Tag Archives: Vincent Price

DtH Episode 116 – Corman / Price / Poe

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House of Usher (1960), The Pit and the Pendulum (1961), and The Masque of the Red Death (1964)

In the beginning of his career as a producer / director Roger Corman was known for cranking out cheap and fast black and white pictures that always made money. He worked in all genres, but it was mainly the horror and sci-fi pictures in the mid to late ’60s he was known for. All that changed in 1960, when he convinced AIP to let him adapt a story from Edgar Allan Poe, but in color, with a bigger budget, and longer shooting schedule. That started a new phase of Corman’s career, which also made an even bigger star of Vincent Price.

In this episode, we take a deep dive into three of these Poe adaptations, and not necessarily looking in the faithfulness of them, but in their production, the incredible casts, the look, the style, as well as the feel of them. They really do get better each and every time you watch them. Hopefully after listening to this episode, you’ll decide to either venture down this dark path for the first time or take a revisit to admire the doom and gloom they all have.

Films mentioned in this episode:

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Hammer Presents More British Horror

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This is one thing I did not expect to happen but am thrilled at the aspects of it. Okay, maybe my wallet isn’t, but that’s a problem for Future-Jon to worry about! The new Hammer Films company, under the leadership of John Gore, has been making a lot of fans of the studio very happy with their amazing releases of some of their classic titles, such as the first two Quatermass movies, Captain Kronos, as well as The Curse of Frankenstein (1957). But now, not only are they going to continue to do that, but they are also going to be putting out other British horror titles from different studios under the banner Hammer Presents.

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Movie Review: House on Haunted Hill

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(1959)
Directed by William Castle
Starring Vincent Price, Carol Ohmart, Richard Long, Alan Marshal,
Carolyn Craig, Elisha Cook Jr., Julie Mitchum, Leona Anderson

I can vividly remember renting this film for the first time on VHS. I’m not sure if I had seen it on TV at some point before in my life, but I knew of it. But once I became a dedicated fan, starting down that road to see every horror film that I could, this was one of those rentals. This was even before I had my own VCR but would rent a few films and take them over to my future in-laws during a Saturday afternoon and sit and watch 3 films back-to-back.

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Royalty at HorrorHound Weekend

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While the horror conventions are filled with guests from the latest horror films out there, such as the Terrifier films, who have been making the rounds for almost the last decade, we also see names from the Child’s Play movies, Re-Animator (which is making its 40-year anniversary), guests from the Hellraiser films, and many more. We even get some big names like Robert Englund still making the rounds. But when it comes to the decades even before all of them, going back 60 years, there aren’t too many of them left that made the impact that Barbara Steele did.

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Roger Corman – Rest in Peace

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I know we like to throw around the word legend when we talk about people in the film industry, but that moniker doesn’t even fit Roger Corman. That title would fit him if only because of the amount of talent that he helped come up through the ranks by giving them a chance. But it goes so far beyond that. The number of movies that he both directed and produced, on the budgets they had, and yet still turned out incredibly entertaining films, is the true testament to this man’s legacy.

While only directing 56 titles, he’s produced almost 500 in his career that has spanned over 7 decades! And no matter how cheesy some of those earlier films he made in the ’50s were, the fact that they are still cherished and remembered today shows us his talent. But then he changed all of that in the ’60s with the Poe films he did with Vincent Price. That changed the genre, once again.

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DtH Podcast: Episode 59 – Ghost Stories for Christmas

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Tower of London (1962), Ghost Nursing (1982), and Stir of Echoes (1999).

Believe it or not, but it’s a tradition to tell spooky stories around Christmas time. Just think of Charles Dickens’ A Christmas Carol! While some tales might be told to give one pause about how they are acting towards others, to maybe change your ways, or some told to pass on a message of hope, while others are there just to scare the crap out of you! 

In this episode, we’re going to cover three completely different films that all deal with ghosts, in a variety of settings, times, and even countries! This just shows how international the ghost story is, though maybe changed around a bit depending on your beliefs, there is always a reason for these spirts to appear.

