Since I’m on the verge of hitting the big 60 next year and have been a horror film fan most of my life, watching as many different films as possible over those 6 decades, one would think that I’d be close to seeing everything, right! WRONG! Therein lies the beauty of the horror genre, or really cinema in general. If they stopped making movies today, we would still not be able to see all the films out there that we haven’t seen yet. And to prove this, is the latest stunning box set announced by Severin Films today, All Haunts be Ours: A Compendium of Folk Horror Vol. 2.
The first set was amazing enough, especially with the deep diving documentary Woodlands Dark and Days Bewitched, that opened up the doors to so many films. And now, Severin has done it again with volume 2, that features 13 discs, with 24 international folk horror classics! As I mentioned, I’ve been in the game a long time and there were many of these titles that I was not familiar with at all. That is why I never get tired of the horror genre. There is always more to discover.
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No questions asked, I am a fan of Al Adamson and his films.
I can remember being in a theater back in 1990 and watching a screening of Hardware, by a young filmmaker, who showed me a post-apocalyptical world like I hadn’t seen before. But also one filled with amazing colors and sounds. I was so excited to see what this guy was going to do next. Then two years later, he gave us Dust Devil (though it took a few years to see the full version of the film!). And then we get to the tragedy that was The Island of Dr. Moreau, where he was fired and replaced, after bringing that film from the very beginning. That was well documented in David Gregory’s Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau (2014). Ever since then, besides some crictially acclaimed documentaries, he has never made a full lenght feature film since that debacle. Until now.
I’ve been a long time fan of the work of Al Adamson. I know, some say that would be on par with being a fan of Larry Buchanan, but as I’ve said many times before, if you’re entertained by their work, then they can’t be bad movies! And I still stand by that statement! Adamson made some of the best in low budget horror and exploitation films, such as titles like Satan’s Sadist (1969), Horror of the Blood Monsters (1970), Brain of Blood (1971), Dracula vs. Frankenstein (1971), The Naughty Stewardesses (1975) and Blazing Stewardesses (1975), and so many more. But Adamson’s ending was right out of one of his movies.


