Movie Review: Prince of Darkness

(1987)
Director John Carpenter
Starring Donald Pleasence, Jameson Parker, Victor Wong, Lisa Blount, Dennis Dun, Susan Blanchard, Annie Marie Howard, Ann Yen, Ken Wright, Peter Jason, Alice Cooper, Thom Bray, Robert Grasmere, Ken Wright

This is another one of those examples where you have an opinion of a film from the first time you view it, but then at some point in your life, you revisit it to find yourself seeing something more than that first time. I was there opening weekend for this new Carpenter flick and don’t remember if I actually knew anything about the story before hand, but would never miss out on seeing his latest. My first thoughts were that even though I loved the music, I didn’t feel the same way about the film. I felt it was too slow and honestly the idea of a liquid evil or monster was just damn silly. I was also a little confused at who they were trying to bring from the other side, Satan or Satan’s father? Just a little too disjointed for me. At least, at that time. While my love of the score Carpenter did never wavered, eventually scoring a copy from a Japanese CD release (at a pretty penny), I never thought to go back to the film. I mean, if you don’t like something, why go back? But when one of Shout Factory’s Blu-rays came out, I picked it up during a sale and I figured I better give it another shot, trying to be a little more open-minded this time. Continue reading

Friday Favorites: John Carpenter

Since I just started reading Troy Howarth’s latest book, Assault on the System: The Nonconformist Cinema of John Carpenter, I thought it might be an interesting (though probably an easy one to call) question to see what your favorite John Carpenter film is. Now, as I said, I know there is going to be a lot of answers for the obvious choice, which would be Halloween (1978), which is fine because you can’t be wrong in what is your personal favorite. I’m sure The Thing (1982) is going to be up there as well. But I am curious to see if there will be any other titles named, such as The Fog (1980) or maybe even In the Mouth of Madness (1995). Continue reading

Assault on the System: The Nonconformist Cinema of John Carpenter

Author Troy Howarth, in his free time between all the amazing and informative audio commentaries he’s been cranking out, has finished his newest book, this time focusing on the one and only John Carpenter. Few directors these days can have more than a few titles in their filmography that are considered classics, not to mention damn good films, but Carpenter is definitely one of them.

This book “charts Carpenter’s trajectory from screenwriter-for-hire to director of low-budget oddities like Dark Star (1974) to his meteoric rise and fall within the very system he came to distrust. All of Carpenter’s films are analyzed in detail, including his forays into made-for-TV fare, and his various sideline projects as a writer, a composer, and a producer are also examined.”

It also contains brand new interview’s with actor/director Keith Gordon, Carpenter’s wife Sandy King-Carpenter, as well and Carpenter himself. It also features guess essays by Matty Budrewicz & Dave Wain, Lee Gambin, John Harrison, Randall D. Larson, Robert Russell LaVigne, Francesco Massaccesi, Paul Poet, and Nick Smith.

The book is now available on Amazon in the color edition, but soon will be available in a black and white version as well. I can’t really see how this could not be a welcome edition to any film fan’s library. I know it will soon be in mine!

 

Horror History: Dean Cundey

deancundey

Dean Cundey
Born: March 12th, 1946

If you are a fan of horror movies from the ’70s and ’80s, then you just might have seen Cundey’s work. If you’re a fan of the early works of John Carpenter’s, such as Halloween (1978), The Fog (1980), and The Thing (1982), then you definitely know his work, as well as his talent! Cundey is now one of the top rated cinematographers in the business. But before all of that, he was working quite often in the horror genre, shooting some classic titles and making them look better than they ever should have.

Just look at his early resume and you’ll see a lot of favorites listed there, such as The Witch Who Came from the Sea (1976), Creature from Black Lake (1976), Ilsa: Harem Keeper of the Oil Sheiks (1976), Satan’s Cheerleaders (1977), Without Warning (1980), Jaws of Satan (1981), and the list goes on. But it probably his work with Carpenter that he is most known for, making five pictures with him, which now are all considered essential titles in the genre.

So even while he may have gone on to work more in the bigger budgeted Hollywood films, we owe this man a lot of thanks for the way that some of these great films looked.

Soundtrack Review: Prince of Darkness

Prince of Darkness soundtrack (1)Prince of Darkness
Released by Alan Howarth Incorporated, 2008
28 Tracks with a Total Running Time of 134:50 min.
Music Composed by John Carpenter, in association with Alan Howarth

Back in 1988 when this movie first came out, I saw it opening weekend. I mean, it was a new John Carpenter movie after all. But upon that first viewing, I actually didn’t care for it that much. I did love the music, though, right from the opening queue. So while I didn’t care for the movie itself, I immediately started looking for the soundtrack, only to find it impossible to find. Supposedly, Varèse Sarabande released it in 1987, but I could not find it. Years later, I was able to finally score a copy of it from a German release. And after all those years, the score still kicked ass. I also finally came around to really liking the film. I still have a few issues with it, but it is still a damn good movie. Continue reading

Soundtrack Review: Dead Silence

deadsilencecdDead Silence
Released by Lakeshore Records, 2007
31 Tracks with a Total Running Time of 48:15 min.
Music by Charlie Clouser

While I was not a big fan of the movie itself when it first came out, it didn’t take long for the score to hit me like a freight train! With a very similar sound and feel to either a Carpenter score or even Mike Oldfield’s Tubular Bells, Clouser has created an amazing theme that just resonates with the listener, immediately giving you the chills. But it doesn’t stop with just that theme. Throughout the running time, there are many eerie pieces of music that really sets the mood. Plus, the theme returns over and over again, with slightly different sounds or tempo but it still works.

