I
talian Gothic Horror Films, 1970-1979
Published by McFarland, 2017. 256 pages
By Roberto Curti
Here is yet another prime example of why I love horror reference books. I’d say that I’ve seen my share of Italian horror films in the last 30 years and could pretty much hold my own in a conversation about said topic. But reading through Curti’s book, it showed me a couple of things. First, I don’t know as much as I thought I did! Not even close. Just a few pages in and I was reading about films that I had either never heard, had forgotten about, and never seen. Probably the first. But it also showed me just how great the genre is because even after all these years, there are still plenty of more titles out there just waiting for me to explore.
Curti definitely knows his stuff. With each entry, he gives us not only the usual items, like cast, crew, and synopsis, but also a plethora of information about the film and the people involved with it. While only covering a decade of cinema, it was a great time frame for Italian horror. Listed within these pages are more than a few of some of my favorites, like The Devil’s Wedding Night (1973), Night of the Devil (1972), or even entertaining trash like Werewolf Woman (1976) or Lady Frankenstein (1971), and many others. It will give you plenty of titles that you’re going to want to seek out for the first time, and many that you’ve seen before but now want to revisit once again.


If you were a fan of Giallo films, or just Italian horror cinema, especially their cannibal sub-genre, then you definitely knew who Umberto Lenzi was. While he started off studying law, he turned to his real passion…cinema. At first working as a critic and writer, he soon moved into film production. His first film was Queen of the Seas (1958). But starting in the late ’60s, he made several well made giallos, such as So Sweet…So Perverse (1969), Seven Blood-Stained Orchids (1972), Spasmo (1974), and Eyeball (1975).

This is simply the best magazine out there covering Hammer Studios, not to mention the longest running. And there is a reason for that. The quality of work that goes into each issue, from the research and writing, to the wonderful illustrations, it doesn’t take long to realize that this is a work of passion and love for those involved. A fan of Hammer Studios can learn so much about this amazing studio and the people that worked there by reading through each and every issue. I know I do!

