
The Dead That Walk
By Leslie Halliwell
Published by Continuum Publishing Company, 1986. 262 Pages.

The Dead That Walk
By Leslie Halliwell
Published by Continuum Publishing Company, 1986. 262 Pages.

Most people know Caroline Munro as either a Bond Girl or the work she did with Hammer Studios. But Caroline has worked all over the world, with many great and talented people. So while we briefly asked her about Hammer, we tried to venture more into the other countries where she worked. This interview was conducted at that Cinema Wasteland show, in April of 2007. We especially want to thank Caroline for taking the time to talk to us.
Jack Asher
Born Mar. 29th, 1916 – Died Apr. 1991
One of thing that Hammer films are most known for are the way they look, especially their early Gothic horror titles that really catapulted them into popularity. While the talents on the screen of Peter Cushing, Christopher Lee, and the rest of the stellar actors used, and even the talented directors and writers, one of the reasons these pictures looked like they did was because of the cameraman, Jack Asher.
He started in the film business as something as simple as the guy who was to open and close the door while filming was being done. Eventually, he was asked to join the camera crew by Roy Kallino, at the bottom, learning the basics like loading the film into the magazines and working his way up, to eventually becoming a camera operator himself. He worked on some of Hammer’s early color films and is definitely party of the reasons those films look like they did. He worked on CURSE OF FRANKENSTEIN, HORROR OF Dracula, Revenge of Frankenstein, The Man Who Could Cheat Death, Brides of Dracula, The Mummy, as well as a few of their non-horror titles.
He worked for Hammer for less than 10 years before basically being let go because Hammer deemed him too slow for their fast-paced shooting schedules. Damn shame if you ask me.

Greasepaint and Gore: The Hammer Monsters of Roy Ashton
Bruce Sachs and Russell Wall
Published by Tomahawk Press, 167 pages.
Hammer Films: An Exhaustive Filmography
By Tom Johnson & Deborah Del Vecchio
Published by McFarland & Company, Inc., 1996. 410 pages.
Hammer Films: The Unsung Heroes – The Team Behind the Legend
By Wayne Kinsey
Published by Tomahawk Press, 2010. 484 pages
Can there ever bee TOO many books on Hammer Films? I think not. Especially when they are like this one. So many books have been written about the films that Hammer made or on a few of their stars. But what about all the little people, as they say?We all know that film making is a huge collaboration of many different people to make the final output look like it does. Usually that attention goes to the stars, and maybe the writers and directors, or even the special effects people. But there are other names out there that worked just as hard that usually get very little, if any, credit. All the people behind the scenes, whether it was an assistant director, in the wardrobe department, or even the ones working in continuity. These people are all part of the reason that these films are what they are. When it comes to Hammer Films, Wayne Kinsey is trying to change all of that with this book.
Inside Hammer
By Jimmy Sangster
Published by Reynolds & Hearn, 2001. 160 pages.
Sangster had already written autobiography, Do You Want It Good Or Tuesday?, which was very interesting, but he felt that he didn’t cover enough about Hammer that his fans probably wanted. With this new title, Sangster sticks to really what he’s famous for, and that is working with the Studio that Dripped Blood! Sangster covers every film that he worked on with the famous studio; from his first film Dick Barton Strikes Back as a lowly assistant to his last film Fear in the Night as writer, producer and director. Here are some my favorite parts of the book:
Peter Cushing: A Life in Film
By David Miller
Published by Titan Books, 2013. 192 pages.
Previously published in 2000 under the title The Peter Cushing Companion, this is a newly revised hardcover edition. While the text has been edited and tweaked a bit here and there, it is pretty much the same book in respect to that. But this edition is a beautiful hardcover edition that has 16 full color pages that the previous edition did not have. Sure, it would have been nice for the publishers to advertise it that way instead of making it seem like a totally new book, but none the less, it is a worthwhile book in any movie fan’s collection.
Peter Cushing: An Autobiography and Past Forgetting
By Peter Cushing
Published by Midnight Marquee, 1999. 256 pages.
Peter Cushing is probably one of the most famous British actors known for his horror roles, primarily due to his work with Hammer Films. Though he played in countless other types of genres, he loved to give his fans what they wanted. Turning the spotlight of Hammer’s Frankenstein films from the creature, Cushing made the doctor himself the real monster, always giving 110% to his role, making his character and the films unforgettable.
These books cover his life, his start in pictures, and his work with Hammer Films. This book combines the two autobiographies that Cushing wrote and published, the first one An Autobiography in 1986 and the second one Past Forgetting in 1988. The second book was done due to many people asking him why he didn’t talk a lot about his film work, especially his work with Hammer Films.
I know that it seems these days everyone is asking for money for some project they are working on. I’m sure there are more than a few that are just either just schemes to get your money, or by people that might be better off looking into another line of work. But I also would like to think that there are a few that are honest endeavors, just need a little extra cash to help them get it going. So why should we give money to some of these people, when we are working our own butts off in the real world? Why don’t they do the same? Well, maybe because some of these people ARE working their butts off in the real world, but are working EVEN MORE to try and get a passion project created. And not only created, but for other people to enjoy them.
Over the last month, I think I have contributed to four different causes. Which in the last year, I think that would bring the total number for the year to about…four. But why these? The answer is simple and is really the main reason why any of us should support these, or any kind of these projects….because I BELIEVE in them. And showing support by giving a few $$ is not only a way to help these people get their project going, but also showing them that they are a creative force worth investing in, maybe even validating their decisions for what they are doing and why. Having people believe you and your talent is the best fuel and motivation any artist (of any type) could hope for (at least for me it is). And a little financial boost to a project shows that you believe in that person(s) talent for a particular project, or in general.