We kind of figured that a 4K release of Hammer’s Horror of Dracula (1958) would be coming out at some point, after the huge release of The Curse of Frankenstein (1957), not to mention several other titles. But what most fans didn’t expect was that it would contain footage never seen before, thought to lost for over six decades! I know when the Blu-ray came out a few years ago, which had a few seconds of long thought lost footage, of the Count’s demise, everyone was pretty excited about that. Those were some extra seconds, but now they are talking about 3 minutes of footage that is being restored into the film.
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Coming to Blu-ray for the first time in the U.S., Warner Archives has announced a new 2-disc special edition of Hammer’s The Curse of Frankenstein, the movie that really put the Studio that Dripped Blood on the map. This new release will contain 75 minutes of new documentary work, audio commentary by Screenwriter/Film Historian Steve Haberman and Filmmaker/Film Historian Constantine Nasr. You’ll get to hear from some of Hammer’s best scholars, such as Richard Klemensen discussing the history of the film, cinematographer and producer David J. Miller discussing Hammer’s underrated cameraman Jack Asher, as well as hearing from Christopher Frayling, Christopher Drake, and so much more.
While there are a few books previously on Terence Fisher, from authors like Peter Hutchings, Paul Leggett, and Wheeler Winston Dixon, I think it is still not enough coverage on this director, who’s name should be right up there with the likes of Romero, Carpenter, Cronenberg, Bava, Argento, and the rest of the horror elite. Now hopefully with this new book by Tony Dalton, Terence Fisher: Master of Gothic Cinema, that will make the change.
For fans of Hammer Films, especially The Brides of Dracula (1960), you knew the stunning beauty that was Andrée Melly, who appeared as one of the brides. This was her only Hammer film, but she also appeared in another Terence Fisher film, The Horror of It All (1964), alongside Pat Boone and Dennis Price. But one couldn’t watch Brides and not be enamored with her, along with Marie Devereux as the other bride (who we also recently lost last December). Seeing them transformed from young school girls to fanged creatures of the night, they once again showed why Hammer Films are still be watched and remembered with so much fondness today.
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