Scored to Death: Conversations with some of Horror’s Greatest Composers
Published by Silman-James Press, 2016. 356 pages.
By J. Blake Fichera
There is something to be said about film scores, something that I think most don’t know, don’t recognize, or even worse, don’t even think about. And that is the effect they have on the viewer. Sometimes a very powerful effect. The first time I can remember a film score having an effect on me was John Williams’ score for Jaws (1975), which I’m sure I wasn’t the only one. While it did bring up the tension and scare factor, I don’t think I made the full connection between the music and emotion it caused. That changed when Star Wars (1977) came out. Then it hit me how powerful of an impact a score can make. Star Wars was the first soundtrack I every purchased and I listened to it over and over. Each time, I could visualize the different parts of the film in my head and it would give me the same emotional reaction as if I was watching the film. It was at that point, I started to become more aware of a film score.
Horror in Space






Okay, let me just say that I really hate when someone asks me for my top ten horror films, simply because it is pretty much impossible for me to narrow down such a huge list of films that I love to just ten titles. This list may change and change again, depending on my mood, the time of day, the weather, and any other number of factors. That being said, one title that would always be on that list, no matter what, would be John Carpenter’s version of the John W. Campbell’s story, Who Goes There?….more commonly known as simply The Thing.