Movie Review: Dark Waters

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Dark Waters (1993)
Directed by Mariano Baino
Starring Louise Salter, Venera Simmons, Mariya Kapnist, Lubov Snegur, Albina Skarga, Pavel Kokolov

On the audio commentary for Dark Waters, director Baino mentions something that Alfred Hitchcock had said about how the invention of sound would destroy cinema. I am paraphrasing this, but his point was that after movies had sound, more time will be spent listening to the story than watching what is happening on screen. One could listen to a film and pretty much get the idea of what is going on, instead of letting the visuals tell the story, which I think is especially true with today’s features. Well, Dark Waters is a perfect example of the opposite of that theory. In fact, when it starts, there is almost 18 minutes before any real dialogue is heard. And in that short time, unforgettable images appear on screen, such as shots of nuns with large crosses on a hill, or more nuns in a darkened field at night with burning crosses, we see the murder of a young girl, with her blood flowing into the water that is leaking through the catacombs in the convent, to even something simple like an old woman on a bus playing with a couple of spiders. Thse are just but a few visual to start off the film. But it continues through the rest of the running time. If modern day Hollywood made their films look half as good and striking as this one, the cinematic world would be a much better place.

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Book Review: Splatter Movies

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Splatter Movies: Breaking the Last Taboo of the Screen
By John McCarty
Published by St. Martin’s Press, 1984.  197 Pages.

Any collector of horror reference books knows the name of John McCarty, since he has written several books on the genre over the years. From Psychos, The Modern Horror Film, to Movie Psychos and Madmen, he’s definitely spent his time watching and learning about the genre. Now maybe its because he’s watched so many that a factual error might slip by. Also, sometimes ones opinion of a title might not be the same as everyone else’s. Which is fine as well, but maybe you should state that it is your opinion.

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Horror History: Roy Ashton

Roy AshtonRoy Ashton
Born April 16th, 1909 – Died Jan. 10th, 1995

You cannot be even the slightest fan of Hammer Films and not have seen the work of Roy Ashton. He started as an assistant makeup artist back in the ’30s, before starting to work with Hammer Studios, where he created some of their most memorable monsters. But Ashton wasn’t just a makeup man, he almost had a career as a musician and opera singer. But the hours of devotion needed to learn the makeup craft pulled him away from his true love of music. He was the assistant makeup man to Phil Leaky for Hammer, who was the man behind the Quatermass films and Curse of Frankenstein. After Leaky and Hammer had a falling out, Ashton became their head makeup man. He created the look for their films like Curse of the Werewolf, The Reptile, Plague of the Zombies, as well as doing Peter Cushing’s zombie makeup for Amicus’ Tales from the Crypt.

It is a real shame that his name is not as common as Rick Baker or Tom Savini, since his work is still watched and enjoyed today by countless horror fans. But hopefully we can do our little part and hopefully change that. For more information on Ashton, there is an excellent book on him called Greasepaint and Gore, which is filled with great stories and plenty of artwork and photos of his work.

Mystery Photo 4-17

Yes, we didn’t have a new photo last week, but I blame the amazing weekend we had at Cinema Wasteland before it. So you’ll have to excuse the no new photo then. But, we do have one today. But before we get to it, lets go over our last photo. It was from the 1935 film The Raven, starring Boris Karloff and Bela Lugosi. Lugosi plays a mad doctor with a passion for Poe, even having a pendulum in his basement! Kudos out to the following for sending in the correct answer: Hoby Abernathy, Cate Cameron, Bill Harrison, Troy Howarth, Jeff Owens, Michael Shields, & William Wilson. Well done!

Now lets take a good look at this week’s photo and see what might happen when you forget to moisturize! Remember, please don’t post your answers here, so everyone can have a chance at it. Just send us an email at jon@kitleyskrypt.com. Good Luck!

