Dracula Scrapbook Rises from the Publisher

We are huge fans of Peveril Publishing and have several of their titles in our library. They consistently put out amazing editions that not only look gorgeous, but are filled with a ton of information. And across the pond, one of the biggest authorities on Hammer Films is Wayne Kinsey. So anything with his name on it, is well worth the money. Peveril announced some time ago that they were working on their latest volume, The Hammer Dracula Scrapbook and it is close enough to being completely that they have released the final cover, as you can see below.

Dracula Scrapbook - Front

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Book Review: The Hammer Vampire

HammerVampireThe Hammer Vampire
By Bruce G. Hallenbeck
Published by Hemlock Books, 2010. 240 pages.

Now being pretty familiar with Hammer films already, I was wondering just what I was going to be able to learn that I didn’t know already. But this just goes to show you that when it comes to horror history, we are all students of the genre. I have been a fan of Hallenbeck’s work every since I discovered Little Shoppe of Horrors magazine quite a few years ago. I believe it was issue # 8 which came out in May of 1984. It had a shot from The Vampire Lovers on the cover and the main article was written by Hallenbeck. In fact, believe in most of the issues, the main article was written by him. There is a reason for that. Mr. Hallenbeck knows his Hammer. With each issue of the magazine, we learn more and more about the “studio that dripped blood” and the people that worked there. This book is no different.

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Book Review: Hammer Films – A Life in Pictures

hammerlifeinpicturesHammer Films – A Life in Pictures
by Wayne Kinsey
Published by Tomahawk Press, 2008. 240 Pages.

Being a huge Hammer fan, I knew this was a book I was going to add to my collection eventually. Luckily for me, it was given to me as a recent birthday gift. And what better gift could a movie fan ask for? This book is a filled with over 600 photos covering the history of Hammer Films. There are candid shots, on the set production stills, promo shots, and much more. In these pages, you’ll see shots of actors like Christopher Lee, Peter Cushing, Oliver Reed, Ingrid Pitt, the Collinson twins, directors like Freddie Francis and Terence Fisher, and many more. Most are in black and white, but there are a few full color shots, all showing the beauty of these films and the people that made them. I have to say the candid ones were the ones I enjoyed the best. You’ll see some familiar ones but a lot that you’ve probably never seen before.

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Book Review: The Art of Hammer

artofhammerThe Art of Hammer: Posters from the Archives of Hammer Films
By Marcus Hearn
Published by Titan Books, 192 pages.

There was a time when movie posters were created not only before a single frame had been shot, but sometimes even before a script had been written. An artist was simply given a title and told to come up with a movie poster design for it. This was then used by the studio to try and sell the film before it was even started. Hammer Films did this, but they weren’t the first. But some of the artwork that came out for those movies is just stunning. Now, thanks to Hammer scholar Marcus Hearn, we all can enjoy these incredible pieces of art, but also keep these images alive and well for us collectors.

I know this as cliché as this sounds, this book really is a must. But not just for fans of Hammer Films, fans of movie posters in general, This coffee table size book is filled with beautiful images from Hammer movies from the ’50s to their end in the late ’70s. They display a mixture of close to 300 posters from around the world, from British quads, American 1-sheets, Spanish, Polish, and many others that will make any poster collector just drool. They are divided by decades, with a great index at the end in case you’re looking for a certain title. Each poster has the country from it is from listed, as well as the size of it.

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Horror History: André Morell

andremorellAndré Morell
Born Aug. 20th, 1909 – Died Nov. 28th, 1978

André Morell is a British actor that made his name in the horror genre, mainly thanks to Hammer Films. Appearing in such titles like The Shadow of the Cat (1961), She (1965), The Mummy’s Shroud (1967), and of course, he role as Sir James in Plague of the Zombies (1966), made him a very familiar face to Hammer horror fans. This is probably my favorite of his roles, playing the witty British gentleman, but knows when it’s time to get down to business! He also appeared in non-Hammer films like the underrated The Giant Behemoth (1959) and a bit part in 10 Rillington Place (1971). And while not a horror film, his performance in the 1961 film Cash on Demand, c0-starring Peter Cushing, is just incredible and so much fun to watch.

