Tag Archives: Hammer Films

Hammer Frankenstein Book

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Hammer Frankenstein ScrapbookI must have missed when they mentioned this on their Facebook page, but Peveril Publishing is putting the finishing touches on their latest book, The Hammer Frankenstein Scrapbook. Just like their previous Dracula edition, it will cover all of the Frankenstein pictures that Hammer did from The Curse of Frankenstein in 1957 to Frankenstein and the Monster from Hell in 1974 and all the gooey bits in between!

Like all of the titles coming from Peveril, this book with be filled with wonderful images, both in color and black and white, and a ton of information about the films and the people behind him. These titles are a bit pricy, especially getting them shipped to here in the states, but they are more than worth every single penny. They are just beautiful editions and are a sound investment as well. They are hoping to have the book out by October or November of this year.

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Movie Review: Plague of the Zombies

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Plague of the Zombies (1966)
Directed by John Gilling
Starring Andre Morell, John Carson, Diane Clare, Alex Davion, Jacqueline Pearce, Michael Ripper

In a small Cornish village, strange happenings are a foot! Some sort of deadly disease is creeping through the town and the local doctor is clueless as to what is the cause. He sends a letter of distress to Sir James, his former teacher, for assistance in this grave matter. Cutting short his vacation, Sir James travels to the village with his daughter to see if he can be of any assistance, but has no idea the evil deeds he is about to uncover there.

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Book Review: Vampire Films of the 1970s

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Vampire Films of the 1970sVampire Films of the 1970s
By Gary A. Smith
Published by McFarland, 2017. 240 pages.

Being the ’70s is the decade I grew up in, watching more than my share of flicks on TV, I’m always up for reading more about this wonderful decade and the movies that came out. Decades before zombies would finally take over, at this particular point in time, vampires still ruled both in theaters and television. This is more than proven with the amount of titles covered here by Smith.

The book starts with a brief overview of the sub-genre, some rules of vampires, then we jump right into the Hammer Film era, where he first gives a little history about the famous British studio before jumping to their ’70s Dracula flicks, then moving on to other fang flicks. Since Hammer made quite a few of them during the ’70s, they are all covered here, lumped together in different sub-categories. There are other groups in the book, like Asian vampires, the Mexican Santo movies, even one on vampire porn! So there are plenty of titles to seek out if you are relatively new to the vampire genre, or are always looking ones you have missed.

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Book Review: Rungs on a Ladder

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Rungs on a LadderRungs on a Ladder: Hammer Films Seen Through a Soft Gauze
 By Christopher Neame
Published by The Scarecrow Press, 2003. 131 pages.

If there is a book published about Hammer Films, more than likely, at some point in time, I will be adding it to my library. I mean, when you have an official Hammer section with over two dozen titles in said library already, it’s kind of a must have. So when I came across this title on Amazon, I added it to my wish list. The problem I had right away was that it was priced from $30 to $50, and it was for a book that was just over a hundred pages. That’s a tough sell, even for a diehard collector like myself. Okay, sure, I bought it eventually anyway, but just saying.

Now, let’s not get this Neame confused with the actor of the same name that appeared in a couple of Hammer titles, Dracula A.D. 1972 & Lust for a Vampire. The author Neame started at the bottom of the business and worked his way up. It was only a matter of time for him, since the film business really was in his blood. His father was Ronald Neame, a director and cinematographer, and his grandfather Elwin, was a director who worked in silent films.

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Yvonne Monlaur – Rest in Peace

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Yvonne Monlaur - RIPHammer fans have lost another one of the lovely ladies from their childhood. Yvonne Monlaur passed away last week on the 18th, at the age of 77. Of course, she is probably best known to us horror fans as the young French school teacher that comes across a vampire, only to be saved by Peter Cushing’s Van Helsing, in the 1960 film The Brides of Dracula. Monlaur is just stunning here and actually gives a strong performance, making this a very memorable film. She had appeared in Circus of Horrors the year earlier, and would appear in Hammer’s Terror of the Tongs, playing alongside another Hammer icon, Christopher Lee.

The one sad thing about these Hammer films is that since they were made many decades ago, we are slowly losing all of these great performers and craftsman that worked on them. But we know that because these films continue to draw in new fans, that these names and faces will always be remembered, and that they will continue to entertain fans, both old and new.

Our thoughts go out to Monlaur’s friends and family during this sad time.

