Music Box of Horrors 2024

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Horrors at the Skyline Drive-in!

In the last few days, the Skyline Drive-In in Shelbyville, IN, announced several weekends of horror lineups coming up in October. I’m not sure how many of them I’ll make, but I know I’ll be there for the last one I have listed! For all the information head over to their Facebook page HERE.

Below is the events they have listed and what will be screening. Start making your plans!

Scariest Movies of All Time Part 1
Oct. 2nd & 3rd
Poltergeist (1982)
The Amityville Horror (1979)
The Exorcist (1973) Continue reading

Horror at the Egyptian!

 

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Never too early to start making your plans for the Halloween season right? I mean, stores are already starting to put out the decorations, so makes perfect sense to me. Granted, for a lot of us, the Halloween season is all year round!

The Egyptian Theatre in Dekalb, IL has announced a Horror Film Series in October, showing a classic horror film every Tuesday throughout the month. Tickets are $8 each and the movies will start at 7pm. Here is what they will be screening: Continue reading

James Karen – Rest in Peace

James Karen - RIPI’ve been going to conventions for over twenty years and have met more than a few celebrities over those two decades. Some are very cordial, while others a little standoffish. But there are few that compare to the pure joy that I felt from meeting James Karen in an elevator at Chiller convention back in the mid ’90s. As we were talking the elevator down to the show, Mr. Karen walked in and could immediately tell from the black horror t-shirts we were wearing that we were there for the show. He immediately said hello and started talking to us as the doors closed. He wasn’t embarrassed by his work in the horror genre, or that some young fans were geeking over the fact that we were in the same elevator as Frank from Return of the Living Dead! He just seemed so happy to be there and loved the fact that we were fans and knew who he was. While the ride only lasted a minute or two, it is one of the best memories from my convention memories. I met him again a few years ago and he still gave off that same vibe to his fans. So it was very sad hearing of his passing.

The funny thing is that if you look at his immense filmography, with over 200 screen appearances, he only appeared in a few horror titles. But in those, he created very memorable characters, such as the real estate developer in Poltergeist (1982) or the bumbling but loveable Frank in Return of the Living Dead (1985). His very first film appearance was in the wonderfully titled Frankenstein Meets the Space Monster (1965), as well as appearing in so many television series and even more commercials, starting back in 1948, in a production of A Christmas Carol. But before that, he started acting on the stage. He made his Broadway debut in 1947 in a production of A Streetcar Named Desire, being Karl Malden’s understudy.

Horror fans have lost a friend, as well as an extremely talented actor, who could make you love his character as easily as hate him. He was that good. He will be deeply missed. At least we still have his films to keep his memory alive. I know that each time I pop in my copy of Return of the Living Dead, no matter that I’ve seen the film countless times, James Karen will still make me smile and laugh. So he will never be forgotten.

Our thoughts go out to his friends and family during this difficult time.

Poltergeist (2015) Soundtrack Review

poltergeist2015Poltergeist (2015)
Released by Sony Masterworks
20 Tracks with a total running time of 43 min.
Music by Marc Streitenfeld

Taking on the job of composing a score for a remake of a very familiar movie must not have been an easy choice. When listening to scores, especially to review them, we try hard not to let that come into our mind when listening to this new take, trying to give it a fresh chance. Sometimes that is harder than others. But while Streitenfeld does do a decent job here, it just doesn’t have anything that reaches out and grabs hold of you. Not meaning that it isn’t a scary score, but that the music doesn’t seem to make its own footprints, rather than just accompany what might be on the screen.

He uses a lot of loud thundering notes, which seems to be more and more common these days with scores, which is a shame. He does come up with a nice opening theme which is decent, but it really doesn’t follow through with the rest of the score. He does use some nursery or children’s music which does give it a nice touch, but I would have liked to have heard more of that intertwined within the rest of the score, instead of the loud jump sounds.

Bottom line is that this isn’t a bad score by any means, but just one that doesn’t hold my attention too much. Maybe it is just me, but I want a score that will take hold of your ears and brain and pull you through the story, even if you’re not watching the film right then.