Midwest Gore Fest have teamed up with Severin Films for a Michele Soavi double feature at the Hollywood Blvd. Theater in Woodridge, IL, on May 25th!
They will be screening Dellamorte Dellamore (1994) and The Church (1989), with the first feature starting at 8pm. Tickets are only $15 so make your plans now! Just click HERE to purchase your tickets.
Severin will also have a pop-up table before the screenings where you can not only pick up the 4K releases of both these incredible films, but many other great titles.
Earlier this month, Damien and Aaron, and I, your wonderful hosts of Discover the Horror Podcast, all met up at the spring show of Cinema Wasteland. Not only did we have the usual great time, but we also took some time to record some of other’s thoughts on why they like coming to Cinema Wasteland, and what is it about it that sets it apart. Below is the result! Make sure you like and subscribe (and share) the Discover the Horror YouTube channel, where we will have more stuff coming!
This truly is a great time to be alive as a crazy cinephile. Just about every day, new amazing looking releases of some of our favorite films are announced, as well as some almost forgotten films brought back from the edges of obscurity for a whole new generation of fans to enjoy. And one of the companies at the forefront is Severin Films, who continues to amaze us fans with the quality of their releases. From their massive box sets to the incredible special features that accompany all of their releases Severin is educating as well as entertaining a whole generation of horror, cult and exploitation fans.
To help us discuss all things Severin, we figured why not invite the man behind the label, co-founder David Gregory himself! Join us while we talk about Video Nasties, how Severin got started, and why they continue to do what they do!
This year’s January Giallo at the Music Box Theatre started off when a bang! I mean, having the chance to see any Paul Naschy film on the big screen is a rarity as it is, but then to have a screening of Blue Eyes of the Broken Doll (1974) made it even better. What a way to not only start the year off by seeing this Naschy flick on January 1st, but a great way to start off the January Giallo festival as well! I was a little worried being that it was screening on New Year’s Day that the crowd might not come out for it, but I was pleasantly surprised to see a very crowded theater that evening. A very cool evening, indeed.
I was out there for the second screening, the 1978 made-for-TV movie called Closed Circuit, that I’m still on the fence about! Really enjoyed the film but that ending . . . But once again, there was a really good turnout for it. I had planned to hit the next screening, the French film The Strangler (1970), but it was just way too cold to be heading anywhere outside, let alone an hour drive into Chicago.
Chicago’s own Music Box Theatre has announced the titles for this year’s celebration of the giallo, and there is a lot to be excited about!!! Not only are they starting off this year’s series with a Paul Naschy film, but they are also ending it with one of the ultimate in the giallo sub-genre, with the director in attendance for a post film Q&A! Just look below to see what films are playing and when:
Let’s face it: horror fans are, as a group, a little bit obsessive. When we sink our teeth into something we do not do it barely or easily, we take a big, honkin’ bite. If we become infatuated with a director, we want to see every film they’ve made, read a book about them, hear people talk about them, watch documentaries about them, and so on. And the same is true for national horror cinemas, regional American horror cinemas, important eras, actors, subgenres, and the like. And in recent years, a handful of visionary producers of physical media have recognized an opportunity in our longing and have invented and are currently inundating us with boxed sets. These comprehensive, exhaustive, wonderful monsters have become a gravitational center point for our genre. But just a handful of years ago they mostly didn’t exist or were announced only every few years. Nowadays, we get several per year from companies like Severin, Vinegar Syndrome, Indicator, Arrow, and Scream! Factory, just to name a few. So, we figured it was time for Discover the Horror to take a long look at the history and impact of these monolithic pieces of film history.
Perdita Durango (1997), Common Wealth (2000), Witching and Bitching (2013).
There are a few directors like Álex de la Iglesia. No matter what kind of film he’s making, he weaves in and out of different genres like changing lanes on a busy highway. But no matter what, you will usually see his twisted and dark sense of humor, unique and interesting stories, and usually something you’ve never seen before on film. And that could all be before the opening credits!
In this episode, we dive into three of his features, one a brutal tale of sex and violence, one a tale of greed and what people will do because of it, and finally a supernatural tale of witches that is quite different than anything coming from Disney!
This last Saturday, we ventured back to the Indianapolis area, twice in the last two weeks, for this year’s Super Monster Movie Fest at the Skyline Drive-In in Shelbyville, IN. Normally, we are there for both nights of fun, but due to some work issues, we couldn’t make it for the Friday night screenings, but did come out for Saturday. We got to see The Invisible Man (1933), John Carpenter’s The Thing (1982), 30 Days of Night (2007), Dead Snow (2009), and The Crawling Eye (1958).
On Saturday, September 9th, at the Skyline Drive-in in Shelbyville, IN, Severin Films is inviting you to their sleepover! They will be screening 5 features that they have released but now giving you the chance to see them on the big screen! And trust me, having the opportunity to see these particular titles on the big screen is a pretty big deal!
Back in the ’80s, in the midst of the video boom, there would be these awesome promo items the video companies would release. There was the Re-Animator (1985) paperweight, or the pack of matches promoting The Burning (1981), a Vamp (1986) credit card, and even a real box cutter for Blood Cult (1985). These of course, are highly collectible now and are a great reminder that those video companies understood the ballyhoo and doing little things to help promote the films they were releasing.
In today’s world of DVDs, Blu-rays, and 4K releases, Severin Films are taking promo items to the next level.
Who could ever imagine that someone would create a plush toy for the notorious Italian gore film’s main character from Anthropophagus while he is eating his own intestines? Severin did. Why? Because they are as big of fans of these films as those who are buying their releases. Severin head guy, David Gregory is one of us. So, he makes these amazing items because he knows how damn cool they are! But they haven’t stopped there.
kitleyskrypt.com 