Tag Archives: Universal Classic Monsters

Monster Bash Approaches

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In a little less than 3 weeks, we’ll be heading off to one of our favorite shows, the Monster Bash Conference, taking place from June 20th to the 22nd, in Cranberry Township, PA. While it might be a little smaller than some of the usual shows we attend, there is so much to do and see here, that it is always a great time. They have film screenings from Thursday night all the way through Sunday, going into the wee hours of the night! You’ll get the chance to see some classic horror films, usually screened from16mm prints, including titles like The Vampire’s Ghost (1945), Weird Woman (1943), Murders in the Rue Morgue (1932), the not-to-be-missed Mexican horror/sci-fi spectacular The Ship of Monsters (1960), Lon Chaney’s The Penalty (1920), Night of the Living Dead (1968), Man Made Monster (1941), Abbott & Costello Meet Frankenstein (1948), and Zombies on Broadway (1945)! These are the kind of titles that makes me wish I wasn’t vending, just so I can sit and watch movies all weekend!

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New Invisible Man Book

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I know that collecting books can be a slightly obsessive, especially when you are an equally obsessive horror movie fan. For me, there is always that never-ending quest for knowledge about the films we love. Whether they are the old classics to even newer films. I strongly believe that the more you know about a film, you will see it in a different light, no matter the quality of the actual finished product.

Of course, the Universal horror films of the ’30s that were really the start of the film genre, and while they are all around the hundred-year anniversary mark, we seem to continue to get more books on the subject. And while my wallet and my bookshelves might complain, I do not!

The latest edition that I just saw was the new book by Christopher Lock, called The Invisible Man: The Complete History of the 1933 Horror Classic, which just came out. I had recently read Lock’s book on The Bride of Frankenstein, and thoroughly enjoyed it, finding a lot of interesting information in there. So, when I saw this one, I knew I would be adding it to my library. Plus, this might be the first book to cover James Whale’s 1933 adaption of the H.G. Wells novel. I have several books on the Universal Classics, but not on only this particular film. I know there is one by Philip J. Riley, but that is just on an early version of the script when Boris Karloff was attached to the project. According the blub on this new volume by Lock, it is the “only in-depth book in publication solely dedicated to this iconic film; from conception, to production, and beyond.”

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Book Review: Bride of Frankenstein: The Definitive History

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Bride of Frankenstein: The Definitive History of the Horror Classic
Published by CenterLine Publishing & Consulting LLC, 2024. 422 pages
By Christopher Lock

For a film that is making its 90th Anniversary this year, there is a lot that has been written about Bride of Frankenstein (1935) over those nine decades. In fact, I have a couple of books solely dedicated to this title, not to mention more than a few that cover the Universal classic horror titles of the ’30s in general. Of course, when you see one with the subtitle “The Definitive History of the Horror Classic” it does grab one’s attention.

Who am I kidding? It’s a book on one of the most famous horror films ever made. Of course I’m going to add it to my library! So, the real question is . . . is it the “definitive history”? And is it worth adding to your own library?

The author has a lot of information in here, not just on Bride, but the original film as well, and even including some info on Mary Shelley and her original novel. There could be an argument on why it covers that stuff when the book is about Bride, but I do agree that you need to cover those first before you get to the famous sequel. Though I did find it a little strange that while going over the beginning, when the original Frankenstein was in the early stages, the author mentions the early scripts by Balderston and Webling, but nothing is mentioned about Robert Florey, who was the one that brought the original idea to Universal, with the intent of directing it. A minor quibble.

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Book Review: Bride of Frankenstein

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Bride of Frankenstein
Published by Midnight Movie Monographs, 2023. 184 pages.
Edited by Emma Westwood

This is a rather small volume, priced at a little more than I would have liked to have paid for it, but that being said, there is a lot of wisdom and information packed into these 184 pages. The thing that I really enjoyed about this is that it contains 12 essays by 12 different writers, all covering a variety of subjects that have to do with James Whale’s 1935 sequel, The Bride of Frankenstein. While some are not specifically on the movie, there is that connection.

There is one on Franz Waxman and the incredible music he created for it, written by Dr. Dan Golding. Remember, there was a time in the early day of sound films that the studios didn’t want musical scores, feeling they would interfere with the voices and other sounds in the film. Then there is Scott Essman’s essay on the makeup for the Bride and the makeup artist Jack Pierce. Lots of good stuff in here.

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DtH Episode 70 – Universal Creature Series

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Creature from the Black Lagoon (1954), Revenge of the Creature (1955), The Creature Walks Among Us (1956).

