Movie Review: Black Sunday

Black Sunday (1960)
Directed by Mario Bava
Starring Barbara Steele, John Richardson, Andrea Checchi, Ivo Garrani, Arturo Dominici, Enrico Olivieri, Antonia Pierfederici, Tino Bianchi

Once you start to wander down the path of Italian horror cinema, there is one director that is a must for you to seek out. While I know quite a few fans start out with Dario Argento, which is a great place to start, but you mustn’t stop there, but go further back. Back to 1960 when the film Black Sunday was released. There are many titles that are considered ‘classics’, but director Mario Bava’s tale of witchcraft, Satanism, and revenge, is one of the best examples of black and white horror cinema, or really horror cinema in general.

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Movie Review: The Devil’s Rain

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The Devil’s Rain (1975)
Directed by Robert Fuest
Starring Ernest Borgnine, William Shatner, Ida Lupino, Eddie Albert, Tom Skerritt, Keenan Wynn.

Back in the day when I was eagerly eating up any and all horror films I could get my hands on, I tended to laugh off this title, mainly because of the thought of Ernest Borgnine playing an evil character. From his days of McHale’s Navy, I just couldn’t see him being scary, let alone some demonic entity. But this film changed all of that.

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Soundtrack Review: The Belko Experiment

belko experiment soundtrack

The Belko Experiment
Released by Lakeshore Records, 2017
18 Tracks with a Total Running Time of 40 min.
Music by Tyler Bates

When a score starts off with a Hispanic version of I Will Survive, it makes you wonder if you can take it serious. But once the second track, Security, kicks in, you can tell you’re in for a dark ride.

The main feel to this score is not really music but sounds. Long, drawn out ones, almost like feedback, or something metal being dragged across another metal object, but slowly. Then you throw in a little pounding rhythm here and there, and there is your score. This is not a criticism, but just trying to explain what you’re going to get here. It is very atmospheric, creating a very disturbing sensation with it playing in the background, that something dark is just around the corner, or just out of sight, but it is there. Then in the middle of the score, we get a break with another Hispanic version of California Dreaming. After that, we’re right back into the thick of it with track # 9, Panic. It starts off with some clanging in the distance, with some strange electronic beat, and that screeching sound again. Highly effective.

From what we know about this movie, this score seems like it would fit perfectly. It just emits suspense and tension with these noises bleeding through your speakers. We can’t wait to see the film and see just how well it works within the images on the screen.

You Know You’re a Die-Hard Horror Fan…

…when there is a movie coming to Blu-Ray that is just terrible…but you’re excited about it anyway!

Blackenstein blurayAt the end of next month, Severin Films will be unleashing one of the worst of the worst, the 1973 film Blackenstein, directed by William A. Levey, and written and produced by Frank R. Saletri, who was later murdered in a gangland style crime, which has never been solved. Even though I’m a huge fan of the blaxploitation films in the horror genre, like Blacula, this one is a real tough title to get through. But this release hopes to change all of that, at least by giving us the film in two different versions, as well as a bunch of extras to maybe help explain a little how this film came to be.

This release will feature the original theatrical cut, which runs only 78 minutes, and the video release, which is 87 minutes. It will also feature an interview with writer/producer Saletri’s sister. There is also an archive news broadcast on his murder, as well as Ken Osbourne and Robert Dix talking about Saletri. We also get to hear from Bill Munns, the man responsible for creating the titular monster!

As I said, even though I barely made it through this when I’ve watched it before, I really am excited to pick this one up when it comes out on May 30th.

Mystery Photo 4-3

It looks like we stumped everyone with last week’s photo. It was from the 1972 giallo The Crimes of the Black Cat, which features a very brutal shower murder sequences. We didn’t even get a guess or two either, which is surprising. Oh well….let’s get on to this week’s photo, which I think you might find a little easier. Maybe.

But as always, please remember not to post your answers here, so others can have a try at it. Just send us your guess in an email to jon@kitleyskrypt.com. Good Luck!

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It Came from Hunger – A Must Autobiography

TIt Came from Hungerexas filmmaker Larry Buchanan has always had a special place in my film fan’s heart. Making titles with very little money, he still managed to create something that I’ve always found entertainment in, even if for the wrong reasons. He gave us titles like The Eye Creatures, In the Year 2889, Zontar: The Thing from Venus, The Naked Witch, The Loch Ness Horror, and of course, Mars Needs Women, along with so many others. His budgets tended to be so low, a mere fraction of what Roger Corman was getting to make his low budget features. But Buchanan still go them made, and usually turned a pretty decent profit. Granted, most of them won’t be remembered for being anything but a turkey, but hey…at least they are being remembered, right?

Years ago, I was lucky enough to score a hardcover copy of his autobiography It Came From Hunger: Tales of a Cinema Schlockmeister, originally published by McFarland in 1996. If I didn’t love his work then, I surely did after reading this wonderful and insightful book. It does give a lot of information on how he got started in the business and how he managed to continue it in throughout his career, even when he had little or no money to make a picture. The stories within these pages, such as what happened to his very first feature film, are so compelling and fantastic, really giving an insight to this man who just loved making movies.

This book has been long out-of-print and tends to go for big bucks on the secondary market. But now, you can get your own paperback edition of this book for only $9.99! Even at triple the price, this book is a must for independent filmmakers, as well as anybody who loves these kind of films.

You can read my review of this book by clicking HERE.

So do yourself a favor and head over to Amazon to order your copy today. I promise you that you will just love this one. And if not, then you’re only out $10!

Bernie Wrightson – Rest in Peace

Wrightson - RIPI know it’s been a few weeks since this happened and had planned to get something written up, but just never got to it. Then yesterday, I was watching Michael Felsher’s making of Creepshow documentary, Just Desserts, which features some interviews with Wrightson. I knew then that I needed to get this done and posted about this incredible talent that the world of horror and comic books has lost.

Now, I’m not an artist so I couldn’t even attempt to explain just how talented Wrightson was, or the impact that he had on generations of artists. I just know that looking at the below piece he did for the illustrated Frankenstein that was released in 1983 (after spending seven years working on it) just blows my mind at how this is even possible. The detail and layout is just astounding and I couldn’t even begin to understand how a talent like this could even exist.

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Book Review: A Youth in Babylon

A Youth in Babylon

A Youth in Babylon
By David F. Friedman
Published by Prometheus Books, 1990. 355 pages.

In the world of exploitation movies, David F. Friedman is right up there at the top. When it comes to selling whatever to the market, Friedman was a god. He grew up in that carnie-like industry, learning from some of the best, like Kroger Babb, on how to market and sell movies, even if they were just terrible. The exploits of Friedman, and some of the other “Forty Thieves” are just priceless and are such a treat to be captured and put down in this book.

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New Book Titles for Your Want List

As if it wasn’t proven to me more than at the recent HorrorHound Weekend that print is definitely not dead, here are a few more titles that I’ve come across that are either out or coming out soon. I know I’ll be adding them to my library at some point in the near future.

Frightfest Guide to Monster Movies

The first one is comes from FAB Press, so right there we know the quality of it is going to be worthy of the cost. But then you throw in the fact that it was written by Michael Gingold, then that is just icing on the cake.

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