Author Archives: Jon Kitley

Soundtrack Review: I, Frankenstein

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I, Frankenstein
Released by Lakeshore Records, 2014
26 Tracks, with a total running time of 75 min.
Music by Johnny Klimek and Reinhold Heil

Okay, we can all agree that this is not a great movie. In fact, it is about as far away from Shelley as 2015 film Victor Frankenstein, and about as entertaining. But we are here to focus on the soundtrack, because as fans of movie music, we know that sometimes the music can be better than the film itself, and this is a perfect example.

The first word that comes to mind when listening to this score is epic. Right from the Main Title, it had my attention. I’m a sucker for operatic vocals in a score and this one starts out with this haunting voice over the building music. You can feel how big this movie is going to look just by the score. With a story about the title character fighting off demons and gargoyles throughout the running time, you need a big score to accompany it. And you have it here.

Klimek and Heil have created a great score here, one filled with quiet and somber themes, as well as cranking it up to the next level with plenty of pounding percussions, thundering strings, creating enough action in our ears that we can feel it.

While I can’t recommend the movie, which honestly is just damn silly, the score however is well worth seeking out.

1000 Vampires on Screen

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Since vampires are still one of the most popular monsters in film and television history, it is only natural for more books to continue to come out about them. But this new 2-volume set from BearManor Media, 100 Vampires on Screen by Simon Bacon, it seems a bit different than your average reference book. As it states in the book’s description, it “covers the history of vampires on film and television”, but here is where it gets different. It seems that it is told from the vampire’s perspective, which honestly sounds like it could be interesting, but is this just a fictional perspective from the author based on the character info from the film? I have to say, I am curious about this. And the fact that I’m a slightly obsessive horror reference book collector.

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Euro Horror Shock Show!

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I know we posted about this back in January, but with the show only 2 weeks away, we wanted to put this little reminder out in case you forgot. But in two weeks from tomorrow, thanks to the wonderful House of Monsters, you’ll have the chance to see TWO Paul Naschy flicks on the big screen, as well as two other great Euro horror titles. Just think about that for a minute . . . when was the last time you had a chance to see the Spanish horror icon Paul Naschy in a theater, filled with other like-minded horror fans?

Wait . . . not too familiar with Naschy? Then now is your chance to see two of his best films, The Hunchback of the Morgue (1973) and Mummy’s Revenge (1975).

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Discover the Horror Podcast – Episode 40: Generations of Horror with Guest S.A. Bradley

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Depending on when you not only grew up but grew up with the horror genre could define what films you like, and what you don’t like. But then there are other fans that open up the borders and search outside their comfort zone. In this episode, we discuss those ideas with our special guest, S.A. Bradley, author of Screaming for Pleasure: How Horror Makes You Happy and Healthy, as well as the host for the podcast Hellbent for Horror.

This isn’t an episode about specific films, though plenty are mentioned and discussed in great detail, but also on how they are received by the current audiences, as well as the older, and sometimes younger audiences, and what the differences are.

These are the films mentioned in this episode:

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Mystery Photo 4-3

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Boy, talk about being a real slacker! Not only did I not get a photo up last week, but I also didn’t even remember not doing it! I’m guessing it might have something to do with I was at two conventions a week apart, one I was working, and one I was just attending, but both took a lot out of me! Mainly sleep, but still making it a very busy time. But let’s change that and get our first one for April. BUT…before we get to that’s go over the last one I did post, way back on March 13th. The pic was from Lucio Fulci’s A Lizard in a Woman’s Skin (1971). Kudos to the following for sending in the correct answer: Hoby Abernathy, Dada Debaser, Troy Howarth, Mike Shields, David Sohl, and William Wilson.

This week’s photo really could cross many genres, but it is one of my favorites and definitely has at least some of its toes in the horror genre. So, take a peek and see if you recognize which movie it is from. Remember to send your guess to me at jon@kitleyskrypt.com. Good Luck!

Discover the Horror Podcast – Episode 39: William Girdler

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3 on a Meathook (1972), Grizzly (1976), & Day of the Animals (1977). Director William Girdler is a name that some horror fans might know some of his work, but probably don’t know a lot about the man himself, or maybe don’t realize how many great films he produced in a very short time, before his untimely death. 9 movies in only 6 years, and one of them being the most successful independent film for the time, which head that record until John Carpenter’s Halloween (1978). In this episode we cover one of his earlier films, as well as two of his most popular ones, or ones that might be more familiar with your average fan. But we invite you to listen up and even rewatch them and see if you don’t agree with us that William Girdler was much more than a low budget independent filmmaker, but one that consistently turned-out entertaining pictures.

