Horror History – Jack Asher

asherJack Asher
Born Mar. 29th, 1916 – Died Apr. 1991

One of thing that Hammer films are most known for are the way they look, especially their early Gothic horror titles that really catapulted them into popularity.  While the talents on the screen of Peter Cushing, Christopher Lee, and the rest of the stellar actors used, and even the talented directors and writers, one of the reasons these pictures looked like they did was because of the cameraman, Jack Asher.

He started in the film business as something as simple as the guy who was to open and close the door while filming was being done.  Eventually, he was asked to join the camera crew by Roy Kallino, at the bottom, learning the basics like loading the film into the magazines and working his way up, to eventually becoming a camera operator himself.  He worked on some of Hammer’s early color films and is definitely party of the reasons those films look like they did.  He worked on CURSE OF FRANKENSTEIN, HORROR OF Dracula, Revenge of Frankenstein, The Man Who Could Cheat Death, Brides of Dracula, The Mummy, as well as a few of their non-horror titles.

He worked for Hammer for less than 10 years before basically being let go because Hammer deemed him too slow for their fast-paced shooting schedules.  Damn shame if you ask me.

Hammer Films: The Unsung Heroes – The Team Behind the Legend Book Review

unsungheroesHammer Films: The Unsung Heroes – The Team Behind the Legend
By Wayne Kinsey
Published by Tomahawk Press, 2010.  484 pages

Can there ever bee TOO many books on Hammer Films? I think not. Especially when they are like this one. So many books have been written about the films that Hammer made or on a few of their stars. But what about all the little people, as they say?We all know that film making is a huge collaboration of many different people to make the final output look like it does. Usually that attention goes to the stars, and maybe the writers and directors, or even the special effects people. But there are other names out there that worked just as hard that usually get very little, if any, credit. All the people behind the scenes, whether it was an assistant director, in the wardrobe department, or even the ones working in continuity. These people are all part of the reason that these films are what they are. When it comes to Hammer Films, Wayne Kinsey is trying to change all of that with this book.

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Inside Hammer: Book Review

Inside Hammer
By Jimmy Sangster
Published by Reynolds & Hearn, 2001.  160 pages.

insidehammerSangster had already written autobiography, Do You Want It Good Or Tuesday?, which was very interesting, but he felt that he didn’t cover enough about Hammer that his fans probably wanted. With this new title, Sangster sticks to really what he’s famous for, and that is working with the Studio that Dripped Blood! Sangster covers every film that he worked on with the famous studio; from his first film Dick Barton Strikes Back as a lowly assistant to his last film Fear in the Night as writer, producer and director. Here are some my favorite parts of the book:

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Peter Cushing: A Life in Film Book Review

cushinglifePeter Cushing: A Life in Film
By David Miller
Published by Titan Books, 2013.  192 pages.

Previously published in 2000 under the title The Peter Cushing Companion, this is a newly revised hardcover edition.  While the text has been edited and tweaked a bit here and there, it is pretty much the same book in respect to that.  But this edition is a beautiful hardcover edition that has 16 full color pages that the previous edition did not have.  Sure, it would have been nice for the publishers to advertise it that way instead of making it seem like a totally new book, but none the less, it is a worthwhile book in any movie fan’s collection.

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Peter Cushing Autobiography Reviews

cushingbiobookPeter Cushing: An Autobiography and Past Forgetting
By Peter Cushing
Published by Midnight Marquee, 1999.  256 pages.

Peter Cushing is probably one of the most famous British actors known for his horror roles, primarily due to his work with Hammer Films.  Though he played in countless other types of genres, he loved to give his fans what they wanted.  Turning the spotlight of Hammer’s Frankenstein films from the creature, Cushing made the doctor himself the real monster, always giving 110% to his role, making his character and the films unforgettable.