Movies mentioned in this episode are:

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Discover the Horror Podcast: Episode 55 – Universal’s The Invisible Man

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The Invisible Man (1933), The Invisible Man Returns (1940), and The Invisible Man’s Revenge (1944).

In the pantheon of Universal Classic Monsters, some might say the Invisible Man is the least terrifying in the monster heritage, or maybe even bordering on if they even belong in the horror genre. In this episode, we’re going to delve into three of the films in Universal’s Invisible series, for the most part, stay within the horror genre, though, that argument will be addressed as well! We’re leaving out The Invisible Woman and Invisible Agent, since they are pretty much either a comedy or a war time action film. 

Join us as we try to “see” more into these films that maybe aren’t as “transparent” to the casual viewer who might have missed something. Or maybe we’re seeing too much and not finding them too entertaining. Want to know? You’ll have to listen and find out!

Movies mentioned in this episode:

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Movie Review: The Bat (1959)

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The Bat (1959)
Directed by Crane Wilbur
Starring Agnes Moorehead, Vincent Price, Gavin Gordon, John Sutton, Lenita Lane, Darla Hood, Elaine Edwards

Let’s be straight right from the start. This is not a horror film. BUT . . . if you’re a fan of the ‘old dark house’ types and dark thrillers, then you are going to want to watch this anyway. It’s got a great cast and not to mention it is a fun little picture.

The Bat stars Agnes Moorehead, not yet famous playing the witchy mother on the TV show Bewitched in 1964, but here she plays Cornelia van Gorder, a mystery writer that has rented an old house that has a past of murder by a masked character named The Bat. Because of its reputation, the staff doesn’t stay long so it is up to her and her secretary to fend for themselves. Bodies start to pile up, plenty of red herrings, hidden passageways, all the while Cornelia tries to figure out how she would have written this mystery in order to discover who the killer is.

While Vincent Price’s name is usually all over the place, he really is a supporting character, but nonetheless, any time he shows up onscreen, it’s always a plus. Also in the cast is Gavin Cordon, who’s voice might be more recognizable than his face. He played Lord Byron in the opening segment of The Bride of Frankenstein (1935). John Sutton, who plays the butler, appeared with Price in The Invisible Man Returns (1940). And Darla Hood, all grown up for her stint with the Little Rascals in the Our Gang shorts, appears as one of the houseguests. This would be her last film appearance.

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Friday Favorites: Trilogy of Terror

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As most of us know, the 26th & 27th of this month was the birth date of three of the biggest icons in the horror genre (though one is probably still not happy about that!). Of course, it would be Peter Cushing (born May 26, 1913), Vincent Price (born May 27th, 1911), and Christopher Lee (born May 27th, 1922). Whether it is because of the multiple titles from Hammer Studio, the work with AIP, or William Castle, these three actors have given us horror fans countless hours of chills, shivers, and entertainment. I couldn’t let these two days go by without posting something in honor of these iconic actors.

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Horror History: Hazel Court

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hazelcourtHazel Court
Born Feb. 10th, 1926 – Died April 15th, 2008

While the gorgeous Hazel Court really got horror fan’s attention when she starred opposite of Peter Cushing in Hammer’s Curse of Frankenstein (1957), she had already appeared in couple of horror titles, such as Ghost Ship (1952) and Devil Girl from Mars (1954).  But it was Curse that made her known as an early Scream Queen. 

She would appear in Hammer’s The Man Who Could Cheat Death in 1959, in the underrated film Doctor Blood’s Coffin in 1961, before hitting it big with Roger Corman fans in three of his Poe films, Premature Burial (1962), The Raven (1963), and The Masque of the Red Death (1964), where she got to work with other horror icons like Boris Karloff, Vincent Price, and Peter Lorre.

Not only very appealing to the eyes, Court was a fine actress that could play the villainess just as easily as the heroine. In 2008, she released her autobiography entitled Hazel Court: Horror Queen.