(1972) Directed by Gary Sherman Starring Donald Pleasence, David Ladd, Sharon Gurney, Clive Swift, Norman Rossington, Hugh Armstrong, June Turner, James Cossins, Christopher Lee
For the longest time, I always knew this film as Raw Meat, mainly due to the poster art that AIP used for it, which admittedly, was pretty cool looking. They knew a title like that would be much easier to sell than Death Line, which I have to I agree with. But for the film itself, Death Line fits a lot better, not to mention not misleading the audience as to what kind of film this is.
Let’s face it: horror fans are, as a group, a little bit obsessive. When we sink our teeth into something we do not do it barely or easily, we take a big, honkin’ bite. If we become infatuated with a director, we want to see every film they’ve made, read a book about them, hear people talk about them, watch documentaries about them, and so on. And the same is true for national horror cinemas, regional American horror cinemas, important eras, actors, subgenres, and the like. And in recent years, a handful of visionary producers of physical media have recognized an opportunity in our longing and have invented and are currently inundating us with boxed sets. These comprehensive, exhaustive, wonderful monsters have become a gravitational center point for our genre. But just a handful of years ago they mostly didn’t exist or were announced only every few years. Nowadays, we get several per year from companies like Severin, Vinegar Syndrome, Indicator, Arrow, and Scream! Factory, just to name a few. So, we figured it was time for Discover the Horror to take a long look at the history and impact of these monolithic pieces of film history.
Many years ago, apparently like decades or so, when perusing the video store aisles looking for a great film to spend your evening with, there was always Gary Sherman’s Dead & Buried (1981). It never failed to hit all the marks, from being creepy, even scary, having some incredible special effects, but also a very interesting and captivating story that was played out by some very talented actors, from veterans like Jack Albertson or James Farentino, or up-and-coming ones like Melody Anderson, Lisa Blount, or even a guy named Robert England, just a few years from becoming a huge star. I really loved it back then and still remains as one of my favorites and unfortunately one that doesn’t seemed to get the recognition it much richly deserves. But now, with a stunning new transfer coming out, maybe it will change all of that.
New York Ripper (1982) Directed by Lucio Fulci Starring Jack Hedley, Almanta Suska, Howard Ross, Andrea Occhipinti, Alexandra Delli Colli, Paolo Malco, Barbara Cupisti, Zora Kerova, Daniela Doria
Back in my early days, when searching out the video store shelves looking for the latest and greatest gore film, it didn’t take long to become familiar with Lucio Fulci. Starting with Zombie, which was always pretty accessible, you’d move to unknowingly cut versions of Gates of Hell (1980) and House by the Cemetery (1981), but still were damn happy to find them. Then you came across New York Ripper. This wasn’t any zombie chomping into their victim, no supernatural elements here but a sick and twisted serial killer that quacked like a duck!?!?! W-T-F? But at that time, who cared if it was crazy or just plain weird, Fulci delivered the goods with plenty of gore and exposed flesh.Continue reading →