Right before the gates open, we will be out there passing the sunglasses and maybe even some eye patches (in case you’re more Snake Plissken fan than Roddy Piper!) to those in line until supplies last. In other words, make sure you get there early!
Directed by John Carpenter
Starring Sam Neill, Jürgen Prochnow, Julie Carmen, David Warner, John Glover, Charleton Heston, Peter Jason, Frances Bey, Bernie Casey, Wilhelm von Homburg
There have been many, many film adaptations of the works of H.P. Lovecraft, in both short films and feature-length ones. The first one was from Roger Corman, with his 1964 feature The Haunted Palace. It was titled after a poem from Edgar Allan Poe, to keep in line with the rest of the Corman/Poe cycle, but the story itself is entirely based on Lovecraft’s The Strange Case of Charles Dexter Ward, which didn’t get published until after the author’s death. While some films have come sort of close to the original tales, I would say that very few have really captured the essence of Lovecraft’s work. Describing things so terrifying, so strange and weird, that if one was to actually see it, you’d simply go mad. He wrote about things beyond our human comprehension.
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Not to be satisfied with just having their annual 24-hour marathon, for the last few years, Chicago’s own Music Box Theatre has lined the entire month of October with a wide variety of horror offerings, some with special guests, others with just some rare opportunities to see some very unique films. And this October is no different.
If you are in the area of the Music Box, I can’t recommend enough coming out and supporting the theater during this month of programming, for a few reasons. First and foremost, it shows the theater that these kind of events are worth it, meaning they will continue to program events like this in the future. For a guy that used to drive out the this theater in the 90s for a midnight screening of some cult title, only to have 5 other people in the theater, its a wonder they continued at all! So when you can, make sure you show your support by attending one or more of these incredible screenings.
Second of all, you are getting the chance to see some truly great and interesting titles in this lineup. For us classic horror fans, getting to see Charles Laughton as the mad Dr. Moreau in Island of Lost Souls, a film that has themes of bestiality in 1932, not to mention some incredible makeup effects. And then there is having the chance to see Lon Chaney Sr. in The Phantom of the Opera (1925), the original love obsessed stalker! Even though its a silent film, you will be amazed at Chaney’s performance. And that is just the start!
And there so many more listed here. Mark your calendar and make those plans! Just click HERE to go to the Music Box event page.
Oct. 1st – 9:15pm
In My Skin (2002)
Theatre 2 DCP
Peter Jason is one of those actors that you might not know the name, but you know the face. Director John Carpenter, who worked with Jason in 7 of his films, such as Prince of Darkness (1987) and In the Mouth of Madness (1994), called him “one of the great character actors in cinema.” With well over 250 screen and TV credits, Jason appeared in just about everything and every kind of genres. His first role was in Howard Hawks’ last film, Rio Lobo (1970). One of my favorites of his work, even though the overall picture isn’t that great, is the 1982 film Treat or Treats, where he plays someone who’s a bit crazy.
But no matter what he was in, he was always on spot and always entertaining, whether he was trying to be funny, or sometimes scary. Jason passed away yesterday at the age of 80 years old. But he has left us hundreds and hundreds of hours of entertainment that we can watch and remember this incredibly talented man. Our thoughts go out to his friends and family during this difficult time.
Assault on the System: The Nonconformist Cinema of John Carpenter
Published by WK Books, 2020. 460 pages.
By Troy Howarth
The latest volume from our buddy Troy Howarth is on one of my favorite directors. Next to Romero, you’d find at least two John Carpenter’s films in my top 15 films of all time. So how could I not dive into this once I got it? Yes, Mr. Howarth is a friend of mine, full disclosure here, but I think you know me by now not to pull any punches, no matter what I’m reviewing. But honestly, I never have to worry about that with his books because they are always so enjoyable to read, always feeling like a conversation with an old friend. Filled with wonderful stories, great information, and just an easy-going way of telling us this information that it just sinks in.
After a couple of chapters introducing us to Carpenter, giving us his upbringing and background (which really shows the impact on his later life, with his love of film and music), we start to go over his film career. Starting off when he is in film school in California, we do get a lot of information about each of the projects, while Howarth throws in other information about other things that are going on at the same time. It doesn’t just cover the films he directed but the scripts that he wrote, as well as the films he almost made or was even the slightest involved with. It really does show the range that Carpenter had in the different projects that “could have been”. Continue reading
Since I just started reading Troy Howarth’s latest book, Assault on the System: The Nonconformist Cinema of John Carpenter, I thought it might be an interesting (though probably an easy one to call) question to see what your favorite John Carpenter film is. Now, as I said, I know there is going to be a lot of answers for the obvious choice, which would be Halloween (1978), which is fine because you can’t be wrong in what is your personal favorite. I’m sure The Thing (1982) is going to be up there as well. But I am curious to see if there will be any other titles named, such as The Fog (1980) or maybe even In the Mouth of Madness (1995). Continue reading
Terrifying Texts: Essays on Books of Good and Evil in Horror Cinema
Published McFarland, 2018. 268 pages.
Edited by Cynthia J. Miller & A. Bowdoin Van Riper
When I came across this title, I was immediately intrigued by it because, strangely enough, I didn’t know of anybody else who had tackled this subject matter before. In fact, the more I read through it, I was amazed at that fact because there are more movies that deal with this subject that I had thought. It’s one of those that as you’re reading and they mention another movie, you immediately think “Oh yeah… I forgot about that one!” Needless today, I really enjoyed this one!
As a book person myself, this had me right from the opening Introduction, where it reads, “Books are revered – and feared – for their ability to affect the minds and hearts of humankind. We collect them, pore over them, commit their passages to memory, censor them, and even attempt to banish them from our midst, lest they lead us to ruin.” Any book lover is going to be nodding their head while reading that, knowing and agreeing with exactly what the authors are saying… or writing, technically. Continue reading
With only a month to go, the Music Box Theater announced on their website more titles for their upcoming 24-hour marathon, known as the Music Box of Horrors, as well as a special guest announcement.
Chicago’s first and foremost 24-hour marathon is back again this year for another fun-filled, terror-packed deluge of demented cinematic treasures! This year’s event will be taking place from noon on Saturday, Oct. 7th to the following noon on Sunday.
What do they have in store for you this time? Well, more details will be coming soon, and trust me, you won’t be disappointed. But so far, they have announced that they will be screening John Carpenter’s highly underrated, Lovecraftian tale, In the Mouth of Madness (1994), a rare screening from the only surviving 16mm print of Rusty Cundieff’s Tales from the Hood (1995), and one of the THE best Christmas horror movies ever filmed, Rare Exports: A Christmas Tale (2010).
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