But even before those films, he had become well known from his work on British televsion, especially working with Nigel Kneale’s 1954 adaptations of George Orwell’s 1984, doing some nasty things to his co-star Peter Cushing. Then in 1959, he appeared as Professor Bernard Quatermass in the BBC broadcast of Kneale’s Quatermass and the Pit. This was such a success that fans started calling him Quatermass. He would have been in Hammer’s movie adaptation had he been available at the time they went into production.

He would later appear alongside Cushing again, in a much more friendlier role as Dr. Watson to Cushing’s Sherlock Holmes in Hammer’s The Hound of the Baskervilles (1959).

Morell was always there to give a memorable characterization as the typical prim and proper British man. Always the gentleman, whether in the hero role or as the villain, as always a joy to watch him perform.

Hammer Dracula Scrapbook

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Okay Hammer Dracula fans, start saving those pennies, because there will be a book coming out this summer that you’re going to want to add to your library. Thanks to the wonderful (and incredibly talented book publishers) people at Peveril Publishing, they will continue to put out amazing looking volumes dedicated to the Studio that Dripped Blood, and that we all love.

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Horror History: Richard Wordsworth

richardwordsworthRichard Wordsworth
Born Jan. 19th, 1915 – Died Nov. 21st, 1993

There are a few actors that can have such an impact on screen…without ever uttering a single word. One of those was Richard Wordsworth when he played doomed astronaut Victor Caroon in Hammer’s breakout film The Quatermass Xperiment (1955). Playing the only ‘survivor’ from a rocket flight into space, he comes back less of a man, but more of something else. Just by facial expressions, he shows the audience the internal hell he is going through as he slowly transforms into something we’ve never seen before. Hammer scholar Wayne Kinsey says his performance ‘steals the show’, while authors Tom Johnson and Deborah Del Vecchio state his performance is a ‘Karloff level performance’.

He only made two other horror films, both for Hammer. The next one was a small role as a worker in a hospital for the poor, run by Peter Cushing’s Dr. Frankenstein. Once again, even though his role his small, it is very memorable. But it his last role for Hammer, that of a poor and simple beggar, that once again pulls at our hearts, in Curse of the Werewolf. Thrown to the dungeon and forgotten, turning into a beast over the years, he attacks and rapes the beautiful Yvonne Romain who was locked in the jail with him.

He was the great-great-grandson of the famous poet Williams Wordsworth, and would later tour the states in a one man play based on his life and works. He almost followed his father into the clergy, but was later drawn to the stage, enrolling in the Embassy School of Acting in London. He would work with many of the greats of the English stage, such as Alec Guinness and John Gielgud, before appearing in a trilogy of Hammer Horrors. And while he only appeared in three titles, we are able to see the incredible talent pouring out from this man….sometimes even without a single word.

Horror History: Tom Chantrell

tomchantrell-3Tom Chantrell
Born Dec. 20th – Died July 15th, 2001

It’s a very old story how Hammer CEO would take a poster art of a new film to the distributors and sell the picture, only to then give the poster to the screen writer and tell them to write the movie! One of men responsible for those posters was Tom Chantrell, who turned out over 7000 designs in his career, averaging about 3 posters a week! If you’re a fan of Hammer films then you are well aware of his work, even if you didn’t know it. His designs highlighted the selling points of what Hammer was trying to do…sell tickets! Just try doing a Google image search of his name and see the hundreds of works of art that this man did in his career.

His first film poster was for the 1938 film The Amazing Dr. Clitterhouse, and he continued to work well into the late ’70s. When the ’80s came, that style of poster art seemed to be replaced by cheap computer Photoshop works of “art”. He did work a bit designing video covers, but it just wasn’t the same.

But at least that before his death, he was able to learn and realize that his artwork, as well as many other great poster art, was now being regarded as great works of art and had become highly collectable. Never one to give himself the credit he deserved, Chantrell was very modest, calling a good poster a “ripsnorter”.

Maybe one day this style of poster art will come back.  We can always  hope.

For a great interview with Chantrell, along with some great examples of his work, as well as many other Hammer posters and celebrities, head over to Hammer Horror Posters.

Interview: Caroline Munro

munrointerviewbanner

Most people know Caroline Munro as either a Bond Girl or the work she did with Hammer Studios. But Caroline has worked all over the world, with many great and talented people. So while we briefly asked her about Hammer, we tried to venture more into the other countries where she worked. This interview was conducted at that Cinema Wasteland show, in April of 2007. We especially want to thank Caroline for taking the time to talk to us.

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