Discover the Horror Podcast: Episode 23 – Val Lewton

While we all love monsters, there is something about films that can still be creepy in what they don’t show us instead. Producer Val Lewton was a genius at that. In this episode, we delved into the light within the darkness, deep into the shadows, where atmosphere is king. We cover three titles from the talented producer, but Lewton was so much more than just that. While he only produced a handful of films, the ones he did in the early ’40s remain not only classics but set the standard for what a low budget horror film could look like when you had the talent behind it.

Sit back, turn the light down low, and get ready to learn about how you can show very little onscreen, but still make some well-acted, smart, and scary little films.

The films mentioned in this episode are:

The Body Snatcher (1945), The Cat People (1942), Cat People (1982), The Curse of the Cat People (1944), Curse of the Demon (1957), The Haunting (1963), House of Frankenstein (1944), Isle of the Dead (1945), I Walked with a Zombie (1943), King of the Zombies (1941), The Last Patrol (1934), Revenge of the Zombies (1943), Revolt of the Zombies (1936), The Tale of Two Cities (1935), White Zombie (1932), Zombie (1979)

Clu Gulager – Rest in Peace

There is probably not a horror fan alive that does not know Clu Gulager, and rightfully so. He is probably best known as Burt, in Dan O’Bannon’s 1985 zombie classic The Return of the Living Dead. He appeared in quite a few horror titles in his later years, but started acting back in the ’50s, appearing in quite a few westerns, both on TV and the big screen. He also appeared alongside Lee Marvin as a hitman in Don Siegel’s remake of The Killers (1964). But for me, my first memory of Mr. Gulager, believe it or not, was thanks to Disney, in a two-part movie called Mystery of Dracula’s Castle (1973). Cheesy and from Disney, but as an 8-year-old kid, I loved every minute of it. But he also appeared in horror titles like the infamous A Nightmare on Elm Street 2: Freddy’s Revenge (1985), From a Whisper to a Scream (1987), to the incredible entertaining Feast (2005), playing a crusty old bartender.

But as you all probably know, Gulager passed away on Aug. 5th, at the age of 93. No matter you’re a horror fan, a western fan, or just a film fan, we have all lost a great talent. But as I always say, because of their incredible body of work, we can always pop one of their titles in and remember just how good they were. And just why do we need the cinema in our lives? Mr. Gulager gives us a reason here in this quote:

“We need to laugh, we need to be scared, we need to hug our girl in the theater.
It lightens the load of this crummy life.”

Our thoughts go out to his friends and family during this difficult time.

John Steiner – Rest in Peace

John Steiner is another name that most might not know, but if you’re a fan of Italian cinema, then you will know his work. With a man close to 100 credits to his name in less than 25 years is pretty impressive. But also add the fact that he worked with many talented people and directors, including 4 iconic names in the Italian film industry. He worked with Lucio Fulci several times, in the early ’70s, such as in both of the White Fang films, Mario Bava in his last film, Shock (1977), Dario Argento’s Tenebrae (1982), and Ruggero Deodato’s Cut and Run (1984). Hell, he was even the main bad guy in Yor: Hunter from the Future (1983)!!! Needless to say, he is in a lot of our favorite films.

Unfortunately, it was reported that Steiner died in a car accident on Sunday, July 31st. As the years go by, the longer you have been a fan of cinema, we see more and more leave this part of their journey. But because we are fans, we know that because of their film legacy, they will live on and on, each time we bust out one of their titles. So now is the time to do just that. Break out Tenebrae or even Yor, sit back and enjoy Steiner’s work with a smile and remember.

Our thoughts go out to his friends and family during this difficult time.

Mystery Photo 8-1

Brand new month, brand new week, brand new photo. But before we get to that, let’s go over last week’s photo. It was from the 1943 film Dead Men Walk, starring George Zucco in a sweet dual role, as well as Dwight Frye! Kudos to the following for sending in the correct answer: Hoby Abernathy, Kevin Hart, Bob Hartman, Troy Howarth, Gary McGuire, and Bryan Senn. Always thrilled when a little obscure flick from the ’40s gets some love.

Okay, on to this week’s photo, which is another little obscure one, but from a little bit more modern time. Take a peek, then send your guess to me in an email to jon@kitleyskrypt.com. Good Luck!