Horror History: Roy Ward Baker

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Roy Ward BakerRoy Ward Baker
Born Dec. 19th, 1916 – Died Oct. 5th, 2010

Fans of British horror films of the ’70s will probably know this man, since between working with Hammer and Amicus, he was cranking out some entertaining films in a very short time. Starting his career at the bottom and working his way up, even as an assistant director on Alfred Hitchcock’s The Lady Vanishes (1938), he eventually became a director. He hit some critical fame with A Night to Remember (1958), a film about the Titanic, which is still regarded as one of the best films on that subject. His first film for Hammer was the 3rd of their Quatermass series, Quatermass and the Pit (1967). Then in 1970, he made a huge hit with horror fans with The Vampire Lovers (1970), starring the lovely Ingrid Pitt. After that, he continued working with both Hammer and Amicus turning out great films, like Scars of Dracula (1970), Dr. Jekyll & Sister Hyde (1971), Asylum (1972), The Vault of Horror (1973), And Now the Screaming Starts (1973), and even The Legend of the 7 Golden Vampires (1974).

Baker’s films were simple. They had all the elements to make a great movie, which is what he continually turned out. He has quite a few films in his filmography that some critics might consider cheesy or even bad, but I think horror fans might just call classics, or at the very least, pretty damn entertaining. And after all, isn’t that what it’s all about?

Horror History: Roy Ashton

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Roy AshtonRoy Ashton
Born April 16th, 1909 – Died Jan. 10th, 1995

You cannot be even the slightest fan of Hammer Films and not have seen the work of Roy Ashton. He started as an assistant makeup artist back in the ’30s, before starting to work with Hammer Studios, where he created some of their most memorable monsters. But Ashton wasn’t just a makeup man, he almost had a career as a musician and opera singer. But the hours of devotion needed to learn the makeup craft pulled him away from his true love of music. He was the assistant makeup man to Phil Leaky for Hammer, who was the man behind the Quatermass films and Curse of Frankenstein. After Leaky and Hammer had a falling out, Ashton became their head makeup man. He created the look for their films like Curse of the Werewolf, The Reptile, Plague of the Zombies, as well as doing Peter Cushing’s zombie makeup for Amicus’ Tales from the Crypt.

It is a real shame that his name is not as common as Rick Baker or Tom Savini, since his work is still watched and enjoyed today by countless horror fans. But hopefully we can do our little part and hopefully change that. For more information on Ashton, there is an excellent book on him called Greasepaint and Gore, which is filled with great stories and plenty of artwork and photos of his work.

Book Review: It Came From 1957

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It came from 1957

It Came from 1957
By Rob Craig
Published by McFarland, 2013. 256 pages.

I’m a huge fan of the sci-fi/horror films of the ’50s. In fact, I love them. In 1957, there were  a ton of releases during that period, many of them classics. All fifty-seven titles of them are covered within the pages of the book, some in a little more detail and discussion than others, but they are all there. After an extensive introduction discussing the time period and what was going on in the world, we get to read about such films as The Brain from Planet Arous (which is featured on the book’s cover) to Attack of the Crab Monsters, The Unearthly, Invasion of the Saucer Men, to The Thing from Another World and plenty more. Craig really knows his stuff here and is very informative when it comes to discussing these pictures. But therein lies the problem.

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“Revised and Updated Edition”

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As a reference book collector, there are no two words that can fill one with both excitement and dread at the same time as “revised” and “updated” do. The excitement comes because we imagine there is new information that is going to make it worth double-dipping, but at the same time, the dread comes in because we wonder if these ‘extras’ are going to be worth it? Granted, this goes the same for the countless DVD and Blu-ray editions over the years. But this is where I found myself today when I was at the local bookstore and seeing not one, but two volumes that I already had in my library, but both had these words blazing across the top of the front cover.

hammervault-revised

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Movie Review: Wake Wood

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Wake Wood (2011)
Directed by David Keating
Starring Aidan Gillen, Eva Birthistle, Timothy Spall, Ella Connolly, Ruth McCabe, Brian Gleeson, Amelia Crowley, Dan Gordon, Tommy McArdle

There had been so many times over the years that we’d heard that Hammer Films, the famous British studio, was rising from the grave, like so many of the creatures they put in their movies. So many times in fact, that most serious horror fans didn’t pay too much attention to the latest announcement. And even if the studio did resurrect itself, would it be able to really continue the incredible work that its forefather did before it? But then in 2007, it really did happen. Hammer Films was back. Granted, it really was in name only for the most part, since all of the original members of the studio are long since retired, passed away, or just forgotten. But the new CEO promised to not forget about its heritage and to continue the work they had started. We all know there would be no way to bring back the style and feel of those films from yesteryear. Or could there?

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