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World Tour Continues…

Last weekend, we were at the Cinema Wasteland show and just had a blast, as usual. They were having a Night of the Living Dead reunion, but to be honest, I never even made it to a single panel. I think this was the first time I didn’t take one single picture of any guests while I was there. It might have had something to do with that I was running the table by myself for the most part, though my good buddy Scott was there to watch it when needed. But really, and especially at this show, it really is about seeing my old friends and having the time to hang out and talk about the thing that binds us all together…horror movies! It really is the highpoint of the conventions for me these days. Maybe I’m just spoiled since I’ve been going to these things for close to 30 years and not too many guests that I either haven’t seen, or just don’t feel like paying the autograph fee, so I never even bother going up to talk to them. Ken does a good job keeping the prices low at Wasteland, but other shows…not so much. I know it’s a shame because there are some guests that are so nice and great to talk to. But more than not, these days they are there to take money from you and could really care less about a fan, unless your wallet is out. Yeah…bitter attitude from Old Man Kitley.

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Movie Review: Black Sunday

Black Sunday (1960)
Directed by Mario Bava
Starring Barbara Steele, John Richardson, Andrea Checchi, Ivo Garrani, Arturo Dominici, Enrico Olivieri, Antonia Pierfederici, Tino Bianchi

Once you start to wander down the path of Italian horror cinema, there is one director that is a must for you to seek out. While I know quite a few fans start out with Dario Argento, which is a great place to start, but you mustn’t stop there, but go further back. Back to 1960 when the film Black Sunday was released. There are many titles that are considered ‘classics’, but director Mario Bava’s tale of witchcraft, Satanism, and revenge, is one of the best examples of black and white horror cinema, or really horror cinema in general.

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Movie Review: The Devil’s Rain

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The Devil’s Rain (1975)
Directed by Robert Fuest
Starring Ernest Borgnine, William Shatner, Ida Lupino, Eddie Albert, Tom Skerritt, Keenan Wynn.

Back in the day when I was eagerly eating up any and all horror films I could get my hands on, I tended to laugh off this title, mainly because of the thought of Ernest Borgnine playing an evil character. From his days of McHale’s Navy, I just couldn’t see him being scary, let alone some demonic entity. But this film changed all of that.

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Soundtrack Review: The Belko Experiment

belko experiment soundtrack

The Belko Experiment
Released by Lakeshore Records, 2017
18 Tracks with a Total Running Time of 40 min.
Music by Tyler Bates

When a score starts off with a Hispanic version of I Will Survive, it makes you wonder if you can take it serious. But once the second track, Security, kicks in, you can tell you’re in for a dark ride.

The main feel to this score is not really music but sounds. Long, drawn out ones, almost like feedback, or something metal being dragged across another metal object, but slowly. Then you throw in a little pounding rhythm here and there, and there is your score. This is not a criticism, but just trying to explain what you’re going to get here. It is very atmospheric, creating a very disturbing sensation with it playing in the background, that something dark is just around the corner, or just out of sight, but it is there. Then in the middle of the score, we get a break with another Hispanic version of California Dreaming. After that, we’re right back into the thick of it with track # 9, Panic. It starts off with some clanging in the distance, with some strange electronic beat, and that screeching sound again. Highly effective.

From what we know about this movie, this score seems like it would fit perfectly. It just emits suspense and tension with these noises bleeding through your speakers. We can’t wait to see the film and see just how well it works within the images on the screen.

You Know You’re a Die-Hard Horror Fan…

…when there is a movie coming to Blu-Ray that is just terrible…but you’re excited about it anyway!

Blackenstein blurayAt the end of next month, Severin Films will be unleashing one of the worst of the worst, the 1973 film Blackenstein, directed by William A. Levey, and written and produced by Frank R. Saletri, who was later murdered in a gangland style crime, which has never been solved. Even though I’m a huge fan of the blaxploitation films in the horror genre, like Blacula, this one is a real tough title to get through. But this release hopes to change all of that, at least by giving us the film in two different versions, as well as a bunch of extras to maybe help explain a little how this film came to be.

This release will feature the original theatrical cut, which runs only 78 minutes, and the video release, which is 87 minutes. It will also feature an interview with writer/producer Saletri’s sister. There is also an archive news broadcast on his murder, as well as Ken Osbourne and Robert Dix talking about Saletri. We also get to hear from Bill Munns, the man responsible for creating the titular monster!

As I said, even though I barely made it through this when I’ve watched it before, I really am excited to pick this one up when it comes out on May 30th.