Tag Archives: Barbara Steele

HorrorHound This Weekend!

by in Conventions and tagged , , , , , , , , , | Leave a comment

Our next stop on the 2026 Kryptic World Tour is back in Cincinnati for HorrorHound Weekend! Not only do they have a hell of a lineup, but for fans of Euro-Horror, they have some real royalty appear at this show. First and foremost, we have Barbara Steele, who appeared in so many incredible films in the ’60s, working with some amazing directors, such as Mario Bava and Antonio Margheriti, amongst others. But we also have Lamberto Bava appearing as well, director of both Demons (1985) and Demons 2 (1986), just to name a few. And to make the Demons connection even better, we have Geretta Geretta, who played Rosemary in Demons, and Coralina Cataldie-Tassoni who played Sally in Demons 2, as well as her co-star David Edwin Knight! So, it will be a nice little Demons reunion! I couldn’t recommend taking the opportunity to meet Bava and Steele at the show. Who knows now many more shows they will be attending, so make sure you don’t regret it later!

Continue reading →

DtH Episode 116 – Corman / Price / Poe

by in Discover the Horror Podcast and tagged , , , , , , , , , , , , , , , | Leave a comment

House of Usher (1960), The Pit and the Pendulum (1961), and The Masque of the Red Death (1964)

In the beginning of his career as a producer / director Roger Corman was known for cranking out cheap and fast black and white pictures that always made money. He worked in all genres, but it was mainly the horror and sci-fi pictures in the mid to late ’60s he was known for. All that changed in 1960, when he convinced AIP to let him adapt a story from Edgar Allan Poe, but in color, with a bigger budget, and longer shooting schedule. That started a new phase of Corman’s career, which also made an even bigger star of Vincent Price.

In this episode, we take a deep dive into three of these Poe adaptations, and not necessarily looking in the faithfulness of them, but in their production, the incredible casts, the look, the style, as well as the feel of them. They really do get better each and every time you watch them. Hopefully after listening to this episode, you’ll decide to either venture down this dark path for the first time or take a revisit to admire the doom and gloom they all have.

Films mentioned in this episode:

Continue reading →

HorrorHound Next Weekend!

by in Conventions and tagged , , | 1 Comment

That’s right, kiddies! Next weekend we will be heading to Cincinnati for our first show of 2025, and it feels like forever since we’ve been able to hang out with so many other like-minded deviants! They have a damn good guest lineup with some horror royalty appearing, such as the one and only Barbara Steele, star of classics like Mario Bava’s Black Sunday (1960), Roger Corman’s The Pit and the Pendulum (1961), David Cronenberg’s Shivers (1975), Joe Dante’s Piranha (1978), and so many more. Also attending is Linda Blair, a reunion from Evil Dead (2013) with Jane Levy, Shiloh Fernandez, and Lou Taylor Pucci, Christina Lindberg from Thriller: A Cruel Picture aka They Call Her One Eye (1973), 11 guests from the Terrifier films, Henry Winkler, and many more. You can find all the latest and full guest lineup by clicking HERE.

Continue reading →

Royalty at HorrorHound Weekend

by in Conventions and tagged , , , , , , , , , , , , , , , , | Leave a comment

While the horror conventions are filled with guests from the latest horror films out there, such as the Terrifier films, who have been making the rounds for almost the last decade, we also see names from the Child’s Play movies, Re-Animator (which is making its 40-year anniversary), guests from the Hellraiser films, and many more. We even get some big names like Robert Englund still making the rounds. But when it comes to the decades even before all of them, going back 60 years, there aren’t too many of them left that made the impact that Barbara Steele did.

Continue reading →

Movie Review: Kinski Double Feature

by in Reviews: Movies and tagged , , , , , , , , , , | Leave a comment

Once again, I’m discovering more and more some films that I might have seen back in my 20s or 30s, that I never really paid much attention to. I must have watched them and then forgot about them because they left no real memory with me. It might be because of the shabby releases of them that always seemed to be around, where the quality was pretty rough, so you figured the film itself had to be cheap as well and not worth your time. Thankfully, as we grow older, we really do become a little more serious in our movie viewing and pay more attention to what we are watching. At least, I know I do. A prime example is this new release from Film Masters, a Kinski double feature, of Creature with the Blue Hand (1967) and Web of the Spider (1971). And when the films are presented like they are here, it really is worth your time.

Continue reading →

Euro Horror from We Belong Dead

by in Book News and tagged , , , , , , , , , , , , | Leave a comment

The fine folks from We Belong Dead magazine have their latest massive book coming out, this time covering Euro Horror! In the ad on the page for the book, it has NASCHY! FRANCO! ARGENTO! BAVA! ROLLIN! Now if that isn’t a good way to make me order the damn thing, I don’t know what would! I have several of these massive books that We Belong Dead have been putting out over the last few years and they are all a work of art. Brimming with exceptional essays on the movies we all love, it is just so much fun to wander through them and read someone else’s thoughts on a variety of films. This one looks to be no different.

