No matter how you want to, or not want to, read into the subtext of some of the films from Alfred Hitchcock, he no doubt was pushing the limits of certain subject matters in some of his films. Whether it be sex, violence. or queerness, Hitchcock was not only a master of suspense, but subtext, getting different things past the censors and studio heads without them even realizing it. Next month, the Music Box Theatre is celebrating 4 of those films: Strangers on a Train (1951), Rebecca (1940), Psycho (1960), and Rope (1947). While Rebecca will be from a DCP, the rest of the films will be screening from 35mm prints.