Got any ideas for a future show? Any comments about this show, or any of our others? Please let us know! Leave your comments here, or send us an email at podcast@discoverthehorror.com, or on either our Facebook page or Instagram page!

Titles mentioned in this episode:

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Kryptic World Tour Starts Next Weekend!

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That’s right kiddies, next weekend we’ll be heading to Cincinnati for the HorrorHound Weekend, which officially starts our 2023 convention tour. It seems like it has been forever since our last show, so we are very excited to have another great weekend. Looking forward to seeing our friends there, getting to hang out and talk about movies, and just having a great time.

The following weekend, while we’re not vending, we’ll still be at Cinema Wasteland in Strongsville, Ohio, and is one that we’re really looking forward to. Not only do they have the last remaining cast members of Texas Chain Saw Massacre, but they also have writer Kim Henkel and cinematographer Daniel Pearl on the guest list. That show is always a great time and so much fun.

In April, we’re staying local and doing our second appearance at the Windy City Pulp and Paper show, which is more of a literary show, but if you’re a book lover, this is one to come to! Plus, that same Saturday, we’ll be leaving the show a little early to head to the Davis Theatre in Chicago for the Euro Horror Shock Show, put on by the House of Monsters, which will be screening 4 amazing films, including two featuring Paul Naschy!!! How can you pass that up!

You can see the rest of our shows that we have lined up this year at the top of our main page. Hope to see you at some of them!

Movie Review: From Beyond

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Directed by Stuart Gordon
Starring Jeffrey Combs, Barbara Crampton, Ken Foree, Ted Sorel, Carolyn Purdy-Gordon, Bunny Summers

For horror fans, the ‘80s were a time of sheer wonderment when it came to special effects. With the constant advancement of special makeup effects, it was a time of foam rubber, latex, and slime, with the only boundaries being imagination. One film that represents that more than most is Stuart Gordon’s From Beyond.

When I worked at the theater back in the ‘80s, Re-Animator (1985) played there and it just blew me away, between the gore and just the outrageousness of the whole story. I had already been reading Fangoria by that time, so when From Beyond was coming out, I was already excited about seeing it. And luckily for me, it played at my theater as well, so I spent a lot of time in there watching it over and over. I had recently started reading horror fiction, and thanks to Stephen King, had already started to dive into the works of H.P. Lovecraft, and had read the very short story that From Beyond was based on. In fact, the pre-credit sequence in the film is pretty much the whole story. But I think writer Dennis Paoli, along with producer Brian Yuzna and director Gordon, fleshed out the rest of the plot that, while way gorier and gooier than Lovecraft would have spelled out, I think it still felt it could be in the same universe.

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Mystery Photo 3-13

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Not sure where my head was last Monday but realized about mid-week that I had totally forgot to get a new Mystery Photo up! But have no fear, today we are back on track. But before we get to the new one, let’s do a review of our last one. It is from Dark Night of the Scarecrow (1981), one that I feel is one of the best made-for-TV movies ever made! Great cast and a great story with plenty of creepy elements in there. Kudos to the following for sending in the correct photo: Peggie Christie, Chris Dyer, Troy Howarth, Mike Shields, and William Wilson. Well done!

Today’s photo is one that I love to look at because it just shows some of the beauty we can see in cinema, even in a horror film. Take a look below and see if you recognize where this is from. Just remember to send your guess to us in an email, to jon@kitleyskrypt.com. Good Luck!

Robot Monster in 3D Screening!

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While we all anxiously await the release of the new Blu-ray of this epic piece of cinematic history (Come on, you know it is!) in all of its 3D glory, if you’re in the Madison, WI area, they will be having a screening of this at the Wisconsin Film Festival on April 15th, at 11am. While it is a 2-hour drive for us at the Krypt, I am planning on making the trip up there it because the chance to see this film on the big screen, in 3D, isn’t going to come around that often.

For all the information about the screening, just click HERE. After the screening, there will be a Q&A with Bob Furmanek from 3-D Film Archive, who is one of the men behind the restoration.

This will be the 70th anniversary of this film and while most consider it one the worst films ever made, the fact that we’re still talking about it, and that a ton of people have been working very hard to bring this back to its original 3D presentation, shows you how much this piece of cinematic history is loved and cherished. There really is no other film like it, and with a budget of only $20k, I love the fact that we’re still talking about it, and more importantly, keeping the film alive!