Monster Bash Spring 2025

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Pete Walker Collection from 88 Films

If you’re one of those out there that just hadn’t made the deep dive into the films of Pete Walker, then now is your chance. That is, of course, if you have an import Blu-ray player. If you don’t, what is the hold up?

88 Films is goign to release a deluxe edtion of Walker’s films in The Flesh & Blood Show set, featuring 7 of Walker’s titles. They include Die Screaming, Marianne (1971), The Flesh and Blood Show (1972), House of Whipcord (1974), Frightmare (1974), House of Mortal Sin (1976) Schizo (1977) and The Comeback (1978). They haven’t released any price or any details of the extras, but they do say these will all be “presented in new HD remasters, and featuring a scary array of exclusive extras, including brand-new interviews with Walker himself.” This set is to be released in September.

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Horror History: Sheila Keith

Sheila KeithSheila Keith
Born June 9th, 1920 – Died Oct. 14th, 2004

If you’ve seen more than a couple Pete Walker films, then you probably know who Sheila Keith is, or at least have seen her. And you’ve seen her work in his films, then you are definitely going to remember her! Keith was this wonderful older lady who seemed to excel in playing twisted and demented characters, even if she looked like your friendly old grandmother. While she did work a lot in other smaller roles and in a few TV series, it is her work with Walker that us deviant horror fans remember and love her for.

In Walker’s Frightmare aka Cover Up (1974), which happens to be my favorite role of hers, where she plays a cannibalistic matriarch, with such zest and conviction, that she is one of the scariest women you’d ever want to come across. She also appeared in Walker’s House of Whipcord (1974), The Confessional aka House of Mortal Sin (1976), The Comeback (1978), and House of Long Shadows (1983), where she worked alongside the likes of Carradine, Cushing, Lee, and Price!

Keith’s performances were always so strong and powerful that it amazes me that she did not get a ton of work in other movies. Maybe it was because Walker’s films didn’t receive a lot of critical acclaim.