Horror History: Arthur Grant

arthurgrantArthur Grant
Born 1915 – Died 1972

One of the things that Hammer Films are most known for is their look. And one of the reasons for that is due to the cinematographer. Working with the director, they are the ones that created the way a scene looks when all is said and done. And one of the most prolific ones for Hammer was Arthur Grant. He started in the film business at the age of 14 and working his way up to director of photography, or DP as they were called. His first Hammer film was The Abominable Snowman (1957) and worked on many of their most popular films of the ’60s and into the ’70s, such as Curse of the Werewolf (1961), Paranoiac (1963), Plague of the Zombies (1966) and Frankenstein Must Be Destroyed (1969). His last film was Demons of the Mind (1972).

The cameraman is one person that very seldom gets the credit they deserve. Sometimes what we seen on the screen might be more due to them than the director. Whether it be one of their black and white classics to their colorful Frankenstein pictures, Grant could make them look even better. And when you have films like the ones that Hammer was making, the look of the film is extremely important. And he never seemed to let Hammer, or their fans down.

Book Review: Graphic Horror Movie Monster Memories

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Graphic Horror Movie Monster Memories
By John Edgar Browning
Published by Schiffer Publishing, 2012. 192 pages.

I love movie posters. I believe these really are works of art and don’t get the appreciation they deserve, especially the ones from the horror genre. Strange though that when it comes to movie poster auctions, horror titles have always been the ones that draw the most money. But as we move more and more into the digital age, poster art is becoming more of a lost art form, or at least a completely different medium. Nowadays, these things are seemingly cranked out with very little time or effort, mainly using computer graphics/artwork to churn these out. Back in the heyday, these pieces of advertisements had a big job to do. They have to make people want to go see this movie just by looking at this poster. So it had to be catchy…and it had to be good.

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Varèse Sarabande Soundtrack Box Set

2hjb_littleboxofhorrors-1Looking for the ultimate gift for a friend that is a horror soundtrack nut? Then look no further. This Friday, Varèse Sarabande will be releasing a special 12-CD limited edition box set featuring some titles that are rare, out-of-print, or never released on CD before, all inside a special black retro-styled carrying case. There will only be 1500 of these made, so if you’re interested, read on to get more information.

Here’s a listing of what titles are inside this:

Deadly Friend by Charles Bernstein
Dracula 2000 by Marco Beltrami
The Fly by Howard Shore
The Hidden by Michael Convertino
Maniac by Jay Chattaway
The Mephisto Waltz / The Other by Jerry Goldsmith
Mimic: Deluxe Edition by Marco Beltrami
A Nightmare on Elm Street by Charles Bernstein
Pumpkinhead by Richard Stone
Scream: Deluxe Edition by Marco Beltrami
The Serpent And The Rainbow by Brad Fiedel
The Strange Case Of Dr. Jekyll And Mr. Hyde by Bob Cobert

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Movie Review: The Pack

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The Pack (1977)
Directed by Robert Clouse
Written by Clouse, based on the novel of the same name by David Fisher (1976)
Starring Joe Don Baker, Hope Alexander-Willis, Richard B. Shull, R.G. Armstrong, Ned Wertimer, Bibi Besch, Delos V. Smith Jr., Richard O’Brien, Sherry Miles, Paul Willson

Seal Island is just off the coast of Maine and seems to be a tiny place where some people vacation for the summer. It seems these vacationers have a tendency to bring dogs to the island only to leave them there. And because of this, we eventually have a pack of wild dogs that start to take over the island, threatening the few locals that live there all year round. Joe Don Baker stars as a marine biologist that works on the island and takes charge to try and get rid of this deadly threat.

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Mystery Photo 11-14

Greetings! Are we all ready for another Mystery Photo Monday? Let’s get down to it then. Our pic from last week was from the drive-in classic Grave of the Vampire (1972). Long before Blade hit the big screen, Grave had vampires battling vampires! And when they are William Smith and Michael Pataki, it can’t be all bad! Congrats out to the following that sent in the correct answer: Hoby Abernathy, Ken Johnson, and Doug Lamoreux. Well done!

Now on to this week’s photo. Could be another tough one, or an easy one. You won’t know until you gaze into the picture below and see what that grey matter gives you. Good luck.

Of course, please remember not to post your answers here so others can have a chance. Just send us an email to jon@kitleyskrypt.com.

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Lupita Tovar: Rest in Peace

lupita-tovar-ripThe horror genre has lost another icon from the classic age of monster movies. Lupita Tovar passed away yesterday at the age of 106. She had starred in the Spanish-language version of Universal’s Dracula in 1931. This was the version directed by George Melford that was filmed on the same sets as the Tod Browning version, but at night after the American crew had left. It was produced by Paul Kohner, who would later marry Tovar as short time after filming finished.

She came to Hollywood in the late ’20s and appeared in several silent films, even working opposite Bela Lugosi in the 1929 film The Veiled Woman. After appearing in Dracula, she returned to Mexico and appeared in several other films, including Mexico’s very first talking film, Santa (1932).

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Book Review: Little Horrors

little-horrorsLittle Horrors: How Cinema’s Evil Children Play on Our Guilt
By T.S. Kord
Published by McFarland, 2016. 228 pages.

I first became aware of this book from my friend Gavin Schmitt’s review, which immediately grabbed my attention at the author’s introduction and her feelings towards some of the more scholarly reference books. When writing this book, she was told on more than one occasion that it wasn’t academic enough. But Kord didn’t care and states that “they failed to convince me that a good idea is worth less because it’s expressed clearly, and I’ve never been a fan of the academic credo that if a book is comprehensible to more than three people, the author must have sold out.” For that, this author has my undying attention and praise! That is exactly the problem I have with a lot of these film theory books, that it seems more important to them to talk over their audience than to actually get down to their level to get their point across. So major kudos to Kord for standing by her thoughts on this subject and not be swayed to change it just to get published.

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Horror History: William K. Everson

williamkeversonWilliam K. Everson
Born Apr. 8th, 1929 – Died Apr. 14th, 1996

While Everson never actually made or appeared in the movies, he helped the film business more than most. He was a lifelong fan of movies and spent most of his life writing and teaching about, and collecting films, working very hard to get other people to see some of the more rare titles. Leonard Maltin called him “a movie missionary” since he would travel the world to teach people about this movies. Everson had a knack for finding lost or rare pictures. But just finding them wasn’t the real fun part, it was being able to share and show other fans these rare and interesting titles. In the ’50s, he had formed a film society where he would show these films on a regular basis. At one point, he even got into a little trouble with the FBI, as did a few of the bigger film collectors since the studios were not happy with these private collectors having prints of “their” movies. But Everson’s reasoning and dedication to keep these great movies alive and for people to see them outweighed any wrong doing.

Horror fans might recognize his name from his books Classics of the Horror Film and More Classics of the Horror Film. The first book was one of the first of its kind, showing and teaching fans everywhere about all of these great films, through plenty of stills and his praise. He worked very hard in his lifetime to make sure that these films were going to be around for years to come and that other fans could see them. He knew the not only the importance of the classics, but also the importance of spreading one’s knowledge of them as well to like minded fans. That is one thing that Everson has instilled in me to this very day.