House of Usher (1960), The Pit and the Pendulum (1961), and The Masque of the Red Death (1964)
In the beginning of his career as a producer / director Roger Corman was known for cranking out cheap and fast black and white pictures that always made money. He worked in all genres, but it was mainly the horror and sci-fi pictures in the mid to late ’60s he was known for. All that changed in 1960, when he convinced AIP to let him adapt a story from Edgar Allan Poe, but in color, with a bigger budget, and longer shooting schedule. That started a new phase of Corman’s career, which also made an even bigger star of Vincent Price.
In this episode, we take a deep dive into three of these Poe adaptations, and not necessarily looking in the faithfulness of them, but in their production, the incredible casts, the look, the style, as well as the feel of them. They really do get better each and every time you watch them. Hopefully after listening to this episode, you’ll decide to either venture down this dark path for the first time or take a revisit to admire the doom and gloom they all have.
Films mentioned in this episode:
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Vic Diaz
Sometimes I am just amazed at not only some of the titles that get released on blu-ray, but in the huge special editions that they come out with. Case in point, a title that Arrow Video just announced. At the end of May, they will be releasing a special edition of the 1966 film Blood Bath. But this isn’t just any ordinary film that was made under the Roger Corman umbrella. In fact, it started as a film being made in Yugoslavia by someone named Rados Novakovic and called Operation Titan. But it didn’t really fit Corman’s approval, so he hired Jack Hill to take the film and see if he could make something out of it, which he did, and would be later called Blood Bath. But for various reasons, such as the film stock from the original footage and what Hill shot didn’t match up that too well. So because Hill went on to make Spider Baby, the film was set aside. Then Corman came back to the picture and hired Stephanie Rothman to see what she could do with it. She changed the title to Track of the Vampire and made it more of a vampire film! According to Hill, about 80 % of the film is what he shot, but I have to say that it is kind of a mess of a picture, even though it has one of the best posters from that era!
This interview was conducted on June 27th, 1999, and was my very first interview for the Krypt. I was nervous as hell, but I have to say I couldn’t have picked a nicer guy for my first one. I’d been a fan of Hill’s work, especially Spider Baby, so this really was a thrill for me. This was done back right before the first DVD release of Spider Baby was coming out. Hope you enjoy it.
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