Hitchcock and Herrmann: The Friendship and Film Scores That Changed Cinema
Published by Oxford University Press, 2025. 295 pages
By Steven C. Smith

I had purchased Smith’s previous book, on composer Max Steiner, so when this new one was coming out, I pre-ordered it. Not only because I knew it was going to be interesting with the subject matter being the work that Hitchcock and composer Bernard Herrmann did, but I just love learning more about the making of the films. Learning about the making of the music for these films was something new and made me very curious to dig into. Especially since I have not one bit of musical talent myself, would I be able to understand what the author was describing? While there are parts where Smith delves into the actual music, for a layman like me, it was still very comprehensible and not overpowering where you lose interests.

The book opens with Herrmann conducting the score for Martin Scorsese’s Taxi Driver (1976), which would be his last score. It shows just how much influence his scores had been to this new generation of directors, such as Scorsese, Brian De Palma, and even modern composers like John Williams. And while Herrmann started his film score career with Orson Welles’ Citizen Kane (1941), it really was his work with Alfred Hitchcock that gave him his fame. Even with his last scores, it showed Herrmann’s temperament and attitude, but also his ethics, style, and just sheer talent.