Tag Archives: Sam Sherman

Sam Sherman – Rest in Peace

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This is definitely an end of an era, with the news of the passing of Sam Sherman. He was mainly known as a producer, one half of Independent International, working with Al Adamson, but his contributions to the horror genre is just massive. From his work with Jim Warren and Famous Monsters of Filmland, to working with Hemisphere Pictures, especially in their promotion department, then moving on to work with Adamson. While he was a very multi-talented man, it is his work in PR is what I loved about him. He knew how to sell a film and came up with some of the most beautiful and crazy advertising. Of course, Sherman was the man responsible for bringing Paul Naschy to the states, picking up the rights and releasing Naschy’s first picture, Mark of the Wolfman, though changing it to Frankenstein’s Bloody Terror, yet again with some really great ad campaign for it! Sure, there’s no Dr. Frankenstein or Frankenstein creature in the film, but we do get a WOLF-STEIN!!!

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The Degenerate: The Life and Films of Andy Milligan

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Growing up in the age of video stores, I was aware of some of the films of Andy Milligan, such as The Rats Are Coming! The Werewolves Are Here! and Tortue Dungeon, just from seeing them on the shelves. But I never was that familiar with him, other than knowing he made some schlocky low budget films. But thanks to Severin Films, when they released their incredible Milligan box set, The Dungeon of Andy Milligan collection, which featured 14 different film titles and a plethora of extras. This amazing set allowed long-time fans, as well as beginners of Milligan’s work to really dig into his films and have the chance to see them looking better than they probably ever have. I know I have watched about a half dozen of the titles so far and have not been disappointed. Yeah, they are low budget, and often like watching a school play being filmed, but I was always entertained by the passion they had.

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Naschy in 3D!!!

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I know, you’re probably amazed that it has taken me this long to post something about this amazing news. But it’s here at last. Over the weekend, Kino Lober had announced that they would be releasing Paul Naschy’s debut Waldemar Daninsky film, Frankenstein’s Bloody Terror (1968) not only a 4K scan of the 35mm composite internegative, but there apparently it will be in 3D! Now there is no details on if there will be 2 separate versions on the release or what, but I would guess that is what they will do.

For those that don’t know the whole story, this film was originally made and released in 1968, under the title La marca del Hombre Lobo, and it was filmed in 3D. Here in the states, producer Sam Sherman needed a Frankenstein picture to fulfill a contract he had, so he acquired this Naschy film, created an animated prologue that told the story of a Wolf-Stein, and called it Frankenstein’s Bloody Terror. Therefore, it could fit in with a Frankenstein release that he had promised. Even though it had 2 vampires, and 2 werewolves, but not 1 Frankenstein creature! But no matter what, it did bring Naschy here to the states. And while Sherman wanted to release it in the 3D format, it was just too costly to try and make it work, so they pulled the 3D print after a few screenings and just distributed the “flat” version.

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DtH Episode 75 – Special Guest Zandor Vorkov

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In the realm of low budget filmmakers, Al Adamson, along with his partner, producer Sam Sherman, are gods among men. They created a wide variety of pictures, in just about every sub-genre out there, and made with more love than money. But they were entertaining, and always memorable. Perhaps their most memorable (and successful) film was 1971’s Dracula vs. Frankenstein, in no small part thanks to the casting of a young, unknown actor in the iconic role of Dracula. Raphael Engel, rechristened Zandor Vorkov was a whole new kind of creature of the night- longhaired, goateed, and able to shoot fire out of his ring, this was a brand-new Dracula for a brand-new age. Zandor’s Dracula stalked across the screen of virtually every grindhouse and drive-in screen in America in the early 70s and then across every television screen in America for a couple of decades after that. While his Dracula was being elevated to pop culture celebrity, Zandor himself left the movie business and fell out of the public eye for decades. Go to a convention, and bring up Al Adamson, and someone would eventually say “I wonder what ever happened to Zandor Vorkov?”

Like any good vampire, he was just lying in the shadows, waiting to emerge anew!

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A Chat with Film Masters’ Phil Hopkins

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We had a chance to pick the brain of Phil Hopkins, one of the people behind Film Masters to ask him about what they are doing, and more importantly, why is what they are doing so important?

Kitley’s Krypt: There is a trailer on the Film Masters website, which has a collection of different clips from a variety of films. Near the end of it, three words appear separately on the screen, one after another. They are Preservation, Restoration, and then finally Celebration. As a film fan, it was the last word Celebration that really got me, because it means that it is more than just re-releasing an updated version of a film print, but doing it because it needs to be remembered, enjoyed, and yes, celebrated. Was that the initial goal for Film Masters, to help keep these films alive for future generations?

Phil Hopkins: Absolutely! For the past 20 years I’ve been involved with retrieving thousands of 35mm and 16mm films, from very rare to considered to be lost.  I’ve re-located films from labs that had closed, storage facilities, basements, and other strange locations storing film.

Sadly, more often than not these films were not stored properly by the owners and so much of our cinematic history is lost due to neglect.

When I decided to reenter the industry, it was mainly to make it my mission to make sure all film that I’m involved with is relocated to proper institutions that can manage and preserve these important cinematic artifacts.

Kitley’s Krypt: There are some out there that would scoff at some of the titles you’re releasing, such as The Giant Gila Monster, The Killer Shrews, and Beast from Haunted Cave. I personally am a huge fan of these titles and am thrilled Film Masters is taking the time and effort to do these.

