Two years before The Blob emerged from a meteor that landed in Pennsylvania and started devouring very old teenagers, over in Scottland, a very similar creature started attacking the locals. Except this one didn’t come from outer space, from within the bowels of the earth. In X – The Unknown (1956), during some mine detection training with the army, the radioactive material used drew the attention of some creature that breaks loose onto the surface, leaving a couple of soldiers with severe radiation burns. Except with no witnesses, and the creature going back down underground, nobody can figure out what could have caused the burns on the men. That’s when you call in the scientist, Dr. Royston, played by American star Dean Jagger, which was a common thing to do for British pictures to help with foreign distribution. You also have Michael Ripper as one of the sergeants in the military.
Continue readingTag Archives: Jimmy Sangster
Severin Celebrates Sangster!
Jimmy Sangster is one name that is partially responsible for what Hammer Films is known for. While he may not think that what he did was all that special, he was an essential part of the mechanism that help give birth to a new generation of gothic horror films, resurrecting famous monsters that were not only long-thought passé, but giving them to fans like we’d never seen before.
Sangster had started in the industry, like most, at the bottom, as a third assistant director on the film Third Time Lucky (1949) for producer Mario Zampi. That same year, when Zampi was asked to produce the film Dick Barton Strikes Back for Hammer, he brought a lot of his crew to work on the film, including Sangster, who would now make his Hammer debut as Second Assistant director! At the age of 21, he became Britain’s youngest Assistant Director!
Continue readingDtH Podcast Episode 108 – Hammer’s Frankenstein Part 1
The Curse of Frankenstein (1957), The Revenge of Frankenstein (1958), and The Evil of Frankenstein (1964)
What can you say about the Hammer Frankenstein films that hasn’t been said before?
Well, a lot, actually!
In 1957, a relatively small, mostly unknown studio made a film that would forever change horror and kick off a cycle of sensual, bloody, and atmospheric fright flicks that would dominate the genre for around twenty years. To say that The Curse of Frankenstein is a classic is almost like saying that water is wet, but it is also a film that lives up to its reputation. It and its sequels are films that not only deserve regular revisits, but they also belong in more modern conversations about horror. While nearly all the films shard crewmembers and all but one were directed by Terence Fisher, one constant defined the series: Peter Cushing’s mesmerizing take on Victor Frankenstein, equal parts gentleman and ghoul.
On this episode we look at the first three films in the Cushing Frankenstein cycle, and in a very real way, make a pilgrimage to one of horror’s holy places. We love these films, and we hope that either you do too, or that you will by the time you are done listening.
Films mentioned in this episode:
Continue readingCurse of Frankenstein on 4K
This is something Hammer fans have been waiting a long, long time since the new owners of the studio started releasing some amazing 4K editions. They have finally has announced the next title getting their all-star treatment is none other than The Curse of Frankenstein (1957), the film that really put them in the big league. While they started to get attention with their two Quatermass films, once Curse hit the theaters, including the US, it just exploded. And now, the wait is over. Sort of.
Continue readingMovie Review: The Brides of Dracula

