Soundtrack Review: Maniac (2012)

Maniac (2012)
Released by Hamburger Records  2013
16 tracks with a total running time of 35 min.
Music by ROB

When this remake was first announced, most fans (including me) were scratching their head, wondering once again why are they bothering remaking a classic, trying to replicate the incredible performance given by the late, great Joe Spinell. But it happened. And no one was more surprised than me on how good it actually was. One of those elements that helped it break that “shitty remake” barrier was the music. Continue reading

Soundtrack Review: Lovecraft Country

Lovecraft Country
Released by WaterTower Music
62 Tracks with a Running time of over 2 1/2 hours!
Music by Laura Karpman and Raphael Saadiq

Wow. Talk about a soundtrack that encompasses just about everything!

The first 11 tracks are musical numbers from the show’s cast, that gives us the feel of the era of when the series takes place. After that, for the next 51 tracks, we get a mixture of music and emotions as we go down this long and winding road into a very strange story. Now, I have not seen any of the show, so this review is just going by the music alone. But I am more than interested in seeing it because of what the music is “showing” me. Continue reading

Soundtrack Review: Rawhead Rex

Rawhead Rex
Released by Silva Screen Records, 2020
15 Tracks with a Total Running Time of 52.31 min.
Music by Colin Towns

I remember being so excited upon hearing the news that a movie version of Clive Barker’s terrifying monster tale was going to be made. Yeah… never expected it to be as bad as it was, mainly due to the stiff costume on the title terror. BUT… we’re here to talk about the music itself and how does it hold up on its own. Movie scores are a particular thing because while they are really only there to enhance and help what is on the screen, some composers take it even further, creating beautiful pieces of music. This is one score that went above and beyond what it should have been! Continue reading

Soundtrack Review: Scars of Dracula

Scars of Dracula
Released by GDI Records,
22 Tracks with a Total Running Time of 48 min.
Music by James Bernard

No matter how you might feel about this entry in the Hammer / Dracula saga, I don’t think anyone could argue about how good the music is. Once again, James Bernard has created a score that encompasses what we love about these films. It has that rich and powerful score that seems to burst through the screen.

With the second track, Innocent Victim / Opening Credits, we hear those strings that immediately bring a sense of sorrow followed by those strong tones of the darkness. Bernard was able to bring visuals just from the themes that he created, whether it was villagers storming the castle, or Dracula’s resurrection, you could feel it in the music. That was one of the key elements to Hammer Films, and a lot of that had to do with Bernard. With just a couple of notes, like in Slaughter in the Church for example, you knew something bad was coming. I think that is where Bernard excelled so much in bringing an immediate emotion with just a few seconds of music.

While this CD might not be the easiest to find these days, if you are a fan of Bernard and of Hammer, then you really do need this in your collection. It will bring back memories of old castles, crazy servants, and the Prince of Darkness, and all with a smile.

Soundtrack Review: Stake Land

stakelandcdStake Land
Release in 2011, by Screamworks Records
26 Tracks with total running time of 48 min.
Music Composed by Jeff Grace.

To say this score is epic sounding is really an understatement. It starts off with a bang, and then proceeds to hit all the different notes. No pun intended. The film is about a post-apocalyptic world and this score gives us just that feeling. We get those feelings of being alone… down… desperate. We see a world where there just might not be any hope left, and Grace’s score accompanies that feeling perfectly.  There are some action based themes or sequences in here, but mainly it is a slow and moody score, filled with wonderfully dark and brooding strings, often giving it a slight western feel to it.

There are action pieces in the score which work quite well in the film, and give the listener that same sense of excitement. But the overall score has a strange sense of sadness in the music throughout. Very somber. And yet, there are moments in here where with a few notes, Grace shows us a glimmer of hope. That shows how much of an emotional score this can be. The strings and piano used in the track Belle and the New Family or New Eden are perfect examples of that.

Ever since I heard this score, I’ve been checking out a lot of Grace’s work and have never been let down. An incredible talent that I look forward to with each and every film he’s worked on.

Soundtrack Review: Prince of Darkness

Prince of Darkness soundtrack (1)Prince of Darkness
Released by Alan Howarth Incorporated, 2008
28 Tracks with a Total Running Time of 134:50 min.
Music Composed by John Carpenter, in association with Alan Howarth

Back in 1988 when this movie first came out, I saw it opening weekend. I mean, it was a new John Carpenter movie after all. But upon that first viewing, I actually didn’t care for it that much. I did love the music, though, right from the opening queue. So while I didn’t care for the movie itself, I immediately started looking for the soundtrack, only to find it impossible to find. Supposedly, Varèse Sarabande released it in 1987, but I could not find it. Years later, I was able to finally score a copy of it from a German release. And after all those years, the score still kicked ass. I also finally came around to really liking the film. I still have a few issues with it, but it is still a damn good movie. Continue reading

Soundtrack Review: Maniac (1980)

Maniac soundtrackManiac (1980)
Released by Intermezzo Media
16 Tracks with a Total Running Time of 32 min
Music Composed and Conducted by Jay Chattaway

There is really nothing about this film where it doesn’t go above and beyond. And Chattaway’s score is another prime example of that. For a film as brutal and disturbing at it is, the music fits perfectly. As score starts out with the Main Title, it almost sounds like a sweet lullaby, or music box. But as the score progresses to the very next track, Apocalypse New York, we can feel the darkness seeping in. By using different instruments and even strange sounds, it starts to build that feeling of uneasiness. Continue reading

Soundtrack Review: Edgar Allan Poe Suite / Horror Express

Edgar Allan Poe Suite - Horror ExpressEdgar Allan Poe Suite / Cry of the Banshee / Horror Express
Released by Citadel
14 Tracks, with a total running time of 61:58 min.
Composed & Conducted by Les Baxter and John Cacavas

This release is a real gem and a treat for horror fans. First it has the music from a series of four different one-man stage plays starring Vincent Price, each based on a story from Poe: The Pit and the Pendulum, The Sphinx, The Cask of Amontilado, and The Tell-Tale Heart. Then it also has a suite from Cry of the Banshee that is almost 20 minutes long. These were both composed by Les Baxter, who did a lot of work for AIP and their Corman/Poe series. Then we also have the score for Horror Express by John Cacavas. Continue reading

Soundtrack Review: From Beyond

From_BeyondFrom Beyond
Released 2003 by La-La Land Records
13 Tracks, with a total running time of 46:06 min.
Music composed by Richard Band

At my very first horror convention, back in 1988 which took place in California, I had picked up the soundtrack for this on LP and I immediately fell in love with it. Composer Richard Band created a score that has a perfect combination of a science feel but still being able to create some very creepy elements to it. I was very bummed when I got rid of my albums and had to wait more than a few years for this to get an official release on CD, which I picked up right when it came out. Continue reading

Soundtrack Review: Hellraiser

hellraisercdHellraiser
Released in 1987 by Cinedisc
14 Tracks, with a total running time of 43:08 min.
Music composed by Christopher Young.

There are some contemporary scores that resonate with fans just as much as the themes from Jaws, The Omen, or even The Exorcist. They may not be as familiar with the normal public, but if you play a few seconds of Christopher Young’s score from Hellraiser, they will know what it is. Maybe because the film itself is pretty iconic and well known, but what Young has done here is make something special, and lasting. Continue reading