Edited by Eric McNaughton & Darrell Buxton, with foreword by Lone Fleming, with “350 pages in glorious full color, large format”, and illustrated with hundreds of stills, lobby cards, and poster art. For the softcover edition, the price is £35 ($44.45), and for the hardcover edition, the price is £45 ($57.15), which is limited. And of course, the postage to ship from the UK isn’t cheap either, with £15 ($19.05) and £20 ($25.40) for the hardcover. So, you’re looking at about $70 for a hardcover edition with shipping. Yes, a bit pricy. But, as I mentioned above, going by their previous books, I do think it is a great investment. And since a lot of them go out-of-print, the value will go up.

And if you need a little more pushing, my Discover the Horror co-host, Aaron AuBuchon has 4 different essays within the covers, from The Devil’s Nightmare, to Fulci’s The Beyond, to Argento’s Inferno. In fact, if memory serves, I even have an essay in there!

If you are interested, they are taking pre-orders now. Just click HERE to get to the page to place your order. I think you’ll thank me.

Movie Review: Nightmare Castle

by in Reviews: Movies and tagged , , , , , , , , , | 1 Comment

nightmarecastlebanner

(1965)
Directed by Mario Caiano
Starring Barbara Steele, Paul Muller, Helga Liné, Laurence Clift,
Giuseppe Addobbati, Rik Battaglia

In 1960, Barbara Steele starred in Mario Bava’s Black Sunday, which set her on her path of being a horror icon. Over the next few years, she starred in many gothic horror films in Italy. When she appeared in Mario Caiano’s first entry into this sub-genre, it wasn’t her first rodeo. Before that point, Caiano’s work mainly consisted in the westerns and peplum (sword & sandal) genre. It is pretty surprising that he and co-writer Fabio De Agostini came up with such a great story, with plenty of strange angles, and filled the picture with so much atmosphere that I’m surprised that the fog doesn’t just ooze out of your television when you’re watching it. The original title is Amanti d’oltretomba, but it has been released under the titles The Faceless Monster and Night of the Doomed. But now, thanks to Severin, you can get the uncut and original version under Nightmare Castle.
Continue reading →

Movie Review: The She-Beast

by in Reviews: Movies and tagged , , , , , , | Leave a comment

shebeastbanner

(1966)
Directed by Michael Reeves
Starring Barbara Steele, Ian Ogilvy, John Karlsen, Mel Welles

This film has the honor of being the first movie from the young up-and-coming director Michael Reeves, who would only direct two more features, the last one being the incredible Witchfinder General, before dying of a supposed accidental overdose of barbiturates. The cinematic world lost something special that day.

The She-Beast has all the makings of a great gothic film. Filmed in a setting of a real town is better than anything Hollywood could have created. You have a pretty standard but effective story about a witch returning from the grave to make good on the curse she put on the town two centuries before. Plus, you have Italian horror icon Barbara Steele in the lead role. So how could you go wrong? Continue reading →

Discover the Horror Tour Continues

by in Misc. Ramblings and tagged , , , , | Leave a comment

DtH at Flashback

We had an amazing time at Flashback Weekend (pictured above with filmmaker John Borowski), even selling a few more copies of my book, Discover the Horror. I got to do a little Q&A on Saturday morning to talk about the book (thanks Mike & Mia!!!) and answer a few questions. My good friend Bryan Martinez not only recorded it, but made a nice little video out of it, with film clips and all! You can see it below.

Please remember that if you have read the book, PLEASE go on to Amazon and post a review. It doesn’t have to be an essay, but can just be a sentence or two. But the more reviews it gets the more circulation it will get for similar titles. So please take a second and post your thoughts. And besides, I would love to hear them as well. Continue reading →

Movie Review: Black Sunday

by in Reviews: Movies and tagged , , , , | Leave a comment

Black Sunday (1960)
Directed by Mario Bava
Starring Barbara Steele, John Richardson, Andrea Checchi, Ivo Garrani, Arturo Dominici, Enrico Olivieri, Antonia Pierfederici, Tino Bianchi

Once you start to wander down the path of Italian horror cinema, there is one director that is a must for you to seek out. While I know quite a few fans start out with Dario Argento, which is a great place to start, but you mustn’t stop there, but go further back. Back to 1960 when the film Black Sunday was released. There are many titles that are considered ‘classics’, but director Mario Bava’s tale of witchcraft, Satanism, and revenge, is one of the best examples of black and white horror cinema, or really horror cinema in general.

Black Sunday1 Continue reading →