These books cover his life, his start in pictures, and his work with Hammer Films.  This book combines the two autobiographies that Cushing wrote and published, the first one An Autobiography in 1986 and the second one Past Forgetting in 1988.  The second book was done due to many people asking him why he didn’t talk a lot about his film work, especially his work with Hammer Films.

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Support the Cause!

hammer horror warner bros yearsI know that it seems these days everyone is asking for money for some project they are working on. I’m sure there are more than a few that are just either just schemes to get your money, or by people that might be better off looking into another line of work. But I also would like to think that there are a few that are honest endeavors, just need a little extra cash to help them get it going. So why should we give money to some of these people, when we are working our own butts off in the real world? Why don’t they do the same? Well, maybe because some of these people ARE working their butts off in the real world, but are working EVEN MORE to try and get a passion project created. And not only created, but for other people to enjoy them.

Over the last month, I think I have contributed to four different causes. Which in the last year, I think that would bring the total number for the year to about…four. But why these? The answer is simple and is really the main reason why any of us should support these, or any kind of these projects….because I BELIEVE in them. And showing support by giving a few $$ is not only a way to help these people get their project going, but also showing them that they are a creative force worth investing in, maybe even validating their decisions for what they are doing and why. Having people believe you and your talent is the best fuel and motivation any artist (of any type) could hope for (at least for me it is). And a little financial boost to a project shows that you believe in that person(s) talent for a particular project, or in general.

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When is a Book a Piece of Art?

books 002Let’s face it…I spend a lot of money on books. With over 800 titles in my personal library, there isn’t a day that goes by that I don’t look upon my bookshelves and admire the beauty laid out upon the shelves. Like with any library, there many titles that I could easily pull out and get lost for an hour just paging through them, reading bits and pieces, taking in the glorious photos and illustrations. I’ve always considered that to be one of the joys of having a book collection. It’s like an open doorway to who knows where.

Most of the titles I have in my library are just standard reference books, filled with the knowledge that I know the author(s) spent a lot of time doing research and planning, even before they actually started putting pen to paper…or fingers to keyboard. I give a lot of credit to most authors that take the time and effort to go through all this work. I say “most authors” because I’ve run across a few other the years that need to double check some of their facts. But that is for another rant.

But there are some titles out there where the authors and publishers have gone far beyond being just a collection of opinions, facts, and photos, making it truly a work of art. Editions that can suck you in, even if it is just admiring the craftsmanship put into the book. From the design to the layout, it is an incredible journey you take once you pull it off your shelf. This physical medium is still a very important one, and one where I feel some of the beauty and charm of an actual book would be lost in the digital format. Especially the ones that seem to go above and beyond just publishing a book. They really do create a piece of art.

So I wanted to take a moment of your time to cover a few titles that I think fit into this category. I will say that some of these titles were a bit pricy when they first came out, and some go for even a higher price now. But there were a few of these that were pretty reasonably priced and are still accessible. Sure, they can still be a bit expensive, but we are talking about art here, right? And usually, at least in my experience, these kind of books never lose their value, In fact, the value tends to rise over the years. So if when you’re trying to justify the cost, think of it of an investment…that you can actually learn something from!

Thank you to the publishers for taking the time, the chance, the effort, and the money to put out such incredible books.

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New Hammer Book Series from Peveril Publishing

curse_of_werewolf_poster_07We had recently received our copy of the first volume of Peveril Publishing’s book series, The Fantastic Films of the Decades and was just blown away by it. The layout is fantastic and am amazed at how much stuff they covered for a decade of silent films. Of course, this is just the first of nine volumes, so there is much more greatness to come, not to mention the chuck out of my bank account this is going to take. But if the rest of the editions are as good as this first one, it will be a well worth investment.

But the fine folks at Peveril didn’t seem to be content with working on this book series, and figured they also need to create something similar for Hammer fans. They have just announced a new 8 volume book series called the Hammer Film Scrapbook Series. Each one of the volumes will cover a particular theme, such as one on their Dracaul films, one on their Frankenstein films, and so on. Below is the complete list:

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