Mainly known for his scores for the Saw series, Clouser is not only a talented composer, but shows how important an effective score can is and the impact it can make on the viewer. Where some scores are just background music, Clouser makes his music part of the film experience. Well done!

 

Soundtrack Review: VFW

VFW SoundtrackFW
Released by Lakeshore Records, 2020
27 Tracks with a Total Running Time of 73 min.
Music By Steve Moore

Much like Jeff Grace’s score for Cold in July, if you’re a fan of John Carpenter’s music, then this score is a must. Since the film VFW is a homage to Carpenter’s Assault on Precinct 13 (1976), it only makes sense to have a score that feels like a Carpenter score. And composer Steve Moore has done just that. Using simple tones and those repetitive notes similar to Carpenter, he has created an effective score that has all the feeling of something from the late ’70s to early ’80s that a lot of grew up with.

We have tracks like Montage which kind of just plays in the background, setting the tone nicely. Nothing loud or over the top, but sets the mood. Then with the next tracks like Do What You Gotta Do and Run Lizard Run, the tension starts to build. In between these more up tempo sequences, it goes back down to the slow and moody set pieces.

Moore has created a very simple and yet very effective score that works really well within the film, but is also a great one to have playing in the background. It really helped making this film the homage that it is even more so.

Book Review: Taking Shape

Taking ShapeTaking Shape: Developing Halloween from Script to Scream
Published by Harker Press, 2019. 439 pages.
By Dustin McNeill & Travis Mullins

The Halloween series, as a whole, is not one that I would say I’m a huge fan of. I love the original and really like its sequel. This might have something to do with it playing at the theater I worked at upon the sequel’s initial release, where I would get to see parts of it over and over and over again, seeing its effect on the audience time after time. And yes, I was one of those original haters on Season of the Witch, but have since gotten over that and realize the pure genius of that entry. But from then on, there was never a sequel that I got excited over, or was waiting for its release.

Sacrilege, you say? I just felt the sequels got dumber with each entry. When Rob Zombie took his turn, while I thought the first one was better than the last several, I still didn’t care for it. And I still am confused at the reaction to the latest one, when we saw the re-re-re-return of Jamie Lee Curtis, with fans acting like it was her first return since the 1981 film.

Now you might be asking yourself why am I stating how much I really don’t care for the Halloween series as a whole? Because even with all of that being stated, I devoured this book! Continue reading

Ennio Morricone: In His Own Words

Ennio Morricone In His Own WordsI know I may be a little late to the party on this one (and kind of pissed at myself that I’m just finding out about this) but there is a book about this amazing composer out now, called Ennio Morricone: In His Own Words. Whether you are a fan of western soundtracks, horror, and any of the other genres Morricone worked on, you know he created an unbelievable amount of magic through his music. For me, going back to films like Nightmare Castle to the work he did with Dario Argento, his scores are always amazing.

According to the description, Morricone and Alessandro De Rosa had a years-long discussion of “life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other.” Published by Oxford University Press last March, this 368 page book covers the Maestros work and those he collaborated with, names like Leone, Carpenter, De Palma, Almodóvar, Polanski, and many more. According to Morricone himself, this is “beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest.” How can you argue with that?

I know this will be among my next order with Amazon and I can’t wait to dig into it.

Taking Shape: Developing Halloween from Script to Scream

Taking ShapeDo we really need yet another book on the Halloween series? Well, since one of the authors is Dustin McNeill, who gave fans so much more insight into the Phantasm series with his book Phantasm Exhumed, then I would say YES! Not to mention that there is always more to learn about movies, especially a series that has been going on for over 40 years.

Just released and available on Amazon, Taking Shape has escaped from Harker Press and has over 400 pages of information about the Halloween series, including Rob Zombies two films, and the recent return of Laurie Strode in H40.

But what can this book bring you that we haven’t gotten already? How about a comprehensive story analysis of each of the films in the series? Or a rundown of all the deleted scenes, as well as the alternate ones. You’ll also get comparisons of early versions of the scripts to the final product, an in-depth dissection of the official novelizations (which could always be quite different than the films), and so much more.

The book is available now through Amazon and is a perfect title for the season. Priced at only $23.99, it’s a killer deal.