Horror History: Nathan Juran

nathanjuranNathan Juran
Born Sept. 1st, 1907 – Died Oct. 23rd, 2002

Juran’s first career was that of an architect before he got into the film business as an art director. This career choice won him an Oscar for How Green Was My Valley (1941) and another nomination for The Razor’s Edge (1946), working on several other films before he made his move into the director’s chair. His directorial debut was for The Black Castle (1952), staring Lon Chaney Jr. and Boris Karloff. He would go on to direct some great films in the sci-fi horror genre in the ’50s, such as The Deadly Mantis (1957), 20 Million Miles to Earth (1957), and The 7th Voyage of Sinbad (1958). Of course, there were some films that didn’t get the praise that one would hope, like The Brain from Planet Arous (1957) and Attack of the 50 Foot Woman (1958). At least from the critics back then. If they weren’t entertaining, fans wouldn’t still be watching them and talking about them and keeping them alive.

After working in film, he moved to television and worked on several series, like Voyage to the Bottom of the Sea, The Time Tunnel, Lost in Space, Land of the Giants, and a few more.

While Juran thought of filmmaking in the sense of a business as oppose to having a passion for it, when looking at some of the great films that he help create, it didn’t matter what the reasoning behind why he was making them. We will just be forever grateful for the work that he did give us.

Book Review: Universal Terrors, 1951-1955

universal-terrorsUniversal Terrors, 1951-1955: Eight Classic Horror and Sci-Fi Films
Published by McFarland, 2017. 440 pages.

By Tom Weaver, with David Schecter, Robert J. Kiss, and Steve Kronenberg

Anytime I do research on an older classic, if I’m looking for quotes, interviews, or anything type of information, going through the many volumes of books I have from Tom Weaver is one place that I always start. The reason for that is that his books are always so informative, giving a ton of details about the movies and their production, as well as the people that worked on it, from the directors and writers to the actors. Since he’s interviewed so many of these people over the years, the details he’s getting comes first hand. When news of a new book Weaver was working on that covered some of Universal’s films of the ’50s, since I’m a huge fan of that era, I couldn’t wait for it to come out so I could dig into it.

tarantula

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