Author Archives: Jon Kitley

Olivia Hussey – Rest in Peace

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There are icons in the horror genre sometimes for the amount of work they do. But then there are others that make such an impact in one film, that they are forever connected to that. Actress Olivia Hussey is just that, starring in the 1974 film Black Christmas, the truly first slasher film. But it was announced yesterday that she had passed away yesterday, at the age of 73.

She was first catapulted into stardom with her appearance in Romeo and Juliet (1968), but it was in Bob Clark’s holiday horror film where most fans will know her from. She did have a few appearances in the genre, such as in It (1990), playing Mamma Bates in Mick Garris’ Psycho IV: The Beginning (1990), and even with Clint Howard in Ice Cream Man (1995).

Our thoughts go out to her friends and family during this most difficult time. But she will live on in the incredible performances that she left us with. Rest in Peace.

The Music of Nosferatu

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With the release of Robert Egger’s remake of Nosferatu, it hit me on the number of different soundtracks for this film title there are. And of course, being a crazy horror film soundtrack collector, I already had quite a few of them! But it amazed me how many different scores there are for this series.

Hans Erdmann (pictured to the right) had composed the music for the original 1922 film. This is when the music was played live during the screenings, which for some theaters, due to their size, made it difficult. Many times, completely different music, often classical pieces, was played on either an organ or a much smaller orchestra, depending on the size of the theater. Unfortunately, much of Erdmann’s original music is now lost so we’re never going to know what that score would have sounded like.

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Return to Telos Publishing

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Back when the Krypt was at the old site, before moving into the blog format, I had reviewed the book A Vault of Horror by Keith Topping (you can read our review HERE), which I really enjoyed. The subtitle to the book was a “book of great (and not so great) British horror movies from 1956-1974”, which I really loved because as we know, movies will always be subjective on whether they are “good” or not. But one of the things I really enjoyed about this book was the format, and all the different trivial information for each of the titles. It had categories like “Nudity, Violence and Sadomasochism” or “Outrageous Methods of Dispatch“, or “You May Remember Me From…”, which gave out some pretty interesting and useful information about the films and those involved. The real shame was that it wasn’t a title that I saw around too often, like at bookstores or even many talking about it online. It’s from Telos, a small press publisher from the UK, which might be the reason. But it’s a great little book and well worth any library.

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DtH Episode 86 – 2024 Wrap Up

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As 2024 comes to an end, we look in a rearview mirror filled with some amazing films, especially ones that came out this year. Filmmakers around the world wowed us with creative stories, intriguing plots and outstanding techniques. It is definitely a great time to be a horror fan.

2024 was another stellar year for us at the podcast, where we covered a wide variety of subjects, from Bigfoot to Amicus Films, from Women Directors to Al Adamson & Sam Sherman, to more obscure topics like German Expressionism, and much more. We also had an astonishing lineup of special guests including Severin’s David Gregory, Vinegar Syndrome’s Archivist Oscar Becher, HorrorHound’s Aaron Crowell, and Will Morris from Oscarbate and The Music Box Theatre, just to name a few.

One thing that continues through this year is our constant love and admiration for those that have made some long-lasting impact on the genre, and our constant striving to help share that love with our listeners. Nothing excites us more than hearing that we’ve turned someone on to a film or filmmaker or even sub-genre that they might have not experienced before. And you can be damned sure that we plan to continue that in 2025.

So, join us in this extra-long special episode as we go over our favorite viewings of this year, as well as some shout-outs and discussions on other films that came out in 2024.

Titles mentioned in this episode:

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Wishing You a Very Scary Christmas!

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Just wanted to take a quick second to wish everyone out there the best of holidays, no matter what or how you celebrate, but wishing you good cheer to you and your family. The one thing that everyone can afford, both in giving and receiving, is the gift of kindness. So please try and continue doing that throughout the year, not just during this holiday. It’s that simple.

Hopefully Satan Claws was good to you this year, bringing you plenty of Blu-rays and 4K movies, some new books on horror movies, or maybe even a few toys for the collection.

