Turkey Day 2007

Another year and another trip down the slippery slope of cinematic mishaps, misfires, and just plan screw ups.  Joining me once again was Dr. AC, who has become my ally and trusted companion on these trips to the ends of good taste and good movies, watching each other’s backs while we trudge along this journey some would call madness.  But we feel that it’s our duty to tackle these turkeys by the giblets and show them just who is stronger!  But let’s get on to the movies!

KillDozerKilldozer (1974) – Growing up in the ‘70s, I was able to watch a lot of great made-for-TV movies that were being produced at the time.  As well as some…not-so-good ones.  A lot like the idea for Night of the Lepus, whoever thought that a bulldozer that becomes possessed by an alien force, causing it to seek out and kill workers on an island construction site, might have thought it was a great idea.  But sometimes that spark of genius needs to be thought out a little bit more.  Even more surprising when it was based on a short story by noted sci-fi writer Theodore Sturgeon, who ever worked on the teleplay.

The idea of a bulldozer being able to sneak up on anybody other than blind people who are too numb to feel the ground shake, it about as silly as you can get.  But that didn’t stop them from making Killdozer.  This is a great example of what could get back bade in that time.  Western regular Clint Walker stars as a foreman trying to get his life and career back after a bout with alcoholism.  So when the weird stuff starts to happen, he knows nobody will believe him.  The film co-stars future TV star Robert Urich, James Wainwright, and the always memorable Neville Brand.

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Movie Review: The Strange Case of Dr. Jekyll and Miss Osbourne

STRANGE_CASE_JEKYLL_2D_BD-500x500The Strange Case of Dr. Jekyll and Miss Osbourne (1981)

Directed by Walerian Borowczyk
Starring Udo Kier, Marina Pierro, Patrick Magee, Howard Vernon, Gérard Zalcberg

“Eroticism, sex, is one of the most moral parts of life. Eroticism does not kill, exterminate, encourage evil, lead to crime. On the contrary, it makes people gentler, brings joy, gives fulfillment, leads to selfless pleasure.” Walerian Borowczyk

That above quote really fits Borowczyk’s work, or at least of the little of his that I’ve seen. I have to admit that I’m not the biggest fan of what I’ve seen so far, but mainly because it is a little too…artsy for me, to be perfectly honest. Years ago, back in the grey market days, I had a title called The Bloodbath of Dr. Jekyll that starred Udo Kier. But the quality of the print was so bad, I never got around to watching it. But I had seen Borowczyk’s Immoral Tales, which featured a segment involving the Countess Bathory. So I knew somewhat the kind of strange and art-house type of films that he was known for, most primarily for The Beast (1975). But now, thanks to Arrow Video, this strange and for the most part lost film has not only been released, but in a great presentation, giving a whole new audience the chance to see it.

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Mystery Photo 5-11

Monday once again, so that means a new Mystery Photo. Our last one was from the highly underrated film Beyond the Door. While a lot of people consider this a rip-off of The Exorcist, I say that it is different enough to definitely stand on its own, and is well worth the watch. Kudos to Humberto Amador and Mark Turner for sending in the correct answer. This scene in particular is a great non-digital effect that I’ve always found highly effective.

On to this week’s photo. I think this one is going to be a tough one, so you’ll need to use some super powers to dig this one up from the grave. Take a look and see what you can come up with. Just send us an email at jon@kitleyskrypt.com with your guess. Good luck!

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Book Review: The Horror of it All

horrorofitallI first met Adam Rockoff in 2008 at a Fangoria Weekend of Horrors in Chicago. He was going to be there to help run one of the Q&A panels that was going to be in the evening at the Music Box Theatre. I knew of Adam because of his book Going to Pieces: The Rise and Fall of the Slasher Film, which was later adapted for the documentary of the same name, both of which are worth your time. So I was actually excited to meet him and have him sign my copy of his book that I had brought, which he graciously did once we did finally meet. Which in fact, was rather funny since I had no idea what this guy looked like. So when he came up to my table and started looking through the books I was selling, talking about different reference books, and then casually mentioning that he had written a book. Once he told me his name, I told him that myself and friend Aaron Christensen were the ones he was suppose to meet up with for the Q&A panel later. Small world. From that moment on, we became good friends. He’s been over the Krypt several times for some movie screenings and other get-togethers.

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Mystery Photo 5-5

Sorry folks…had every intention of getting this up yesterday but the time just slipped away. But no worries…here we are with this week’s Mystery Photo. Our photo from last week was from Jason X. I figured with a close up like that it might be a little harder to recognize it, and apparently it worked since I only got two people with the correct answer. They would be Hoby Abernathy and Aaron Christensen. And before you might snicker at the movie, if you haven’t seen it, you might want to. Pretty damn entertaining and one of my favorites of the series.

Anyway, let’s get to this week’s photo. Might be easy…might not. But don’t look too hard for too long or your eyes might end up like the woman’s in the photo! Just send your answer to jon@kitleyskrypt.com

Good Luck!

