While the horror conventions are filled with guests from the latest horror films out there, such as the Terrifier films, who have been making the rounds for almost the last decade, we also see names from the Child’s Play movies, Re-Animator (which is making its 40-year anniversary), guests from the Hellraiser films, and many more. We even get some big names like Robert Englund still making the rounds. But when it comes to the decades even before all of them, going back 60 years, there aren’t too many of them left that made the impact that Barbara Steele did.
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Wow. This one is a bitch to accept. Yes, the Maestro was 91, but for the hours and hours that I, as well as millions of other film lovers, have been entranced by his music, it still hurts. Even if we just talked about the scores he did for horror and giallo genres, from Dario Argento’s first trilogy of films, Fulci’s A Lizard in a Woman’s Skin, Mario Caiano’s Nightmare Castle, Aldo Lado’s Short Night of Glass Dolls, to even John Carpenter’s The Thing, his scores always made an impact. That is not even getting into what he did for the western. Even if people didn’t know Morricone’s name or what movies he scored, if you started to play the opening theme from The Good, the Bad, and the Ugly, they would know it.
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