Joel M. Reed is the man responsible for the notorious grindhouse flick Bloodsucking Freaks (1976), originally titled as The Incredible Torture Show, before Troma re-titled it and released it once again. He also directed a few other titles, such as Night of the Zombies (1981), probably the second most popular of his titles. Now, while I’m not personally a fan of Bloodsucking Freaks, anybody that is able to make a movie like that, and become an icon because of it, in this huge world of cinema, that is pretty impressive. So like it or not, as horror movie fans, we have to get credit where it is due.
Sadly though, Reed recently passed away at the age of 86. But if you are a fan of him and his work, then I would recommend you picking up a copy of John Szpunar’s book on Reed, entitled Bloodsucking Freak! The Life and Films of Joel M. Reed. Szpunar is not only a great writer, he is a huge fan of Reed and is one that can put the proper spotlight on this grindhouse icon.
Since the internet has been flooded with notices about this a few days ago, everyone I’m sure has heard of the passing of actor Max von Sydow. Even though he only made less than a dozen films you could consider horror, you couldn’t be a fan of the genre and not know who this man was, because of The Exorcist (1973). Granted, like a lot of us, we always assumed he was already an old man because of the incredible aged makeup he wore in that film, thanks to Dick Smith. But no matter what role he had, like a small part in Conan the Barbarian (1982), the over-the-top role of the Emperor Ming in Flash Gordon (1980), to even the humorous role of Brewmeister Smith in Strange Brew (1983), he always commanded your attention, as well as gave a very memorable performance.
For fans of Hammer Films, especially The Brides of Dracula (1960), you knew the stunning beauty that was Andrée Melly, who appeared as one of the brides. This was her only Hammer film, but she also appeared in another Terence Fisher film, The Horror of It All (1964), alongside Pat Boone and Dennis Price. But one couldn’t watch Brides and not be enamored with her, along with Marie Devereux as the other bride (who we also recently lost last December). Seeing them transformed from young school girls to fanged creatures of the night, they once again showed why Hammer Films are still be watched and remembered with so much fondness today.
You couldn’t have been a horror fan that grew up in the late ’60s and early ’70s and not know the music of Bob Cobert. With the amount of work that writer/director/producer Dan Curtis was kicking out during that time, Cobert was right there through almost all of it, creating some incredible and memorable scores. Sadly, we heard the news that Mr. Cobert passed away back on Feb. 19th from pneumonia. He was 95.
The genre has lost another icon with the passing of Brazilian actor, writer, director, producer, José Mojica Marins, better known to fans as Zé do Caixão, aka Coffin Joe. He was another filmmaker breaking ground, making movies that were not the most welcomed in his own home, but he continued on, making the kind that he wanted to make. While he started making films as early as 1950, it wasn’t until 1964 with the release of À Meia Noite Levarei Sua Alma (At Midnight I’ll Take Your Soul) that he found the role that would stay with him until he died, that of the devious Coffin Joe. Thankfully, a good number of his films have been made available though various companies, especially Something Weird Video.
She may have been an evil of a character in the movies, but in real life, she was an ordained, non-denominational minister in Las Vegas, where, along with her husband, Howard Maurer, would get couples traveling from all over the world to be married by the one and only Ilsa! Now, I’ve never been a huge fan of the Ilsa movies, which are not my particular cup of tea. But I’ve had the occasions to meet her a couple of times at the different Cinema Wasteland shows and she is another one of these actors that creates one of the most terrible of characters, but is total opposite of what they are like in real life. The photo to the right here was taken at her last Wasteland appearance, after she stopped by our table and chatted with me for more than a few minutes. When the conversation was done, she insisted that we take picture together. Such a sweet soul, kind and generous with her time with her fans, that it was so cool to have a chat with her. And she really did seem to love meeting her fans.
Javier Aguirre is not a familiar names with most fans here in the US, mainly because he worked in Spain. But there are a couple of films that he directed that star Paul Naschy that you might be familiar with, Count Dracula’s Great Love and Hunchback of the Morgue, both in 1973. Aguirre has passed away at the age of 84 after a long illness. He was married to actress Esperanza Roy, who Spanish horror fans will remember from the second entry in the Blind Dead films, El ataque de los muertos sin ojos aka Return of the Evil Dead and Una vela para el diablo aka It Happened at Nightmare Inn, also both from 1973.
kitleyskrypt.com 