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Book Review: When Dracula Met Frankenstein

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When Dracula Met Frankenstein: My Years Making Drive-In Movies with Al Adamson
Published by Murania Press, 2021. 377 pages
By Sam Sherman

You can’t be a fan of exploitation cinema of the ‘60s and ‘70s and not know of Sam Sherman, either by name or the multitude of film titles that he had his fingers in. Sherman only has 28 credits as a producer, many of them for films directed by his good friend Al Adamson, but his mark on the film world is so much greater. He was an ad man who could come up with some of the best titles, promotional ideas, gimmicks, and all the other ballyhoo so memorable, sometimes more than the films themselves!

He is also the man that was responsible for introducing Paul Naschy to the states, when his company, Independent International, picked up Naschy’s Mark of the Wolfman when they were looking for a Frankenstein picture that they had already promised distributors. It featured two wolfmen and two vampires, but definitely no Frankenstein or his creature. But somehow, due to the creative genius of Sherman, Mark of the Wolfman now became Frankenstein’s Bloody Terror. If you don’t know the whole story already, then you’ll have to buy the book to find out!

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Sam Sherman Speaks!

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I am shocked and amazed that I am just hearing about this new book and am eternally thankful to my friend Gavin Schmitt for putting it on my radar, which I quickly ordered!

So … not sure who Sam Sherman is? If you’ve ever seen any of the classic Al Adamson flicks, like Satan’s Sadist, Dracula vs Frankenstein, Blood of Ghastly Horror, or the Blood Island movies from the Philippines, such as Mad Doctor of Blood Island or Beast of Blood, then you at least know the work of Mr. Sherman. Or should I say, a small part of Sherman’s work. In the world of low-budget filmmaking, Sherman was involved in pretty much all aspects, especially when it came to promoting and distributing. He would help come up with the lurid titles, help with the ad campaign, and so much more.

Now, thanks to Murania Press, you’ll get to read all the juicy bits from his career, working with Independent International Pictures, Al Adamson, and much more. In this 378 page trade paperback book, you’ll read along as Sherman “revisits those halcyon days and reveals the behind-the-scenes story of IIP’s rise and fall.” But he also goes into the entire drive-in era, having to deal with independent producers and distributors, trying not to get ripped off, and all the other fun things you had to do when you were working well below the major studios.

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Movie Review: Blood & Flesh – The Reel Life & Ghastly Death of Al Adamson

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Blood & Flesh banner 1

Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson (2019)
Directed by David Gregory
Starring Al Adamson, Stevee Ashlock, John Bloom, Bud Cardos, Robert Dix, Tim Ferrante, Marilyn Joi, Gary Kent, Fred Olen Ray, Sam Sherman, Russ Tamblyn, Vilmos Zsigmond

Al Adamson’s films are really the epitome of what I consider a Turkey. It might not be well made, but it is usually entertaining. At the end of the day, that is all you can hope for in a movie. The more I had read and learned about Adamson, the more of his titles that I saw, like a few other low budget filmmakers, like Larry Buchanan, I discovered that I admired them more than their movies. Don’t get me wrong, I still enjoyed the wacky titles they would put out, but knowing a little history behind the production and the people that made it, it made me appreciate it for what it was, and not what it wasn’t. That is one of the reasons that I think this new documentary is just fantastic. It gives newer fans a better perspective of this man and his work, showing a method to the madness, as the saying goes. And even for older fans that maybe wrote Adamson and his work off, it will give them a little more insight that might change the way they see them now. Continue reading →

Hemisphere Horrors!

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Hemisphere HorrorsOnce again, Severin comes through in delivering the goods! After wetting fan’s appetite with the Blood Island box set, now you can experience more that Hemisphere Pictures released back in the late ’60s and early ’70s, all collected together in great little box set. Here are the films you get:

The Blood Drinkers (1964)
Curse of the Vampires (1966)
Brain of Blood (1971)
The Black Cat (1966)
The Torture Chamber of Dr. Sadism (1967)

While the first 3 titles will be available separately, the last two are only available in the box set, which will retails at $59.99. Not a bad deal when you consider you’re getting 5 features, all been given 2K and 4K scans from vault film elements. These are probably going to look the best they ever have!

I remember back in the early days of me collecting films, trying to find some of these films were tricky because they sometimes would go under several different names. The distributors would change the names and release them over and over again, hoping the public wouldn’t notice that they might have seen this picture already! That is why Curse of the Vampires is also known as both Creatures of Evil and Blood of the Vampires.

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Naschy’s Frankenstein’s Bloody Terror in 3D!!!

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Frankenstein's Bloody Terror 3D

Folks in the New York city area, tomorrow you have the chance to see a rare screening of Naschy’s debut of his Waldemar Daninsky character, in the 1968 film Frankenstein’s Bloody Terror (or at least the version that was later released here in the states) in 3D, thanks to the wonderful people at Garagehouse Pictures.

At the Quad Cinema tomorrow at 3:05pm, in part of their special 3-D festival, you’ll get to see this amazing film like very few people have had the opportunity. Sam Sherman, the man really responsible for bringing Naschy’s name to the states when he bought this film for distribution here, will be there for the screening.

Sure, this is a little short notice, but if you’re in that area, I wouldn’t pass up this chance. I mean, Naschy in 3-D??? I’m still hopeful that this print will make it’s way out to the Midwest at some point. But in the meantime, you East-coasters better take advantage of it!

For more information about the screening, just click HERE.