Mystery Photo 5-11

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And here we’ve made it to another Monday. Right. Our photo from last week was from the Paul Naschy giallo from 1975 called A Dragonfly for Each Corpse. Great title, huh? Congrats to the following for sending in the correct answer: Hoby Abernathy, Craig Clark, Kuba Haczek, Bryan Martinez, and Tim Palace. Well done, lads!

For this week’s photo, we’re going back to black and white. See if you can recognize this little pic! Just remember to email your answer to me at jon@kitleyskrypt.com. Good Luck!

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Soundtrack Review: Fear No Evil

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fearnoevilcdFear No Evil
Released by Percepto Records, 2005
16 Tracks with a Total Running Time of 37 min.
Music by Frank Laloggia and David Spear

With a movie being about the rise of the Anti-Christ, you’d think you’ve have a score that would be more reminiscent of something like The Omen, but what you get here is a beautiful piece of music. Okay, there are a few darker elements going on here, but it is more subtle than blaring in your face.

This was the first film by Frank LaLoggia, who also did the score for this, with David Spear. It really shows LaLoggia’s talent as a musician because he comes up with a truly haunting score, that blends perfectly into the film. With a combination of some electronic music with some beautiful strings, some slow and somber guitar, the score gives a sound much bigger than what you’d expect from a low budget feature. There are a few tracks here and there that have a more sinister tone to them, but he doesn’t go the easy route with them, instead making even those sound more like church music with a darker feel.

 

Movie Review: The Psychic (1977)

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Sette Note in Nero (aka The Psychic, 1977)
Directed by Lucio Fulci
Starring Jennifer O’Neil, Gabriele Ferzetti, Marc Porel, Gianni Garko, Ida Galli, Jenny Tamburi, Fabrizio Jovine, Riccardo Parisio

This film is a perfect example of how one’s own opinion can change over the years, and you as a film fan develops a more of a… shall we say… refined taste? As saying goes that you can’t watch a movie with the same eyes twice, and this title is a perfect example of that. The first time I watched this was when I had just started to get into Lucio Fulci, mainly watching his gore flicks, such as Zombie (1979) and The Beyond (1981), just to name a couple. So when there was very little gore to this one, other than the opening (which I have to say now is one of the worst parts of the film), I found the rest to be a little boring and never gave it a second thought. When an updated release of the film came out on DVD, it had been well over a decade, so I thought it was about time I give it a second viewing to see if anything had changed. And it did. Or should I say, I did. Continue reading →

Little Shoppe of Horrors #44

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LSoH44The latest issue of THE best Hammer magazine out there, Little Shoppe of Horrors, is taking orders for issue # 44, which is covering The Hound of the Baskervilles, as well as The Stranglers of Bombay and The Terror of the Tongs.

As with all issues of LSoH, there is plenty of great material here,  written by some of the best Hammer scholars, such as Denis Meikle and Bruce G. Hallenbeck.

David J. Miller has an article on Hammer’s DP Jack Asher, called He Painted with Light, as well as coverage on the new Dracula BBC series.

With another stunning cover by Mark Maddox, as well as other amazing art and illustrations inside, it doesn’t take long to realize why this magazine has been going for close to 50 years. Every issues is always a real treat.

You can order your copy now by going to their site HERE. Especially during these strange times, the creators of magazines like this need your support! 

Soundtrack Review: Twins of Evil

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twins of evilTwins of Evil
Released by GDI Records, 2000
22 Tracks with a Total Running Time of 44 min.
Music by Harry Robertson (listed as Harry Robinson)

One of the many things that made Hammer Films so memorable was the music. With booming sounding themes, they always made an impact. And Robertson’s score for Twins of Evil is no different. The opening theme immediately puts the images in your head of the Brotherhood riding their horses through the forest, searching out the wicked! One little cue was used in the trailer (as well as many parts of the movie) that has always stuck in my brain, probably from watching the trailer and movie more than a few times. But it is the march-type theme of the Brotherhood that is most familiar. 

The use of strings seems to be the most prominent instrument here, though we do hear from the wind instruments, such as in the Karnstein’s Guest track. This is a perfect example how a rousing score just adds to what we’re seeing on screen, and Hammer did that so well. Being one of my favorites of Hammer’s, this score is right up there as well.