And now, we come to the end of our Universal Monster episodes, having made our way through all the Dracula films, Frankenstein, Invisible Man, Mummy, and the Wolf Man, we now take a dive into the Black Lagoon! Coming out a little less than a decade after the last Universal Monster film (no, I’m not counting A&B Meet Frankenstein), it gave birth to a whole new generation of monster fans that might not have been around for the first cycle. And it did make quite the splash amongst fans, enough to permanently give its spot in the Universal Monster class. And there is a reason for that.

Join us while we take a deep dive into these films, maybe pushing you into the deep end of some of them, discussing some things you maybe didn’t know about them, and hopefully, if we’re doing our jobs, make you revisit them and think about them a little differently, or at least a little more. That’s the beauty of films, that no matter how many times you may have seen it, you never know what the next viewing experience will bring you.

Films mentioned in this episode:

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DtH – Episode 65: Universal Monster Rallies

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Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), and House of Dracula (1945).

Some say that the monster rally films marked the end of the Universal creature features, which could partially be true, but we feel it is for different reasons than the actual films themselves, and they still have a lot of merit to them. While the studio heads might not have cared too much about getting them made, those involved did their best with what they had. One of the biggest highlights of these titles is the cast of actors in them, some making their last appearances. You get to see Karloff, Chaney Jr., Carradine, J. Carrol Naish, George Zucco, Lionel Atwill, Dwight Frye, and so many other regular faces that will bring a smile to your face when they pop up onscreen.

While maybe running a little thin on ideas and decided to start combining monsters to hopefully bring back bigger box office returns, they still made films that we all still feel are entertaining and we feel are more than worth your time.

Movies mentioned in this episode:

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DtH Podcast – Episode 58: Universal Werewolf Films

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The Werewolf of London (1935), The Wolf Man (1941), and She-Wolf of London (1946)

When the night falls and the full moon rises, it is time to talk about werewolves. But not just any werewolves, but the ones that came from Universal Studios. While still riding the wave of their horror title success of Dracula, Frankenstein, The Mummy, and The Invisible Man, Universal office continued to look for their next big monster, which spawned The Werewolf of London. While it wasn’t the success they’d hoped, they would try it again in 1941 on the second wave of monster films, which was a big hit. And like the curse of lycanthropy, things always weren’t good with this particular sub-genre.

We cover the three official titles from Universal that have the werewolf (one in title alone!) is by themselves, and not any of the monster-rallys that we’ll cover in the future. Will they still hold up to modern audiences? Are they worthy of their “classic monster” title? Listen and find out.

Films mentioned in this episode:

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Discover the Horror Podcast: Episode 55 – Universal’s The Invisible Man

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The Invisible Man (1933), The Invisible Man Returns (1940), and The Invisible Man’s Revenge (1944).

In the pantheon of Universal Classic Monsters, some might say the Invisible Man is the least terrifying in the monster heritage, or maybe even bordering on if they even belong in the horror genre. In this episode, we’re going to delve into three of the films in Universal’s Invisible series, for the most part, stay within the horror genre, though, that argument will be addressed as well! We’re leaving out The Invisible Woman and Invisible Agent, since they are pretty much either a comedy or a war time action film. 

Join us as we try to “see” more into these films that maybe aren’t as “transparent” to the casual viewer who might have missed something. Or maybe we’re seeing too much and not finding them too entertaining. Want to know? You’ll have to listen and find out!

Movies mentioned in this episode:

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Discover the Horror Podcast – Episode 51: Universal Mummies

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The Mummy (1932), The Mummy’s Hand (1940), The Mummy’s Tomb (1942), The Mummy’s Ghost (1944), and The Mummy’s Curse (1944).

In this episode, we go back the Universal Classics and take on one of the most unusual of the classic monsters, the Mummy. It’s probably one of the best costumes and memorable character, but never seems to reach the same level of notoriety as his fellow monsters. But strangely enough, it is the one Universal monster to have more films devoted to his character alone, without going into the Monster Rally films where they had more than one monster in the picture.

Here we dig up some facts as well as our own thoughts on the original 1932 film starring the one and only Boris Karloff, as well as the 4 other Mummy films that came out almost a decade later, but with much smaller budgets. These sequels started with a different mummy character and had a continuing storyline between the 4 films, or at least tried.

Films mentioned in this episode:

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Discover the Horror Podcast – Episode 37: Universal’s Dracula Films

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Dracula (1931), Dracula’s Daughter (1936), and Son of Dracula (1943). This is the series of films that really created and started what is now known as the Universal Classic Monster films. Dracula came out in Feb. in 1931 and did such business, the studio followed suit with another film. And another. And another.

But are these classics remembered just because of nostalgia, or are they really well-made films that are still effective today and rightly deserve the monster of “classic”? In this episode, we delve into the first three Dracula films and take a closer look at these titles to see if they hold up to us, and even more so, maybe getting you, the listener, interested enough to revisit them along with us!

Films mentioned in this episode:

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