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Blackwood Soundtrack Review

blackwoodcdBlackwood
Released by Lakeshore Records
15 Tracks with a total running time of 57 min.
Music Composed by Lorne Balfe

It doesn’t happen often, but it does every now and then. There are those soundtracks that hook me after the first listen, but then there are those rare ones that get me within seconds of hitting the play button. Lorne Balfe’s score for Blackwood is one of those. Okay, so I am a sucker for ghost stories, which is what this movie is about. Never seeing it, or even hearing about it before this score arrived, I was immediately curious. But once the music started, with a beautifully haunting organ, then with a slow and eerie sound of some strings, it set the mood right away. Balfe has created one of those scores that is beautiful, sad, haunting, and creepy, all at the same time. That is talent.

Most of the score seems to be just piano or organ, along with a variety of string instruments, and for the most part are slow and moody. There are a few that have a little faster pace, such as #9 Paying a Visit, but for the most part, it is a nice relaxing score, one that is perfect for a nice quiet evening at home, working on the computer or reading your favorite book. It just breathes atmosphere.

Composer Balfe is a new name for me, but who’s work I will be looking more into. Highly recommend this one.

Jeff Burr Interview

While we didn’t conduct this interview, our good buddy and friend of the Krypt, Aaron Christensen did and it is well worth your time. Mr. Burr is one hell of a nice guy, who I’ve had the pleasure of meeting a couple of times over the years and doesn’t get the credit that he should. So not only would I sugguest everyone pick up a copy of Shout Factory’s latest release, From a Whisper to a Scream, but take a few minutes to read AC’s interview with Burr.

Just click HERE to get to the interview.

 

Whisper to a Scream 1987 BR cover Shout Factory

Mystery Photo 4-27

Happy Monday Everyone! And if it’s Monday, that must mean a new Mystery Photo! But before we get to this weeks, let’s reveal what last week’s photo was. As much quite a few thought it was Blood from Satan’s Claw, it was not. But I can totally see where that guess would come in. And since we got more emails with that answer than the correct one, don’t feel bad if you were one of them. But the correct answer is another British film, Curse of the Werewolf. The ones that did send in the correct answers were: Hoby Abernathy, Aaron Christensen, Doc Phibes, and Gavin Schmitt. So congrats to all of you.

And now on to this week’s photo. Might be easy. Might be hard. We’ll let you decide that. Take a peek, think a bit, and then send in your answer to us at jon@kitleyskrypt.com. Good luck!

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Horror History – Emil Umann

Now that is one name that most of us horror fans do not recognize. But if wasn’t for Mr. Umann, we might not have ever got to see Universal’s Son of Frankenstein, as well as the monster films that followed thereafter. But what exactly did Mr. Umann do to cause this resurgence of the Universal Monsters?

wilshire theatreIn 1938, with The Bride of Frankenstein now already 3 years old, it seems that Universal had pretty much given up on their monster heritage. Sure, they were still making horror pictures, such as The Raven, The Invisible Ray, and such, but not a lot of them and those familiar characters from just a few years ago were now seemed to have been put to rest. This is where Emil Umann came in to the picture. He ran the Regina-Whilshire Theatre in Los Angeles and on August 5th, 1938, he started a triple bill of Dracula, Frankenstein, and Son of Kong, getting the rentals from the studio for only $99 for 4 days. But much to his surprise, the screenings were selling out and he was getting lines down the block. The triple bill was so popular, he was running them almost 24 hours a day. He even got in contact with Bela Lugosi, who was not in the best financial situation at the time, and hired him to make appearances at the screenings. This not only put the monsters back in the limelight, but Lugosi himself. Lugosi even told the press “I owe it all to that little man at the Regina Theatre. I was dead, and he brought me back to life.”

Once Universal heard about this and the business the theater was doing, they immediately ordered 500 more prints of Dracula and Frankenstein and started renting them out around the country for a double bill. Of course, these rentals were at a much higher rate, so much higher that Umann couldn’t afford to keep them pass the original commitment. In fact, Universal reported in making over $500,000 in new film rentals. So nice of Universal to show such gratitude to someone who showed them how to make so much money. And it was because of this newly discovered interests in these movies that Universal quickly rushed another entry in the Frankenstein series, which would become Son of Frankenstein. Not only would it be the last time Karloff appeared as the creature, but it would also give Lugosi a chance to give one of his best screen performances on his career, as Igor, the twisted-neck friend of the creature.

So to people like Emil Umann, we here at the Krypt salute you for what you did, bringing back the Universal Monsters from their grave.

Clayguy Meets Hammer!

clayguy-curseoffrankenstein1Another dealer that I’ve met years ago was Barry Crawford, aka Clayguy! Barry creates some incredible pieces of art….little figures from the movies we love out of clay, really capturing the essence of these demented characters. They almost look like they would be in a Tim Burton animated film. I have picked up a few of his pieces for my son over the years. The great thing about Barry is that he doesn’t just do what might be the obvious choices for his subjects, but does some pretty obscure characters as well. Just by browsing over his table, you’ll see Victor Crowley from Hatchet, Corbis from The Devil’s Rain, Meg Halsey from Re-Animator, and so many more. Granted, most of the horror/cult fans coming by his table recognize them right away. It also helps that Barry is a super nice guy and we’re always happy to see him setting up next to us.

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