
End of another year. Another decade. I know one thing for sure that this last decade will not be remembered as one that didn’t produce any good horror movies! Just look at 2014 and you’ll find a ton of amazing films, from here in the US to around the world. As a horror fan, I feel pretty blessed with these last ten years of terror. Let’s hope the ’20s bring us another long list of great cinema.
I had thought that this would be a personal low when it came to films watched, only because it didn’t feel like I had watched that many. In fact, there were a couple of months were I only got to a handful of films. With my book coming out, doing another retrospective for HorrorHound, and the usual holidays, it takes time away from being able to sit and watch movies. But once the tally was done, it turns out that I had watched more in 2019 than I did since 2013! The final number was 236, with almost half of them, a total of 115, being first time viewings. There were a few trips to the drive-ins, some movie marathons, a couple of Turkey Days, and other mini-marathons with friends or just by myself. And I intend to do it all over this year! Really going to try and hit 250 viewings in 2020. Continue reading
Javier Aguirre is not a familiar names with most fans here in the US, mainly because he worked in Spain. But there are a couple of films that he directed that star Paul Naschy that you might be familiar with, Count Dracula’s Great Love and Hunchback of the Morgue, both in 1973. Aguirre has passed away at the age of 84 after a long illness. He was married to actress Esperanza Roy, who Spanish horror fans will remember from the second entry in the Blind Dead films, El ataque de los muertos sin ojos aka Return of the Evil Dead and Una vela para el diablo aka It Happened at Nightmare Inn, also both from 1973.


Naschy fans take note! There is a new illustrated book out that tells the story of Naschy’s The Beast and the Magic Sword (1983), which has our favorite werewolf, Waldemar Daninsky back in feudal Japan!
Perverse Titillation: The Exploitation Cinema of Italy, Spain and France, 1960-1980