Never Take Candy from a Stranger (1960), The Damned (1963), Plague of the Zombies (1966). These are the three titles covered in this episode, as well as a little discussing on what can be considered “horror” when talking about the famous Studio that Dripped Blood. While some of these titles don’t immediately come to mind when you think of Hammer Horror, digging a little deeper, you might discover it to be there after all. After all, isn’t the whole point of being a horror fan is to go beyond the borders? You never know what you might find and even might be surprised.
These are the titles mentioned in the episode:
Cross of the Devil (1975), The Curse of Frankenstein (1957), The Damned (1963), The Ghost Breakers (1940), Horror of Dracula (1958), I Walked with a Zombie (1943), Never Take Candy from a Stranger (1960), Night of the Living Dead (1968), Plague of the Zombies (1966), Paranoiac (1963), The People Who Own the Dark (1976), The Quatermass Xperiment (1955), The Serpent and the Rainbow (1988), To the Devil a Daughter (1976), White Zombie (1932)





Les Bowie

Yeah, I know this was all over Facebook yesterday, but damn if I’m not going to help spread the word a bit more! While I may be a huge Hammer fan, their 1966 film The Plague of the Zombies is one of my all time favorites of theirs. So I am more than thrilled to see this hit Blu-ray, thanks to Shout Factory!
One of my favorites from Hammer Studios is one of their 1966 “Cornish Horrors”, Plague of the Zombies, made back to back with The Reptile. From the incredible look of the zombies, to the bad-ass villain played by John Carson, to the straight-laced hero played by André Morell, it always delivers the goods, each and every time I watch it. Another one of the reasons is the rest of the stellar cast, including Jacqueline Peace, who plays the doomed Alice. Pearce’s performance gives the viewer such a feeling of dread because we all know what is going to happen to her and we can’t stop it. And then in The Reptile, she gives another performance to draw the audience in with her pathos.
