We all know that there are title upon title on movie reference books that cover the same topic. Whether it is on slasher films, the zombie sub-genre, or any number of those Freudian psycho-babble entries, there are more than enough to keep this fan of horror reference books busy and broke! But I recently came across three titles that are either out or coming out that cover a unique and interesting theme that immediately grabbed my interests. Even more so, at first thought, I didn’t think there would be enough movies under each of these subjects to merit a whole book. But once again, it just shows you can always learn more!
Masks in Horror Cinema: Eyes Without Faces is by Alexander Heller-Nicholas, and has been published by University of Wales Press. This one is a bit pricy, at $51.37 on Amazon, and is 288 pages long. According to the description, “This book explores its transformative potential historically across myriad cultures, particularly in relation to its ritual and myth-making capacities, and its intersection with power, ideology and identity.”
With this striking cover, using poster art from Georges Franju’s Les yeux sans visage (aka Eyes Without a Face, 1960), this doesn’t look to be a book covering a certain number of specific movie titles, but is broken up into different categories, such as Skin Masks, Blanks Masks, Animal Masks, and such. There are separate chapters on pre-1970 films and post-1970. I have to say, it does sound kind of interesting. Continue reading
I know I may be a little late to the party on this one (and kind of pissed at myself that I’m just finding out about this) but there is a book about this amazing composer out now, called Ennio Morricone: In His Own Words. Whether you are a fan of western soundtracks, horror, and any of the other genres Morricone worked on, you know he created an unbelievable amount of magic through his music. For me, going back to films like Nightmare Castle to the work he did with Dario Argento, his scores are always amazing.
Even though this book was released October of 2018, this is the first time I’ve come across it, or at least that I’m remembering! Of course, being on Hammer Films, I know I’m going to need to add it to my library. But at only 96 pages, it does raise some concerns on the content. Sure, I’ll be ordering it anyway, if only to be able to review it here and let other Hammer fans out there know whether it is worth their $25!
You can’t be a horror fan and not know who Tom Savini is. It really is simple as that. Growing on horror in the late ’70s and early ’80s, Savini was simply a god to us fans. We knew that if he worked on a movie, it was going to be worth going to see, on that fact alone. And he never disappointed. Just look at this filmography from that time. Friday the 13th, The Burning, Maniac, Prowler, and the list goes on and on. Over the years, fans idolized Savini because he even though he was a master in the special makeup effects world, he was also just like us… a fan.
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