Movie Review: Hollywood Legends of Horror

November 9, 2025 by Jon Kitley in Reviews: Movies and tagged Bela Lugosi, Boris Karloff, Carroll Boreland, Constantine Nasr, Doctor X, Dr. Steve Haberman, Fay Wray, Frances Drake, Gregg Toland, Hollywood Legends of Horror, Humphrey Bogart, Karl Freund, Kim Newman, Lionel Atwill, Lionel Barrymore, Lon Chaney, London After Midnight, Mad Love, Mark of the Vampire, Michael Curtiz, Peter Lorre, Return of Doctor X, Stephen Jones, The Devil Doll, The Mask of Fu Manchu, Tod Browning, Vincent Sherman, Wayne Morris | Leave a comment

While it might have something to do with the fact that I’m an older horror fan, but there is something special about going back and watching the classic films from the beginning of the golden age of the horror film. And we’re all familiar with the Universal classics that really helped create that first big impact, but they weren’t the only studio trying to make their own footprint in that horror heritage. While they might not have made as big of a footprint, studios like Warner Bros. and MGM were making some serious efforts at the same time. And some of these definitely should be held up in the same respect as some of those Universal entries.

Thanks to Warner Archives you can add 6 of these titles to your collection, all in one set! They have released the Hollywood Legends of Horror Collection that features Blu-ray releases of the following films: Doctor X (1932), The Mask of Fu Manchu (1932), Mad Love (1935), Mark of the Vampire (1935), The Devil Doll (1936), and The Return of Doctor X (1939). The set retails for only $59.99, so that really is about $10 a title. But honestly, the films alone are must for any horror fans movie library.

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Discover the Horror Podcast – Episode 51: Universal Mummies

September 6, 2023 by Jon Kitley in Discover the Horror Podcast and tagged Karl Freund, Lon Chaney Jr., The Mummy, The Mummy's Curse, The Mummy's Ghost, The Mummy's Hand, The Mummy's Tomb, Tom Tyler, Universal Classic Monsters, Universal Monsters | Leave a comment

The Mummy (1932), The Mummy’s Hand (1940), The Mummy’s Tomb (1942), The Mummy’s Ghost (1944), and The Mummy’s Curse (1944).

In this episode, we go back the Universal Classics and take on one of the most unusual of the classic monsters, the Mummy. It’s probably one of the best costumes and memorable character, but never seems to reach the same level of notoriety as his fellow monsters. But strangely enough, it is the one Universal monster to have more films devoted to his character alone, without going into the Monster Rally films where they had more than one monster in the picture.

Here we dig up some facts as well as our own thoughts on the original 1932 film starring the one and only Boris Karloff, as well as the 4 other Mummy films that came out almost a decade later, but with much smaller budgets. These sequels started with a different mummy character and had a continuing storyline between the 4 films, or at least tried.

Films mentioned in this episode:

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New Volumes for Your Horror Reference Library!

March 19, 2021 by Jon Kitley in Book News and tagged Faith Horror, Gavin Schmitt, Global Horror Cinema Today, Horror Films of the 2000s, John Kenneth Muir, Jon Towlson, Karl Freund, LMK Sheppard | 1 Comment

So I just finished reading the last book in my library… okay, that might not be entirely true. Or even close. But I do know that I have plenty of wonderous volumes just waiting for me to dig into when I do have the time. Plus, these numerous tomes all there when I need to do a little research, so just like they say, you can actually learn things from them!

Anyway, I was scrolling through McFarland’s website and came across several new book titles that are (hopefully) coming out this year that immediately got my interests. None of these have any release dates, and some don’t have a lot of information about the actual book, such as page count, but I think you’ll be able to get an idea of what the book is about.

The first one is Global Horror Cinema Today by Jon Towlson, which according to the cover, it represents 28 films from 17 different countries, with each chapter focusing on a particular country, looking into what frightens the native people there, and how it can cross over to an international audience. Some of the films covered are It Follows (2014), Grave aka Raw (2016), Busanhaeng aka Train to Busan (2016), and Get Out (2016), as well as discussing another 100 titles.

The thing that I really love about the concept of this book is to show horror fans how big the genre is and that to limit oneself to only films from our own country, or in your own language, makes you missing out on some amazing cinema. Especially with all the films available online in different streaming outlets, it gives fans even more opportunity to see some incredible cinema. So I really look forward to this title to maybe show me some titles I have missed, as well as hearing what Towlson has to say about these films and the countries where they are from.

It is priced at $39.95 and is in softcover format. Continue reading →

Horror History: Karl Freund

June 11, 2020 by Jon Kitley in Horror History and tagged Dracula, Karl Freund, Mad Love, Murders in the Rue Morgue, The Mummy | Leave a comment

freund Karl Freund
Born Jan. 16th, 1890 – Died May 3rd, 1969

Karl Freund was a German cinematographer that worked with some other top names in the business: Robert Wiene, F.W. Murnau, and Fritz Lang. When he finally made his way over to the states, Universal quickly put him under contract, where he would photograph several of their films, including a few horror films like Dracula (1931) and Murders in the Rue Morgue (1932). He would eventually direct a few films, two of them being horror, and both of which have become classics. The first one was The Mummy (1932) starring Boris Karloff, the second one was Mad Love (1935), starring Peter Lorre. This would be his last film as a director.

Freund went back to being a cameraman, because that is what he knew best. He won an Oscar for Best Cinematography for The Good Earth (1937), nominated again for Blossoms in the Dust (1941), and was given an Oscar in 1955 in the Technical Achievement department for the design and development of a direct reading brightness meter. He eventually went to work in television, specifically on the I Love Lucy show, and helped developed the 3-camera system for filming TV shows, which is still being used today. He also developed a new way of lighting the sitcoms, making them look a lot better than what they had been.

So while he was obviously a very talented cameraman, and gave the industry some amazing technical advances, he also gave us horror fans some great movies to watch, which we still continue to do today!