Happy Holidays!

Covid in the Krypt

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Sorry for the lack of updates or responses as of late, but over last weekend, I started to get sick, which then turned out to be Covid. I’ve had it before, so I wasn’t worried, but as I’ve heard before, not only does it hit everyone differently, it also can hit the same person differently. And this time, it knocked me on my ass. I have never had something that completely drain the will or desire to do anything. I did get out of bed, only because I couldn’t sleep laying down because of the congestion. Then again, I wasn’t sleeping anyway, so I was just sitting in my recliner in front of the TV. I guess one could look at that as one positive, but that’s a stretch.

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Soundtrack Review: When Evil Lurks

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When Evil Lurks
14 Tracks with a Total Running Time of 51:55
Music by Pablo Fuu

Being a huge fan of Demián Rugna’s film Terrified (2017), I was very excited to see this new one when it briefly hit the theaters last year. Wow. Hadn’t been hit by a film like this one in quite a long time.

One of the reasons this film is so effective is the music created by Pablo Fuu. It seems as of now, the only way to get it is a digital download, but hopefully there will be an actually physical release of it. In the meantime, here’s our thoughts on the score.

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Book Review: Naked Theater & Uncensored Horror

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Naked Theater & Uncensored Horror
Published by FAB Press, 2023. 360 pages
By Stuart Gordon

I’ve been wanting to get to this title ever since it arrived in the mail from FAB Press when it first came out. But like all things in life, something else always came up. Until a few days ago when I decided now was the time. It was a Sunday, and I didn’t have any real plans for the day, so I knew I could at least start it. 3 days later, I finished it.

I’ve known Gordon’s work since his debut film, Re-Animator (1985), hit the theater I worked at when it first opened. All horror fans immediately knew him as “the guy who did Re-Animator” and would watch for his next venture into the film world. The more films Gordon did, the more interviews and articles about him came out, the more we got a hint of his history. I knew very well that he came from theater background, even being here in Chicago for quite some time, but I really had no clue to the extent he had, or the impact that he made.

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January Giallo at the Music Box

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That’s right folks, since the end of the year is coming, that means that January Giallo at the Music Box Theatre in Chicago is right around the corner! They have announced the 4 titles that will be screening this year, and they are not to be missed.

While the first film isn’t technically the one to start the sub-genre of the giallo, it definitely helped define it. Mario Bava’s Blood and Black Lace is an incredible piece of cinema, if only for the use of colors and camerawork here. Talk about a master class! It is one that no matter how many times you might have seen it; each time still makes you sit and be amazed at how incredible it looks. If you can’t tell, I’m a big fan of this one and can’t wait to see it on the big screen again!

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DtH Episode 85: Modern Folk Horror

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Wake Wood (2009), The Wind (2018), Apostle (2018)

Folk horror has its roots in tales of witches and paganism, stretching back centuries. In cinema, the term “folk horror” was first coined by Rod Cooper in Kine Weekly to describe the 1971 classic Blood on Satan’s Claw. However, the themes that define folk horror—witchcraft, ancient rituals, and the eerie power of nature—have been present since the earliest days of film. A prime example is Benjamin Christensen’s Häxan (1922), which delves into witchcraft and age-old rites.

Regardless of its origins or definitions, folk horror has endured over time, weaving its way through the history of cinema. In recent decades, the genre has experienced a remarkable resurgence, not just in the United States but globally. This renewed interest may owe much to Kier-La Janisse’s expansive 2021 documentary, Woodlands Dark and Days Bewitched, which shone a spotlight on the subgenre and sparked widespread conversation.

With the recent release of Volume Two of Severin’s All the Haunts Be Ours box sets, now seems the perfect time to explore some of the standout modern folk horror films from the past two decades. So, venture with us into the remote villages, pagan rites, and shadowy woods where all the horrors sit waiting for you in the dark corners where people rarely go. 

Films mentioned in this episode:

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