(1960)
Director Terence Fisher
Starring Peter Cushing, Yvonne Monlaur, David Peel, Martita Hunt, Freda Jackson, Miles Malleson, Andree Melly, Marie Devereux, Michael Ripper
While most “normal” critics would look down on a horror film, yes… even ones from Hammer Studios, this is a perfect example of how well made these pictures really were, from the acting, the production design, to the look and lighting of the entire running time. If you ever doubted that, just watch this 2K scan of The Brides of Dracula recently released by Shout Factory on Blu-Ray. Continue reading
Book Review: The Encyclopedia of Hammer Films
The Encyclopedia of Hammer Films
Published by Rowman & Littlefield Publishing Group, 2019. 589 pages.
By Chris Fellner
Being a die-hard fan of all things Hammer Films, I’m always ecstatic to learn of another book on one of my favorite studios coming out. Now before we get into the blood and guts of this release, we need to cover the obvious… the price. Retailing at $145 (though Amazon has it listed for just under $100), while this is a good size hardcover edition, at 589 pages, that is still a hefty price tag. Though with the recent release of Howard Maxford’s Hammer Complete, published by McFarland, it is impossible not to compare the two. Maxford’s book is 984 pages, a bit larger in size and has much smaller type, and retails at $95. What this means is you get just what the title says… Hammer Complete! So the cost alone would make the decision even easier if you only had to pick one volume.
Because of the huge scope of the film studio, it is difficult to cover everything and everyone, which is where Fellner’s book falls short. There were more than a few names missing having their own entries, such as John Carson, who appeared in three different Hammer titles and one appearance in one of their television series. Other notables excluded were talents such as Richard Wordsworth or George Woodbridge. These actors usually never played the main characters but were one of the many reasons these films stood out. Being wonderful character actors in the background, they filled out a scene as if it was a brilliant painting. Even Guy Rolfe, who played the title character in Mr. Sardonicus for William Castle, starred in The Stranglers of Bombay, does not have his own mention. But again, it is going to be a difficult task to include every single thing that has to do with Hammer. Except, Maxford’s book sort of does that. Continue reading
Movie Review: Greasepaint and Gore

Greasepaint and Gore (2004)
Directed by Russell Wall
Tom Savini. Rick Baker. Rob Bottin. Steve Johnson. All of these names are pretty well known to most horror fans. What about Phil Leakey and Roy Ashton? I’m sure you’re familiar with the films put out by Hammer Studios throughout the 50’s to the 70’s, right? If so, then even if you might not know their names, you know the work of Leakey and Ashton. Continue reading
Movie Review: The Crawling Eye (1958)

The Crawling Eye (1958)
Directed by Quentin Lawrence
Starring Forrest Tucker, Laurence Payne, Jennifer Jayne, Janet Munro, Warren Mitchell, Frederick Schiller, Andrew Faulds, Stuart Saunders, Colin Douglas
The Trollenberg Terror originally was a TV serial from 1956, with writer Peter Key trying its best to replicate what Nigel Kneale had been doing. Unfortunately, none of this original series exists so it’s hard to judge it, but damn wouldn’t it be cool to see now? In 1958, a film version was made, this time written by Hammer’s own Jimmy Sangster. It was released in the UK under the same title, but here in the states, it got re-titled to a much more appropriate moniker…The Crawling Eye! I mean, let’s face it, what sci-fi/monster kid wouldn’t be lined up to see that film back then?
Horror History: Jimmy Sangster
Jimmy Sangster
Born Dec. 2nd, 1927 – Died Aug. 19th, 2011
When discussing the Hammer family, Jimmy Sangster was there at the start of their rise, not to mention having a big part of it. He started with Hammer at the bottom, working his way up through the ranks, as second unit director, assistant director, production assistant, production manager, then finally into writer, producer and director. But while he may have held many different titles in the industry, it was as a writer where he made his real mark.
By the time that Hammer was going to do their version of Frankenstein, Sangster had worked on over 30 films as either Production Manager, or Second Unit Director or Assistant Director. He had written screenplays for one short film and one feature by then, both for Hammer. The short film was A Man on the Beach and the feature was X the Unknown (1956), sort of their version of The Blob (1958) even though that came out two years later! But he was given the task to write this new version of Shelley’s tale, but told to make sure he stays away from Universal’s version, in fear of getting sued for copyright infringement. He decided to focus more on the creator than the creation, which started Hammer toward their path to being know as The House of Horror!
Inside Hammer: Book Review
Inside Hammer
By Jimmy Sangster
Published by Reynolds & Hearn, 2001. 160 pages.
Sangster had already written autobiography, Do You Want It Good Or Tuesday?, which was very interesting, but he felt that he didn’t cover enough about Hammer that his fans probably wanted. With this new title, Sangster sticks to really what he’s famous for, and that is working with the Studio that Dripped Blood! Sangster covers every film that he worked on with the famous studio; from his first film Dick Barton Strikes Back as a lowly assistant to his last film Fear in the Night as writer, producer and director. Here are some my favorite parts of the book:



