Every year, people are usually asked, or post something about what we’re thankful for. It usually ranges in being thankful for their family, a good job, being healthy, or a variety of subjects of that nature. A lot of those things are stuff we tend to take for granted every other day of the year. But when you really look, I’m sure you’ll find a little more light than dark in one’s life. Even for us evil horror fanatics!
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The Ghastly Ones (1968), The Man with Two Heads (1972), and Carnage (1984)
There are not many filmmakers like Andy Milligan. Sure, there’s were a lot of independents during that same era, working with zero budgets that somehow got their finished pictures to play theaters and released on home video. But not too many where their real life was almost as terrifying as the films they made. Milligan could fit into that category. Making over 30 pictures in almost 25 years, with some of the most outrageous and memorable titles, he still remains very close to obscurity. But he does have some fans out there. In fact, a few years ago, Severin Films released a box set that included over a dozen of his films, packed with extras. So why not take a look into this strange filmmaker and three of his films.
But a warning… his films are not for everyone. Some refer to them as high school stage plays that were filmed. They can be mean. Talky. Bizarre camerawork. And pretty shoddy makeup. Nonetheless, they still have a charm to them. To some at least. So, take your next steps with caution, and as the saying goes, “Well… we warned you.”
Films mentioned in this episode:
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Growing up in the age of video stores, I was aware of some of the films of Andy Milligan, such as The Rats Are Coming! The Werewolves Are Here! and Tortue Dungeon, just from seeing them on the shelves. But I never was that familiar with him, other than knowing he made some schlocky low budget films. But thanks to Severin Films, when they released their incredible Milligan box set, The Dungeon of Andy Milligan collection, which featured 14 different film titles and a plethora of extras. This amazing set allowed long-time fans, as well as beginners of Milligan’s work to really dig into his films and have the chance to see them looking better than they probably ever have. I know I have watched about a half dozen of the titles so far and have not been disappointed. Yeah, they are low budget, and often like watching a school play being filmed, but I was always entertained by the passion they had.
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Night of the Bloody Apes (1969), Don’t Go in the House (1979), Butcher, Baker, Nightmare Maker (1981)
In 1984, in the U.K., the Video Recording Act was passed, which required certification of all video releases by the British Board of Film Classification, aka BBFC. This all came about due to a list of video titles that a group of various religious and other social groups run by the likes of Mary Whitehouse, deemed unsuitable to be viewed and thought for sure it would help corrupt the youth of England. The initial list had 72 titles on it, both films that had already been released after obtaining a BBFC certificate but now was deemed too offensive, as well as a whole bunch of other titles that were believed to fall under the obscenity law. If you own a shop that rented or sold one of these titles, you could be shut down, fined, and possibly even go to jail for it. And this all took place, not in the dark ages, but in the mid 1980s. Hard to believe it, especially growing up here in the U.S.
Some of those titles have only recently gotten passed and released over in the U.K., even 40 years later. Blows the mind.
In this episode, we discuss not only the whole Video Nasty era, but cover 3 films from that list, with each of us watching all 3 and see if we made it through without turning us into mindless deviants. Oops. Too late.
Films mentioned in this episode:
Continue readingThat’s right folks, since the end of the year is coming, that means that January Giallo at the Music Box Theatre in Chicago is right around the corner! They have announced the 4 titles that will be screening this year, and they are not to be missed.
While the first film isn’t technically the one to start the sub-genre of the giallo, it definitely helped define it. Mario Bava’s Blood and Black Lace is an incredible piece of cinema, if only for the use of colors and camerawork here. Talk about a master class! It is one that no matter how many times you might have seen it; each time still makes you sit and be amazed at how incredible it looks. If you can’t tell, I’m a big fan of this one and can’t wait to see it on the big screen again!
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Wake Wood (2009), The Wind (2018), Apostle (2018)
Folk horror has its roots in tales of witches and paganism, stretching back centuries. In cinema, the term “folk horror” was first coined by Rod Cooper in Kine Weekly to describe the 1971 classic Blood on Satan’s Claw. However, the themes that define folk horror—witchcraft, ancient rituals, and the eerie power of nature—have been present since the earliest days of film. A prime example is Benjamin Christensen’s Häxan (1922), which delves into witchcraft and age-old rites.
Regardless of its origins or definitions, folk horror has endured over time, weaving its way through the history of cinema. In recent decades, the genre has experienced a remarkable resurgence, not just in the United States but globally. This renewed interest may owe much to Kier-La Janisse’s expansive 2021 documentary, Woodlands Dark and Days Bewitched, which shone a spotlight on the subgenre and sparked widespread conversation.
With the recent release of Volume Two of Severin’s All the Haunts Be Ours box sets, now seems the perfect time to explore some of the standout modern folk horror films from the past two decades. So, venture with us into the remote villages, pagan rites, and shadowy woods where all the horrors sit waiting for you in the dark corners where people rarely go.
Films mentioned in this episode:
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Another very successful Turkey Day in the books. As usual, we got through 7 features, some hitting the low point, many hitting some high points, and one hitting so far off the grid that it would be tough to explain! But we managed through, because we are, after all, professional lovers of cinema! And if you can’t find enjoyment in some of the strangest films out there, you’re just looking too hard at them. These films are the ones that you just sit back and bask in the wonderment, that someone thought that not only was the story good enough to proceed, but that they actually found backers willing to put up the money!
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Since I’m on the verge of hitting the big 60 next year and have been a horror film fan most of my life, watching as many different films as possible over those 6 decades, one would think that I’d be close to seeing everything, right! WRONG! Therein lies the beauty of the horror genre, or really cinema in general. If they stopped making movies today, we would still not be able to see all the films out there that we haven’t seen yet. And to prove this, is the latest stunning box set announced by Severin Films today, All Haunts be Ours: A Compendium of Folk Horror Vol. 2.
The first set was amazing enough, especially with the deep diving documentary Woodlands Dark and Days Bewitched, that opened up the doors to so many films. And now, Severin has done it again with volume 2, that features 13 discs, with 24 international folk horror classics! As I mentioned, I’ve been in the game a long time and there were many of these titles that I was not familiar with at all. That is why I never get tired of the horror genre. There is always more to discover.
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I know as I get older and slowly move into Old Man Club, which I apparently have been doing for the past two decades, there are times that I never thought I would see the day. See that? That’s something an Old Man would say. But alas, it’s true. Severin Films had already announced their new 5-disc release of Dario Argento’s Opera (1987), featuring so many extras, including a CD of the soundtrack, so that alone was pretty damn amazing. And then came more recent announcement that had me staring at the notice with such a blank stare, as if to think that I should be waking up at any moment.
Years ago, back when I collected VHS tapes, I remember coming across a big box video of The Mummy and the Curse of the Jackals (1969), released by Academy Home Entertainment. Even though it starred John Carradine and Anthony Eisley, with that kind of title, and the fact that I had never heard of it before, I knew I had to add it to the collection. When I sat down with it . . . oof! How can it be a bad movie when you have a mummy AND a werewolf . . . or were-jackal, or something. While the movie is perfect for a Turkey Day marathon, which I did screen in 2016, the print quality wasn’t the greatest. In fact, you could barely see what was going on in some parts.
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Fans of Spanish horror are going to love this latest box set from Severin Films. They still just blow me away with the titles they are releasing. This set has 2 films that I’ve never even heard of, and that is coming from a huge fan of Spanish horror! Not to mention the fact that they’ve never been released over here in the states. In fact, 3 out of the 4 titles have never legitimately been released over here! Plus, as usual with Severin’s releases, these are just packed full of extras, from commentaries to interviews, and much more.
PLUS, 3 of the titles are scanned in 4K from original negatives, while the last one is scanned in 2K from the negative. Keep in mind, the last time I saw Cross of the Devil was from about a 10 generation VHS tape. This was a rare title that was written by Paul Naschy and directed by John Gilling. So going from that to a 4K print!?!?! What a time to be alive!
Here’s a breakdown of the films and what extras each of them has:
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