Tag Archives: Boris Karloff

Movie Review: Hollywood Legends of Horror

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While it might have something to do with the fact that I’m an older horror fan, but there is something special about going back and watching the classic films from the beginning of the golden age of the horror film. And we’re all familiar with the Universal classics that really helped create that first big impact, but they weren’t the only studio trying to make their own footprint in that horror heritage. While they might not have made as big of a footprint, studios like Warner Bros. and MGM were making some serious efforts at the same time. And some of these definitely should be held up in the same respect as some of those Universal entries.

Thanks to Warner Archives you can add 6 of these titles to your collection, all in one set! They have released the Hollywood Legends of Horror Collection that features Blu-ray releases of the following films: Doctor X (1932), The Mask of Fu Manchu (1932), Mad Love (1935), Mark of the Vampire (1935), The Devil Doll (1936), and The Return of Doctor X (1939). The set retails for only $59.99, so that really is about $10 a title. But honestly, the films alone are must for any horror fans movie library.

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McFarland’s Halloween Sale

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While McFarland does put out some amazing books, we all know they can be a bit pricy. So, when they have these big sales, now is the time to jump on that title or two that you’ve been thinking about. If you use the code: HORROR40 you will get 40% off your total. That’s a pretty good discount. Plus, they already have quite a few titles on sale. I know I will be adding a few titles to my cart before this sale ends, which will be on Halloween. So, you only have 1 week left. Don’t wait!

Need a suggestion? The volume Bela Lugosi and Boris Karloff: The Expanded Story of a Haunting Collaboration is an incredible read. This one is a bit pricy, at $59.95, but with the sale it is only about $36. Or the Christopher Lee and Peter Cushing and Horror Cinema by Mark A. Miller & David J. Hogan which is on sale at $29.95, which means your sale price is about $18! Not to mention plenty of other great titles on a variety of subjects, from the Italian giallo film, Jess Franco, Ray Dennis Steckler, and more!

Browse through their listings by clicking HERE and see if you can’t find another interesting title for your own library, or with the holiday coming up in a couple of months, buy a book for a horror-loving friend!

New Jack Hill Book

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Fans of exploitation films, especially in blacksploitation sub-genre definitely know the work of Jack Hill. The man has worked in many sub-genres, from the above mentioned, to horror, gothic, racing, sexploitation, and so many more. In the early days of his career, he was often called in to “fix” or “finish” a film that had issues, such as The Terror (1963) or Blood Bath (1966). He also worked with Karloff on his last four films, or at least the parts with aged actor that were filmed in the states. Afterwards, the rest of the film was finished in Mexico.

The shame is that unless you’re a real fan of the genre, most people don’t realize the impact Hill had on the films we love. Thanks to editor Anthony Taylor, Headpress Books, and a great selection of authors, they are putting together a collection of essays on the works of this unheralded master of cinema.

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Book Review: Bride of Frankenstein: The Definitive History

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Bride of Frankenstein: The Definitive History of the Horror Classic
Published by CenterLine Publishing & Consulting LLC, 2024. 422 pages
By Christopher Lock

For a film that is making its 90th Anniversary this year, there is a lot that has been written about Bride of Frankenstein (1935) over those nine decades. In fact, I have a couple of books solely dedicated to this title, not to mention more than a few that cover the Universal classic horror titles of the ’30s in general. Of course, when you see one with the subtitle “The Definitive History of the Horror Classic” it does grab one’s attention.

Who am I kidding? It’s a book on one of the most famous horror films ever made. Of course I’m going to add it to my library! So, the real question is . . . is it the “definitive history”? And is it worth adding to your own library?

The author has a lot of information in here, not just on Bride, but the original film as well, and even including some info on Mary Shelley and her original novel. There could be an argument on why it covers that stuff when the book is about Bride, but I do agree that you need to cover those first before you get to the famous sequel. Though I did find it a little strange that while going over the beginning, when the original Frankenstein was in the early stages, the author mentions the early scripts by Balderston and Webling, but nothing is mentioned about Robert Florey, who was the one that brought the original idea to Universal, with the intent of directing it. A minor quibble.

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DtH Podcast Episode 88: Val Lewton Part 2

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The Leopard Man (1943), The Seventh Victim (1943), Isle of the Dead (1945)

Back in episode 23, we covered producer Val Lewton and three of his films. While Lewton only produced about a dozen film, and a really only a handful of them being horror, what he did give us made a huge impact on the genre. That is why we have decided to cover three more of his films, in hopes that other fans will seek out not only the ones that we’ve covered, but the other titles as well.

