Tag Archives: Universal Monsters

Abbott & Costello Meet Frankenstein Soundtrack

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Are you a fan of the Universal Classic Monsters? Or maybe of comedic actors Bud Abbott and Lou Costello? When you combine these two, you have a film that is what I feel the best of both of those two worlds in Abbott & Costello Meet Frankenstein (1948). While it is a comedy, there is plenty of monster fun within the running time, with not only Frankenstein’s creature, but we get Dracula, the Wolf Man, and even the Invisible Man is a very small “cameo” at the end. Now, the fine folks at Intrada have started a Kickstarter to help finance the creation of a CD soundtrack release of this score, and we only have a few more days to being to contribute!

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DtH Episode 70 – Universal Creature Series

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Creature from the Black Lagoon (1954), Revenge of the Creature (1955), The Creature Walks Among Us (1956).

And now, we come to the end of our Universal Monster episodes, having made our way through all the Dracula films, Frankenstein, Invisible Man, Mummy, and the Wolf Man, we now take a dive into the Black Lagoon! Coming out a little less than a decade after the last Universal Monster film (no, I’m not counting A&B Meet Frankenstein), it gave birth to a whole new generation of monster fans that might not have been around for the first cycle. And it did make quite the splash amongst fans, enough to permanently give its spot in the Universal Monster class. And there is a reason for that.

Join us while we take a deep dive into these films, maybe pushing you into the deep end of some of them, discussing some things you maybe didn’t know about them, and hopefully, if we’re doing our jobs, make you revisit them and think about them a little differently, or at least a little more. That’s the beauty of films, that no matter how many times you may have seen it, you never know what the next viewing experience will bring you.

Films mentioned in this episode:

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DtH Podcast – Episode 58: Universal Werewolf Films

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The Werewolf of London (1935), The Wolf Man (1941), and She-Wolf of London (1946)

When the night falls and the full moon rises, it is time to talk about werewolves. But not just any werewolves, but the ones that came from Universal Studios. While still riding the wave of their horror title success of Dracula, Frankenstein, The Mummy, and The Invisible Man, Universal office continued to look for their next big monster, which spawned The Werewolf of London. While it wasn’t the success they’d hoped, they would try it again in 1941 on the second wave of monster films, which was a big hit. And like the curse of lycanthropy, things always weren’t good with this particular sub-genre.

We cover the three official titles from Universal that have the werewolf (one in title alone!) is by themselves, and not any of the monster-rallys that we’ll cover in the future. Will they still hold up to modern audiences? Are they worthy of their “classic monster” title? Listen and find out.

Films mentioned in this episode:

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Discover the Horror Podcast: Episode 55 – Universal’s The Invisible Man

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The Invisible Man (1933), The Invisible Man Returns (1940), and The Invisible Man’s Revenge (1944).

In the pantheon of Universal Classic Monsters, some might say the Invisible Man is the least terrifying in the monster heritage, or maybe even bordering on if they even belong in the horror genre. In this episode, we’re going to delve into three of the films in Universal’s Invisible series, for the most part, stay within the horror genre, though, that argument will be addressed as well! We’re leaving out The Invisible Woman and Invisible Agent, since they are pretty much either a comedy or a war time action film. 

Join us as we try to “see” more into these films that maybe aren’t as “transparent” to the casual viewer who might have missed something. Or maybe we’re seeing too much and not finding them too entertaining. Want to know? You’ll have to listen and find out!

Movies mentioned in this episode:

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Discover the Horror Podcast – Episode 51: Universal Mummies

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The Mummy (1932), The Mummy’s Hand (1940), The Mummy’s Tomb (1942), The Mummy’s Ghost (1944), and The Mummy’s Curse (1944).

In this episode, we go back the Universal Classics and take on one of the most unusual of the classic monsters, the Mummy. It’s probably one of the best costumes and memorable character, but never seems to reach the same level of notoriety as his fellow monsters. But strangely enough, it is the one Universal monster to have more films devoted to his character alone, without going into the Monster Rally films where they had more than one monster in the picture.

Here we dig up some facts as well as our own thoughts on the original 1932 film starring the one and only Boris Karloff, as well as the 4 other Mummy films that came out almost a decade later, but with much smaller budgets. These sequels started with a different mummy character and had a continuing storyline between the 4 films, or at least tried.

Films mentioned in this episode:

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Discover the Horror – Episode 42: Universal Frankensteins

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Frankenstein (1931), The Bride of Frankenstein (1935), Son of Frankenstein (1939), and The Ghost of Frankenstein (1942).

Time to go back to the source! The films that started a mythology, created the stereotypes, and taught us everything we were going to need to know about the mad genius that created a “monster” and the innocent, child-like creature that would eventually be known by his creator’s own name. In this episode, we look back at the first four Universal Frankenstein films, before the monster-ramas, when the main point was the creature and his maker. While there is a lot of material to cover in only one episode, we cover as much as we can, trying to show you just how important, entertaining and well-made these films are after close to a century.

Films mentioned during this episode:

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Ricou Browning – Rest in Peace

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It truly is the end of a legacy. Mr. Browning was the last actor alive that had played one of the famous classic monsters from Universal, in The Creature from the Black Lagoon (1954), as well as playing him in both the sequels. So many things go into making a film that still has fans close to 70 years after it came out, such as the designers of the monster and those that made the costume. But it is the performer inside of it that really breathes life into it, making the viewers forget that it is simply a man in a suit but we’re really watching a creature from a lost age. Ricou Browning did that with his underwater performance as the Gill-Man. To this day, watching this film, it is amazing how well it still plays, as well as what Browning did to make it look like we were really watching some sort of fish creature following the lovely Julie Adams.

Mr. Browning passed away on Monday, Feb. 27th, at the age of 93. From monster kids, monster fans, and all the other horror fans out there, we bow our heads today as we lose the last of the icons of an era that ended more than half a century ago. But it still makes me smile in wonderment, when we bust out one of these old classics and feel like a little kid once again. Rest in Peace, Mr. Browning, and thank you for what you have given the fans then, the fans now, and those new ones that will soon discover your talent.

Our thoughts go out to his friends and family during this difficult time.

Universal Classic Horrors at the Strand Theatre

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The Strand Theatre in Shelbyville, IN, has announced this year’s Friday Night Frights schedule and once again, makes me wish I lived closer to the theater! We all know and love the Universal Classic Monsters (or at least we should!) but few fans have had the opportunity to see them in a movie theater on the big screen. Well, if you live near the Indianapolis area, now you have your chance.

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Jack Pierce: Hollywood Makeup Master Book

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I came across this title recently on Amazon, which looks like it was published a couple of months ago, but felt it needs some attention. I have not read it (yet!) but will be ordering it soon and at some point, will have my review posted. But since it is on one of the greatest makeup artists in history, I think it is important to mention here. I mean, this is the guy that created most of the faces on what we consider the Classic Universal Monsters, right?

This 332 page book by author Christopher Lock, that features over 350 photos and graphics, is the only “personal and professional memoire on Jack Pierce available anyway”, which gives fans a “comprehensive and unique insight into the background, psyche, and motivations of Jack P. Pierce; from his childhood in Greece to his immigration to America, his career rationales, his psychological instincts, his rise to fame and recognition, and his eternal legacy”, according to the listing on Amazon.

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