Soundtrack Review: Crimes of the Future

Crimes of the Future (2022)
Released by Mercury KK
17 Tracks with a Total Running Time of 38:13 min.
Music by Howard Shore

Ever since really getting into movie soundtracks and David Cronenberg films, I’ve always enjoyed what composer Howard Shore brought to his films. Each one was unique, different, and always fit the individual film so well, no matter the content or the subject matter. Shore always made the music part of the overall film experience. With Cronenberg’s latest, a return to the body horror genre he was known for, Shore once again doesn’t disappoint.

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Flashback Next Weekend!

Starting next Friday, Aug. 5th to the 7th, you’ll want to run off to Flashback Weekend that is taking place in Rosemont, IL, at the Hyatt Regency O’Hare. As always, they have a HUGE guest list, but if you’re a fan of the Nightmare on Elm Street films, then you don’t want to miss this one, since they have 10 guests from the series, including Freddy himself, Robert Englund! But there are plenty of other guests as well, such as director Steven Miner, who not only directed the second and third entries in the Friday the 13th films, but also directed House, H20, and Lake Placid, just to name a few. Then we have Alex Winter from Bill & Ted and Lost Boys, Brad Loree, Tom Jones Jr., P.J. Soles and John Michael Graham (Lynda & Bob) from the Halloween series, and so many more.

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Discover the Horror Podcast: Episode 22 – Sequels!

When a film is popular in the horror genre, most likely it will have a sequel. Or two. Or nine. When quality goes out the window to make a quick buck. Or is that completely true? Are there sequels out there that maybe not be as good as the original, but are still entertaining? Or, is there a sequel that actually surpasses the original? Before scoff, put some thought into that question. Or, listen to this episode first, then give it some thought.

Either way, come listen to us rant and ramble on some of the sequels that we think are pretty fun, well made, or just a complete waste of time!

Titles we discuss in this episode:

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Book Review: The Nosferatu Story

The Nosferatu Story: The Seminal Horror Film, Its Predecessors and Its Enduring Legacy
Published by McFarland, 2019. 225 pages
By Rolf Giesen

As a horror fan, I am forever grateful to all the authors out there that decided that they were going to do all this research and study on a particular film, or a sub-genre as a whole, and then put all of that work into a book so that other film fans can learn so much more about them. Whether it is on a specific sub-genre or a certain film in particular, I know that after reading it, I will have a little bit better understanding of the subject matter upon visiting it once again. Giesen’s book on Nosferatu, as well as early German horror cinema, is just that book. You’ll read about a lot of important names that would have a huge impact on the horror genre.

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Frightfest Guide – Vampire Movies!

FAB Press has announced their latest edition to their Frightfest Guide, this time tackling one of the oldest monsters around: Vampires! Written by Nathaniel Thompson, this will follow the same style as their previous titles in the Frightfest series, which I have to say are all amazing. Beautifully laid out, with plenty of photos and information about each of the particular sub-genre they cover. I know, because I have all the previous editions!

They are taking pre-orders for the limited hardcover edition, that you can even get with a signed bookplate. The price works out to about $35 but it will cost you a bit more with the postage. Damn airmail freight! They do become available over here in paperback editions so you could always wait. But no matter which edition you get, I would highly recommend checking it, and the rest in the series out. They’ve covered ghosts, monsters, werewolves, exploitation, and grindhouse, which you can get most of them on Amazon for under $20. Such a deal. If you want to pre-order the hardcover edition, head over to FAB Press’ website HERE.

Soundtrack Review: She Will

She Will (2022)
Released by Mercury KK
11 Tracks with a Total Running Time of 44:55 min.
Music by Clint Mansell

I remember seeing the trailer for this and seeing that Alice Krige was in it, I knew I was going to see it. But then forgot about it until it popped up on Prime. I’ve been a fan of Krige since Ghost Story (1981) so I figured it would be another great performance, no matter of the quality of the final product. What I didn’t expect was the captivating soundtrack that seemed to surround the story itself.

I also knew of Mansell’s work that he has done with Darren Aronofsky, but never had any of them really grab hold of me like this score did. Maybe because it was a combination of the beautiful cinematography here, where it felt like the music was interwoven into the images onscreen.

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