For this Friday Favorites, we’re going to do something a little different. On this day in 1922, Richard Emerson Smith was born, in Larchmont, New York, and would grow up to become one of the greatest makeup artist of all time. When it comes to the horror genre, while he did work on a few, it was nowhere near as many as some of his contemporaries or the next generation of artists, such as Rick Baker, Stan Winston, or Tom Savini. But the ones he did work on, literally changed movie history. For the longest time, I thought 44-year old Max Von Sydow was a much older man because of the old age makeup Smith did on him for The Exorcist (1973). Not only did he do the character makeup for Marlon Brando in The Godfather (1972), but also the realistic bullet hits as well. Continue reading
Since the internet has been flooded with notices about this a few days ago, everyone I’m sure has heard of the passing of actor Max von Sydow. Even though he only made less than a dozen films you could consider horror, you couldn’t be a fan of the genre and not know who this man was, because of The Exorcist (1973). Granted, like a lot of us, we always assumed he was already an old man because of the incredible aged makeup he wore in that film, thanks to Dick Smith. But no matter what role he had, like a small part in Conan the Barbarian (1982), the over-the-top role of the Emperor Ming in Flash Gordon (1980), to even the humorous role of Brewmeister Smith in Strange Brew (1983), he always commanded your attention, as well as gave a very memorable performance.
Thursday, we have lost the author of one of the greatest horror novels of all time, William Peter Blatty. If you’ve never read the actual novel of The Exorcist, you’d be surprised at how effective it is, digging into your core just as much as the film version, if not more. That’s how good Blatty was. Strange though that before this novel, he was known for the most part as a comedic writer, writing several films for Blake Edwards, including the Pink Panther movie A Shot in the Dark. But once The Exorcist came out, there really was no turning back for him and he would always be known as “that guy”. But while it did pigeon hole him, he told the Washington Post in 2013, “I can’t regret The Exorcist. It’s done so much for me and for my family. And it’s given me a great deal of freedom to write what I want.”
kitleyskrypt.com 