You couldn’t have been a horror fan that grew up in the late ’60s and early ’70s and not know the music of Bob Cobert. With the amount of work that writer/director/producer Dan Curtis was kicking out during that time, Cobert was right there through almost all of it, creating some incredible and memorable scores. Sadly, we heard the news that Mr. Cobert passed away back on Feb. 19th from pneumonia. He was 95.
My personal favorite has always been the theme he did for The Night Stalker (1972), but there are also so many other great ones, such as Dark Shadows, both the series and the two films. He pretty much worked on almost all of Curtis’ productions, which earned him a Grammy nomination for his composition Quentin’s Theme from Dark Shadows series and a Emmy nomination for his work on Curtis’ epic miniseries War and Remembrance (1988-89).
For a composer to create a theme that is remembered as much a the movie or series itself is a high compliment for any musician. Cobert seemed to do it over and over again. He may have left his planet, but he has left us hours and hours of fantastic music that we can listen to over and over, bringing those images back in our brains again and again.
Our thoughts go out to his friends and family in this difficult time. Rest in Peace, Maestro.
Carol Lynley is another one of those actors that didn’t make a ton of appearances in the horror genre, but when she did, she was always memorable. I think my first memory of her was playing Darren McGavin’s girlfriend in The Night Stalker movie. She made other horror titles like Beware! The Blob (1972), the remake of The Cat and the Canary (1978), and even showing up in Howling VI: The Freaks (1991). Years later, I would discover her in the much sought after The Shuttered Room (1967) as well as Bunny Lake is Missing (1965). She passed away on Sept. 3rd from a heart attack. 
