Tisa Farrow – Rest in Peace

Facets Demons Double Feature

Discover the Horror Episode 38: Italian Horror with Troy Howarth

There are plenty of ways to help you on your way to discovering more about the films you love, as well as ones you might not know too much about. There’s always books on different filmmakers, or sort of the audio form of that, the audio commentaries that are usually found on most of our favorite films. The more insight you have, the more you will know, and maybe even enjoy it more. One of those that is helping fans learn just that is Troy Howarth. He’s written over a dozen books on a variety of subjects, usually in the Italian film genre, covering directors like Argento, Bava, Fulci, and more recently, Umberto Lenzi. He’s also published a 3-volume set on the giallo film. Plus, he has done a ton of different commentaries, giving fans even more info!

Films mentioned in this episode:

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’70s Argento at the Gene Siskel Film Center

If you’re a fan of Dario Argento, especially his early work, and live somewhat close to Chicago, you might want to check this out. Starting on Feb. 3rd, they will be screening Argento’s first 6 feature films over the course of 7 days. Below is the list of titles, dates, and times. If you haven’t had the chance to see these on a big screen, then now is your chance to knock out his early titles, which many would argue are his best, including the rare comedy he made, The Five Days, aka Five Days in Milan. For more details, you can go directly to the Gene Siskel site by clicking HERE.

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Francesca Comes to Blu-Ray

Francesca release

If you are one of those that haven’t had the pleasure to witness one of the best giallo films to come out in the last couple of decades, and one that looks like it was made back in the heyday of the black gloved killers, then you need to see Francesca, created by the highly talented brothers, Luciano and Nicolas Onetti. Just check out the trailer below to see what I’m talking about.

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More Argento & Soavi on Blu-Ray

Opera eyes poster

As if I didn’t love the Music Box Theatre enough already, they have made a deal with Scorpion Releasing to distribute a few of Scorpion’s titles on Blu-ray  and DVD, through their Doppelgänger Releasing division. The first of these titles to be coming out is one of my personal favorites of Dario Argento, his 1987 film Opera, which should be out before the end of this year. With the release of Suspiria from Synapse Films, this is going to make a great way to end the year for Italian horror fans.

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Bava Comes to Chicago!

Black Sabbath

Some time ago, we posted about a Mario Bava Film Festival that was being held in New York, and that since we’re in the Chicago area, it was just too far to even think of making it to it. But now Chicago fans don’t need to worry since those Bava titles are coming to the Gene Siskel Film Center, starting next weekend, on August 4th! If you have never had the chance to witness the wonder of Mario Bava on the big screen, I couldn’t recommend it enough, especially titles like Blood and Black Lace or Black Sabbath. The colors alone on these two will just blow your mind. But even the beautiful black and white cinematography in Bava’s directorial debut, Black Sunday, is just stunning to see. Seriously, if you are a fan of horror films, Italian horror, or cinema in general, do yourself a favor and make it out to some of these (if not all of them!).

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Movie Review: Dark Waters

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Dark Waters (1993)
Directed by Mariano Baino
Starring Louise Salter, Venera Simmons, Mariya Kapnist, Lubov Snegur, Albina Skarga, Pavel Kokolov

On the audio commentary for Dark Waters, director Baino mentions something that Alfred Hitchcock had said about how the invention of sound would destroy cinema. I am paraphrasing this, but his point was that after movies had sound, more time will be spent listening to the story than watching what is happening on screen. One could listen to a film and pretty much get the idea of what is going on, instead of letting the visuals tell the story, which I think is especially true with today’s features. Well, Dark Waters is a perfect example of the opposite of that theory. In fact, when it starts, there is almost 18 minutes before any real dialogue is heard. And in that short time, unforgettable images appear on screen, such as shots of nuns with large crosses on a hill, or more nuns in a darkened field at night with burning crosses, we see the murder of a young girl, with her blood flowing into the water that is leaking through the catacombs in the convent, to even something simple like an old woman on a bus playing with a couple of spiders. Thse are just but a few visual to start off the film. But it continues through the rest of the running time. If modern day Hollywood made their films look half as good and striking as this one, the cinematic world would be a much better place.

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Movie Review: Black Sunday

Black Sunday (1960)
Directed by Mario Bava
Starring Barbara Steele, John Richardson, Andrea Checchi, Ivo Garrani, Arturo Dominici, Enrico Olivieri, Antonia Pierfederici, Tino Bianchi

Once you start to wander down the path of Italian horror cinema, there is one director that is a must for you to seek out. While I know quite a few fans start out with Dario Argento, which is a great place to start, but you mustn’t stop there, but go further back. Back to 1960 when the film Black Sunday was released. There are many titles that are considered ‘classics’, but director Mario Bava’s tale of witchcraft, Satanism, and revenge, is one of the best examples of black and white horror cinema, or really horror cinema in general.

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Movie Review: The Beyond

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The  Beyond (1981)
Starring Starring Catriona MacColl, David Warbeck, Cinzia Monreale, Antoine Saint-John, Veronica Lazar, Larry Ray, Giovanni De Nava, Al Cliver, Michele Mirabella, Gianpaolo Saccarola

The first time I witnessed a Lucio Fulci film was seeing it under a completely different title, the edited American version called Seven Doors of Death. Even the director’s name had been modified, here listed as “Louis Fuller”. This played at the theater I worked at and I remember being very puzzled at just what the hell was happening on screen. I had heard of Zombie, and remember it had been playing at the local drive-in, but I wasn’t driving at that time and couldn’t get anybody to take me to see it. But even then, I had no idea of the connection between the two films. That would definitely come later though.

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