This has been one hell of a year. On my write up for 2024, I made a point to remind us of all that with all the crap going on in the world, we need to look for the positives out there, because they are there and we need not lose sight of that. But I have to say, it wasn’t the easiest to do that in 2025. When I first started to review the past year from the posts here in the Krypt, I couldn’t find much that I thought were highlights. At least not more than a couple of things. But then I went back a couple of weeks later, with a more thorough set of eyes, and low and behold, there were plenty. Once again, it just shows that sometimes the positives are hard to see and remember. They might even seem pretty trivial, but they are there. So, amidst all the chaos and tragedy that is going on, that doesn’t mean there isn’t something to make us sit back and think “yeah…that was pretty cool.” They might not be huge events or something, but that made you glad you were there and part of it. And we need to be focused on and remembering those moments, now more than ever, to help us get through this dark time we’re going through.
Continue reading2025 Year End Review – Part 1
by Jon Kitley in Year End Reviews and tagged Cinema Wasteland, David Hastings, Discover the Horror, Discover the Horror Podcast, Frankenstein's Bloody Terror, German Popular Cinema and the Rialto Krimi Phenomenon, Hammer Films, It's Me Billy: Black Christmas Revisited, Janine Pipe, Matthew C. Depee, Music Box of Horrors, Music Box Theatre, Neil Marshall, Nicholas G. Schlegel, Paul Downey, Paul Naschy, Sausages: The Making of Dog Soldiers, The Making of The Descent, We're Here for the Krites |
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