Movie Review: The Bat (1959)

The Bat (1959)
Directed by Crane Wilbur
Starring Agnes Moorehead, Vincent Price, Gavin Gordon, John Sutton, Lenita Lane, Darla Hood, Elaine Edwards

Let’s be straight right from the start. This is not a horror film. BUT . . . if you’re a fan of the ‘old dark house’ types and dark thrillers, then you are going to want to watch this anyway. It’s got a great cast and not to mention it is a fun little picture.

The Bat stars Agnes Moorehead, not yet famous playing the witchy mother on the TV show Bewitched in 1964, but here she plays Cornelia van Gorder, a mystery writer that has rented an old house that has a past of murder by a masked character named The Bat. Because of its reputation, the staff doesn’t stay long so it is up to her and her secretary to fend for themselves. Bodies start to pile up, plenty of red herrings, hidden passageways, all the while Cornelia tries to figure out how she would have written this mystery in order to discover who the killer is.

While Vincent Price’s name is usually all over the place, he really is a supporting character, but nonetheless, any time he shows up onscreen, it’s always a plus. Also in the cast is Gavin Cordon, who’s voice might be more recognizable than his face. He played Lord Byron in the opening segment of The Bride of Frankenstein (1935). John Sutton, who plays the butler, appeared with Price in The Invisible Man Returns (1940). And Darla Hood, all grown up for her stint with the Little Rascals in the Our Gang shorts, appears as one of the houseguests. This would be her last film appearance.

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Movie Review: Monster from Green Hell

(1957)
Director Kenneth G. Crane
Starring Jim Davis, Robert Griffin, Joel Fluellen, Barbara Turner, Eduardo Ciannelli, Vladimir Sokoloff

I am here today to defend this movie! Yes, it is not the most fast paced, or even well-made film, which includes a lot of walking. I mean, a LOT of walking. But it does have some key elements here that I feel deserves your attention, and is something to be seen and appreciated, if only for one viewing. That is the thing about learning about films. When you learn more and more behind-the-scenes information, as well as about the different people involved, you tend to look at it a little differently. Maybe giving them a little slack for some faults it might have. Just a theory.

First off, we have GIANT WASP MONSTERS! Like a lot of movies from this era where the movie posters promise something that we don’t really get in the actual film, with Monster from Green Hell, we not only get what is promised on the poster, we get it before the first 10 minutes are up!  As a kid, seeing something like a giant wasp head pokes out from behind the bushes and trees and grabs hold of an innocent victim, that would definitely be brought up on the playground the next day at school.

Now while I never saw this on TV as a kid, I did see images of it many times while browsing through different horror & Sci-Fi reference books that I knew I wanted to see it. Plus, being a huge fan of the films that came out in the ‘50s, I am a little more forgiving on things like plot holes, slow pacing, bad acting, or really know storyline, and this film has many of those elements too, but I feel is a little better than most seem to give it credit for.

The story is about some test rockets with some animals and insects that are shot out in space to see how they deal with what is out there, I’m guessing radiation, for a very limited about of time. But when one of the rockets get lost, they just shrug it off and move on, not even too worried about looking for it or to see if did any damage where it landed. Then six months later, they hear of reports of strange attacks and “monsters” in Africa, oddly enough in the same area where they think their rocket crashed. They finally decide to go investigate and find that the wasps that were in the rocket have been affected, growing to huge size, either the size of a bus or building, depending on the shot! It is up to our heroes to destroy these creatures before they destroy the world.

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