With the help of a group very talented craftsmen, such as directors Jacques Tourneur and Mark Robson, screenwriter Ardel Wray, and a wide and talented cast of actors that he used more than once, Lewton was able to produce films that were very different than not only what he was hired to do, but ones that were different than what most horror fans would have expected at the time. They had style, they had interesting stories, and very unique and well-developed characters. His films are ones that show how effective just a walk down the street can be, when executed by the right people.

Films mentioned in this episode:

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Mystery Photo 1-20

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Yes, we are back with another pictorial puzzle. Last Monday just slipped by and didn’t even realize until Tuesday that I had forgotten to post one! I’ll try to do better this year! Nonetheless, we have a new one now. But first, let’s see if we remember what the last one was! It was from the 1957 film Voodoo Island, starring the one and only Boris Karloff. While the movie isn’t the greatest movie, it is pretty fun, and Karloff is entertaining to watch as always. Kudos to the following for sending in the correct answer: Hoby Abernathy, Chris Dyer, Dave Fronto, Kevin Hart, Bob Hartman, Erik Martin, and Bryan Senn.

Okay, on to today’s photo. Not much to go on in this picture, but we’ll see if you can recognize where this damsel in distress is from. Just remember to send me your guess in an email, to jon@kitleyskrypt.com. Good Luck!

Indicator Scores Again!

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Yet another reason why we are so lucky right now. Last year, Indicator released their Mexico Macabre box set which featured 4 incredible titles from the Mexican horror output from the late ’50s and early ’60s, which was a much-needed release for fans who had missed out on the old Casa Nega DVDs. But there were 2 titles missing from that collection that were a must for any fan of this sub-genre. But have no fear because Indicator has announced this amazing double feature that will contain the film that started it all, El Vampiro aka The Vampire (1957), and it’s sequel, El ataúd del vampire aka The Vampire’s Coffin (1958), both starring Germán Robles in the title role, and Abel Salazar as the stand-in for Van Helsing! Both are filled with so much atmosphere you can cut it with a knife. Two perfect examples of the amazing work they were creating back then.

This set will include audio commentaries by star Germán Robles from 2007, as well as interviews with Claudia & Rosa Salazar Arenas about their father, actor and producer Abel Salazar, as well as other interviews with people involved in film fests, horror scholars, and film historians on the Spanish horror genre. The set also comes with a limited edition exclusive 80-page book with new essays Jesús Palacios and David Wilt, archival essays by Eduardo de la Vega Alfaro and Carmen A Serrano, cast interviews, an overview of contemporary critical responses, and film credits

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DtH – Episode 65: Universal Monster Rallies

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Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), and House of Dracula (1945).

Some say that the monster rally films marked the end of the Universal creature features, which could partially be true, but we feel it is for different reasons than the actual films themselves, and they still have a lot of merit to them. While the studio heads might not have cared too much about getting them made, those involved did their best with what they had. One of the biggest highlights of these titles is the cast of actors in them, some making their last appearances. You get to see Karloff, Chaney Jr., Carradine, J. Carrol Naish, George Zucco, Lionel Atwill, Dwight Frye, and so many other regular faces that will bring a smile to your face when they pop up onscreen.

While maybe running a little thin on ideas and decided to start combining monsters to hopefully bring back bigger box office returns, they still made films that we all still feel are entertaining and we feel are more than worth your time.

Movies mentioned in this episode:

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Book Review: The Karloff Compendium

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The Karloff Compendium
Published by Unstoppable Cards Limited, 2023. 328 pages.
By Stephen Jacobs

Boris Karloff is my all-time favorite actor, not just because Frankenstein (1931) is one of my all-time favorite films either, but due to his huge work in the genre throughout his career. Because of that fact, I will buy any book that comes out that is on him. Without question. When the news of this new one was going to be released, I immediately ordered it when it was available. It also helped because it was by author Stephen Jacobs, who had previously written probably the best Karloff biography back in 2011 entitled Boris Karloff: More Than a Monster (click HERE to read our review of that title). Honestly, I didn’t even read what the book was about before ordering it, because it didn’t matter. When it arrived, I finally paged through it briefly seeing that it was really a historical look at Karloff’s career, starting at the very beginning when he was a stage actor, going through to the end.

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Movie Review: The Terror

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Directed by Roger Corman, Francis Ford Coppola, Jack Hill, Monte Hellman, Dennis Jakob, Jack Nicholson
Starring Boris Karloff, Jack Nicholson, Sandra Knight, Dick Miller, Dorothy Neumann, Jonathan Haze

The Terror (1963) was one of those films that you always would see on the shelf when you went to any video store back in the day, or at places like the grocery stores if they had these bins of cheap VHS tapes. The main reason for that was because this was public domain title, so there were multiple different releases out at any given time, and all of them looking pretty shabby quality-wise. The more you learned about the film itself and how it came to be, you probably found that to be more entertaining, or at least more fascinating, than the actual picture itself!

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