Dracula A.D. 1972
Released by BSX Records
15 Tracks with a Total Running Time of 53 min.
Music Composed by Mike Vickers
Growing up watching a lot of television in the early ’70s, you became pretty accustomed to theme shows from shows. So the first time I remember hearing the score for Dracula A.D. 1972, in my head, I heard “A Quinn Martin Production”. While most of you out there have no clue what I’m referring to, they were a production company that made more than a few shows back then.
Anyhoo… That is the big difference with this score, coming from Hammer that was known for their bold and gothic musical scores, hitting your ears as hard as the bright red blood hit your eyes. Vickers came up with a very modern, almost jazz sounding Main Theme, that while dramatically different from Hammer’s past, it actually works quite well here. The music, as well as the film, are quite dated in their look and feel. But Vickers does a pretty good job blending in the new with the old. Track # 5, Devil’s Circle Music: Excerpt from White Noise, is a wild mixture of percussions, distorted screaming, and other disturbing sounds, blended together like a bad acid trip. But when viewed in the film, it works just right. Continue reading
And we lose yet another movie icon. Yesterday, we lost the actor to give physical life to one of cinema’s greatest villains, Darth Vader from the original Star Wars trilogy, David Prowse. Being a huge fan of that series, I had learned all of the main actors’ names, so I knew who Prowse was at the time. But it wasn’t until years later, when I started down my path of the horror genre, that I realized his connection to Hammer Films, as well as the many other things he had worked on.
Coming to Blu-ray for the first time in the U.S., Warner Archives has announced a new 2-disc special edition of Hammer’s The Curse of Frankenstein, the movie that really put the Studio that Dripped Blood on the map. This new release will contain 75 minutes of new documentary work, audio commentary by Screenwriter/Film Historian Steve Haberman and Filmmaker/Film Historian Constantine Nasr. You’ll get to hear from some of Hammer’s best scholars, such as Richard Klemensen discussing the history of the film, cinematographer and producer David J. Miller discussing Hammer’s underrated cameraman Jack Asher, as well as hearing from Christopher Frayling, Christopher Drake, and so much more.
Coming in November of this year, Peveril Publishing will release their next book in their always amazing volumes on Hammer Films. This one tackles the 1973 film The Legend of the Seven Golden Vampires (amongst many other titles!), that was a co-production between Hammer and Hong Kong’s famous Shaw Brothers Studios. While this might not be a favorite of most Hammer fans (myself included), the history of this film is just as important because it is the last appearance of Peter Cushing as Van Helsing for the studio! But even besides that, no matter what the title, keeping the history alive and available to fans is always important, because the more you know about the actual production, both positive and negative, it will help you appreciate the film much more. 
Scars of Dracula
Hazel Court
While there are a few books previously on Terence Fisher, from authors like Peter Hutchings, Paul Leggett, and Wheeler Winston Dixon, I think it is still not enough coverage on this director, who’s name should be right up there with the likes of Romero, Carpenter, Cronenberg, Bava, Argento, and the rest of the horror elite. Now hopefully with this new book by Tony Dalton, Terence Fisher: Master of Gothic Cinema, that will make the change.
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