Movie Review: The Prowler (1981)

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The Prowler (1981)
Directed by Joseph Zito
Starring Farley Granger, Vicky Dawson, Christopher Goutman, Cindy Weintraub, Lawrence Tierney

While overseas during World War II, a soldier receives a “Dear John” letter from his girlfriend. Once he returns home, he gets revenge during the local graduation dance by stabbing a pitchfork through her and her new boyfriend. We now move ahead to present day (or 1980, for that matter), where the town is planning on its first graduation dance since those unsolved murders back at the end of the war. The sheriff is on his way out for his yearly fishing trip, and leaves the town in the hands of his young deputy. When the news of a fugitive on the loose in a nearby town, the deputy and his girlfriend start to get nervous. More importantly, who is this guy sneaking around in the army gear, armed with a bayonet and pitchfork? Continue reading →

Book Review: My Favorite Horror Movie

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My Favorite Horror MovieMy Favorite Horror Movie
Published by Black Vortex Cinema, 2018. 223 pages.
Edited by Christian Ackerman

I had picked a copy of this up some a little while ago, but like a lot of the books I have, sometimes they get filed away and I forget about them. But after a little discussion with a friend about it, and that I’m working on a similar project myself, I decided to dive into it. For those looking for a quick and fun read, look no further.

This is a collection of 48 essays by people in the horror business, either actors, makeup artists, producers, writers, bloggers, or countless other positions, that were given the task to write an essay about their favorite horror film. Some of these people you might have heard of, some not, while some you might have heard of some of the projects they have worked on. The best part of this volume is it is all about passion, no matter who they are. With every single film being discussed, you can feel the author’s passion and love just seeping through the pages. There are plenty of childhood memories of being scared (in a good way) for life, with many of them having their destiny being changed at that very moment. Continue reading →

Mystery Photo 5-4

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Happy May Day, everyone! Here’s to a new month with hoping things will get better for everyone out there. Trying times, indeed. So here’s a little bit of a pictorial puzzle to keep you distracted for a few minutes. But before we get to this week’s photo, let’s go over last weeks. It was from Bloody Moon (1981), directed by the one and only Jess Franco. If you haven’t seen this one, it is a riot. Not the highest quality made film, but damn entertaining. Kudos to the following for sending in the correct answer: Hoby Abernathy, Aaron Christensen, Kuba Haczek, Troy Howarth, Bryan Martinez, Billy Nocera, William Wilson, and Greg Wojick. Well done!

Okay, let’s get this rolling with our latest photo. This one is going to be a tough one. Well, for some of you. Take a look and then send me an email (jon@kitleyskrypt.com) with your answer. Good Luck!

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Soundtrack Review: Rest Stop – Don’t Look Back

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reststop2Rest Stop: Don’t Look Back
Released by La-La Land Records, 2008
20 Tracks with a Total Running Time of 64:38 min.
Music Composed by Bear McCreary

I believe this was my second Bear McCreary score that I was reviewing and once again was amazed at the sounds coming from it, not to mention how different it was from what I was expecting. This is really almost a blues album instead of a soundtrack, but that is the beauty of it… it still works extremely well as a creepy score!

Now there are a few tracks that are regular songs, 5 of them in all, which for me was a distraction from the actual score. One track, Jesus, He Forgives You Too, has the singer listed as Rev. Buford “Buck” Davis, but damn if it doesn’t sound like Weird Al Yankovic. They are part of the overall picture, so I can’t really complain. But the tracks that are just the straight background music makes this score one of my favorites. He is able to create mood and atmosphere by some of the strangest sounds, such as the track On the Bus, almost like guitar strings being pulled and stretched, then breaking into a guitar riff and melody. Very effective. Not sure if a banjo was used at times to come up with some of the sounds, but it amazes me the sounds that McCreary can create that work so well as a musical score. This one remains one of my favorites. It has it all, creepy and atmospheric, with a nice bluesy sound to it.

Horror History: Bryan Haliday

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Bryan HalidayBryant Haliday
Born April 7th, 1928 – Died July 28th, 1996

If you’re a fan of obscure British horror films, then you might know the name of Bryan Haliday. He appeared in films like Devil Doll (1964), Curse of the Voodoo (1965), The Projected Man (1966), or my personal favorite, Tower of Evil (1972). But if you’re a serious cinephile, then you definitely know something else he was involved in.

Haliday started Harvard with the plan of studying international law, but instead fell in love with acting. In the late ’40s, he was one of the founding members of the Brattle Theatre Company which took residence in an old church, turning it into an actual theater, producing numerous plays there. Later, it was turned into a movie house.

In 1956, along with his partner Cyrus Harvey, they founded Janus Films, which specialized in foreign film distribution, which was later acquired by The Criterion Collection. So if you have a number of Criterion’s DVDs and Blu-rays, I’m sure you’re familiar with Janus Films emblem. Haliday was a huge fan of cinema and really got into film acting just because he enjoyed it so much. The titles he appeared in weren’t going to win any Academy accolades, but he enjoyed them. And so did we!